Sentences with phrase «old father king»

Not exact matches

Dear Marco, King David was rather ignored by his father, Jesse and his (older) brothers.

We do not miss the loyalty of David's mercenary troops (15: 19 - 21); the narrator's conviction of the mature quality of David's faith (15:25 f.; 16:12); the essential gentleness of David in these most wretched hours (16:5 - 14); the brilliant, carnal symbol of Absalom's irrevocable usurpation (16:20 - 22) and its portentous recall of the David - Nathan encounter (II 12:11 - 12); the arch Old Testament realist, the remarkable pragmatist Ahitophel (17: 1 - 23); Joab, who always acts like Joab (18:10 - 15; 19:1 - 7; 20A - 13); David's pathetic concern, implicit throughout, for the defiant son (18:1 - 5); the moving grief of a father's utter brokenness in the loss of his son (18:33); the reassertion in this critical time of the old and always fundamental north - south cleavage (19:11,41 - 43); David's profound and probably chronic annoyance with the crude, brash, «muscular» ways of Joab and his brothers, the sons of Zeruiah (16:10; 19:22; see also 3:34 b; 3:38 f.); and finally, in a kind of pausal summary before the last scene of David's reign in I Kings 1 - 2, the statement of David's very modest bureaucracy (20:23 - 26; cf. the extensive elaboration of this structure under Solomon, I Kings 4:1 ffOld Testament realist, the remarkable pragmatist Ahitophel (17: 1 - 23); Joab, who always acts like Joab (18:10 - 15; 19:1 - 7; 20A - 13); David's pathetic concern, implicit throughout, for the defiant son (18:1 - 5); the moving grief of a father's utter brokenness in the loss of his son (18:33); the reassertion in this critical time of the old and always fundamental north - south cleavage (19:11,41 - 43); David's profound and probably chronic annoyance with the crude, brash, «muscular» ways of Joab and his brothers, the sons of Zeruiah (16:10; 19:22; see also 3:34 b; 3:38 f.); and finally, in a kind of pausal summary before the last scene of David's reign in I Kings 1 - 2, the statement of David's very modest bureaucracy (20:23 - 26; cf. the extensive elaboration of this structure under Solomon, I Kings 4:1 ffold and always fundamental north - south cleavage (19:11,41 - 43); David's profound and probably chronic annoyance with the crude, brash, «muscular» ways of Joab and his brothers, the sons of Zeruiah (16:10; 19:22; see also 3:34 b; 3:38 f.); and finally, in a kind of pausal summary before the last scene of David's reign in I Kings 1 - 2, the statement of David's very modest bureaucracy (20:23 - 26; cf. the extensive elaboration of this structure under Solomon, I Kings 4:1 ff.).

Looking ahead to Absalom's arrogant rebellion against his father, so soon to follow, we wonder if this is not also, and perhaps chiefly, a convenient excuse for removing the king's oldest son Amnon, who might have proved an obstacle to Absalom's own consuming ambition.

Even more commonly it has been said that God in the Old Testament is a king while in the New Testament he is a father, or, in other language, that justice is his attribute in the one and love in the other.

The political symbols of the older traditional theology Father, King.

Whatever the source, the incident was so tasteless — particularly because King's 17 - year - old daughter had not known about her father's jail term — that it left many at the Speedway, fans and competitors alike, feeling foul and dirtied.

The same finding occurred in a sample of boys one might consider «Oedipal victors» (e.g. 3 year old and older boys who sleep with their mothers in the absence of their fathers)-- a finding which directly opposes traditional analytic thought» (Forbes and King 1992).

The new King's father, the former Prince William, has just stepped down at the ripe old age of 91, having served for about 40 years.

She and Robert Mickens, the father of 15 - year - old Nisa Mickens, who was killed by MS - 13 along with Kayla in September, were introduced to Mr. Sessions by Congressman Peter T. King, a Republican whose district includes Brentwood.

Single male, father of an eight year old king.

The son of Prince N'Jobu, Killmonger's father was killed by T'Challa's dear old dad King T'Chaka when he was a boy.

Boys Don't Cry, her first Oscar, is the awkward version of drag king Julie, and her Million Dollar Baby Oscar was for exactly this role in exactly this premise: a classless girl at odds with her upbringing enlisting the aid of an old trainer - cum - father surrogate to teach her how to, in essence, keep her hands up.

Also worthy of honors are Christopher Plummer as the old skinflint J. Paul Getty in «All the Money in the World»; Ray Romano, as the concerned father of a sick woman in «The Big Sick»; Steve Carell as a dead ringer for tennis hustler Bobby Riggs in «Battle of the Sexes»; and Ben Mendelsohn as King George VI, who gradually finds himself warming toward Winston Churchill in «The Darkest Hour.»

The Black Panther is not necessarily the king of Wakanda; T'Challa was the Black Panther when he was still a prince, presumably because his father had gotten too old for the gig.

Related Reviews: New to Blu - ray: The Black Stallion • Blast from the Past 1993: Hocus Pocus • Mrs. Doubtfire • Father Hood & Life with Mikey • Sister Act 2: Back in the Habit Animal Films: Dolphin Tale • Cheetah • How to Train Your Dragon • The Lion King • Old Yeller Lori Petty: A League of Their Own August Schellenberg: Eight Below Mykelti Williamson: Forrest Gump

Gulliver's captivity is short - lived as is the Lilliputians» fear of him, as he befriends lovelorn peasant Horatio (Jason Segel, doing an admirable, casual old English accent) and saves Princess Mary (Emily Blunt) and her father King Theodore (Billy Connolly) from kidnapping and fire, respectively.

There is even a dick joke of sorts in the Old Testament, specifically the Book of Kings, in which King Rehoboam, intent on proving himself a harsher ruler than his late father, King Solomon, is advised by his old buddies to declare, «My little finger shall be thicker than my father's loins.&raqOld Testament, specifically the Book of Kings, in which King Rehoboam, intent on proving himself a harsher ruler than his late father, King Solomon, is advised by his old buddies to declare, «My little finger shall be thicker than my father's loins.&raqold buddies to declare, «My little finger shall be thicker than my father's loins.»

His father, John B. King Sr., was a 66 - year - old retired public school teacher and administrator, who had been the first African - American principal in Brooklyn and later, the city's executive deputy superintendent of schools.

While it's true that there is no way to know how King would have responded to charter schools or voucher programs, his oldest son is convinced his father would approve.

Coretta Scott King Honor — winner Woods introduces us to «shy, perfectly plain» Zoe Reindeer, an 11 - year - old girl who prefers to spend her days in her father's nursery, Doc Reindeer's Exotic Plant Wonderland, dreaming up imaginary worlds full of excitement and faraway places — everything that seems to be missing from Zoe's life.

Zelda is supposed to possess the power to seal the Calamity Ganon into captivity but the death of her mother when she was six years old has given her doubts... she feels unprepared and, worse, she has found herself to be something of a nerd and her father the king consistently undermines her confidence by telling her she must abandon «playing at being a scholar» and focus on her training.

It is furnished with an old campaign chair and sundry poetical odds and ends, including fragments of tapestry; one shows the crown heads of a king and queen — or father and mother.

2017 Secrets and Stories, Casa das Histórias, Cascais Depression Pictures, Marlborough Fine Art, London 2016 Old Meets New, Casa das Histórias, Cascais Dancing Ostriches, Marlborough Fine Art, London Paintings and Etchings from the 1980s, Frieze Masters, London 2015 Cousin Bazilio and Other Stories, Marlborough Galería, Madrid The Poacher, Casa das Histórias, Cascais 2014 The Last King of Portugal, Marlborough Fine Art, London 2013 Dame with the goat's foot and other stories, Marlborough Fine Art, London 2012 Retrospective, The Gulbenkian Museum, Paris Balzac and other Stories, Marlborough Fine Art, London 2010 - 11 Retrospective exhibition, Museum of Contemporary Art, Monterrey, Mexico; Pinacoteca de Sao Paulo 2010 Oratorio, Marlborough Fine Art, London 2008 Human Cargo, Marlborough Chelsea, New York Retrospective Exhibition, Museo Nacional Centro de Arte Reina Sofia, Madrid; National Museum of Women in the Arts, Washington O Vinho, a series of eight lithographs, Marlborough Fine Art, London; Galeria Marlborough, Madrid 2006 Marlborough Fine Art, London Paula Rego in Focus, Tate Britain, London 2003 - 04 Corner 2004, Charlottenborg, Copenhagen Jane Eyre and Other Stories, Marlborough Fine Art, London 2002 Celestina's House & Paula Rego — Jane Eyre, Yale Center for British Art, New Haven 2001 Nursery Rymes e Outras Gravuras, Parque das Nacoes, Lisbon So desenhos Paula Rego, Fundacao Arpad Szenes - Vieira da Silva, Lisbon 1999 The Children's Crusade — a suite of 12 etchings, Marlborough Graphics, London Recent Work, Marlborough Galeria SA, Madrid O Crime do Padre Amaro, Fundação Calouste Gulbenkian, Lisbon Open Secrets — Drawings and Etchings, Centre Culturel Calouste Gulbenkian, Paris Children's Crusade, Edinburgh Printmakers Workshop 1988 The Sins of Father Amaro, Dulwich Picture Gallery, London Pra Lá et Pra Cá, Galerie III, Lisbon Pendle Witches, Marlborough Galeria Madrid 1997 Retrospective exhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNBA, Lisbon

Up to his usual mischief, nine - year - old Kiefer upsets his father, the King of Gran Estard, more than ever before and flees to his room in hopes of escaping his punishment.

However, US research on older age groups found that length of residence, as well as adolescents» positive socio - emotional adjustment and relationship with the mother, all appeared to make it easier to relate to a resident non-biological father figure (King, Amato & Lindstrom, 2015; King, Thorsen & Amato, 2014).