Open your mind and open a book, other than some several thousand year -
old fairy tale about talking snakes, floods requiring more water than exists in the entire solar system to create, mythological heaven dwellers who stole men's wives, ful of numerology and suppossed «fulfilled prophesy».
Not exact matches
You're an insecure
old biddy who thinks there is only one atheist here and he / she only cares
about you and your fractured
fairy tale.
I love hearing
about girls who save their brothers from curses and trick the villain to get to their happy endings, and I appreciate
fairy tales even more as I get
older.
She brings them home, begging if they hesitate, but fails to find that one true love, the kind you hear
about in
fairy tales and
old French films.
The kids, led by six - year -
old Moonee (the arrestingly but never studiedly precocious Brooklynn Prince), regard the motel as the
fairy -
tale castle it garishly pretends to be, scampering
about like Eloise in a down - market Plaza under the watchful eye of beleaguered manager Bobby (Willem Dafoe, radiating exhausted compassion).
The story, based on the
old French
fairy tale about the bookwormish, independent Belle (Emma Watson, «The Perks of Being a Wallflower»), following her addled father, Maurice (Academy Award winner Kevin Kline, «A Fish Called Wanda»), to a dark spooky castle in a haunted wood.
What It's
About: «A 12 - year -
old boy attempts to deal with his mother's illness and bullying by his classmates by escaping into a fantastical world of monsters and
fairy tales that explore courage, loss and faith.»
A watery romance that's a cross between a fable, a
fairy tale, and a fantasy, The Shape of Water is both a tribute to
old Hollywood and an allegory
about those on the margins of society, set in 1960s Baltimore during the height of the Cold War.
In an interview with THR for The Shape of Water — a romantic
fairy tale about a woman (Sally Hawkins) and amphibious humanoid (Doug Jones) set in 1960s Baltimore — del Toro revealed that the film's inspiration was drawn from the happier ending he imagined for The Creature from the Black Lagoon since he first saw the film as a 7 - year -
old.
Denying evolution is like denying the Holocaust; but a frank disavowal of
fairy tales about an
old man in the sky who watches sparrows and listens to prayers is even riskier.