Sentences with phrase «old film need»

Not exact matches

Like film gypsies, our family is always moving aournd, and with a 9 month old gypsy baby as part of our team we need equipment that is lightweight and hassle free.

We need to reward film makers like Sue who highlight and celebrate the older woman!

I suppose DreamWorks and Touchstone were walking a fine line — they didn't want the older demographic thinking this was a kiddie movie so they needed a PG - 13 rating, but I think this film would have been just as effective if they toned it down a tad.

Giving needed life lessons to the new / younger generation, while still caring about it's older audience, this film balances the old and the new in such an interesting way.

You would think a film like this, that rips off of almost every Hollywood comedy for it's story, (mainly «The Hangover») that it would be very dry and forgettable, but it has many heartfelt moments that surprised me, and a group of old guys saying they are «too old for any of this stuff anymore» and «we need to appreciate life more» seems too much, but it's not.

In some ways, though, the film's real heart and conscience is old Thaddeus Stevens — who must wrestle with reconciling his deeply held beliefs on equality with the need for compromise that will lead to more politically palatable gradual change.

In the film's stronger moments, the artist in her definitely seems to be saying that the impulse to retreat into cultural fundamentalism carries dire risks, that much of what is old and traditional needs changing and there are some things about the detested process of globalization that are wonderfully liberating.

The performances were all very good, especially that of Gordon - Levitt, and if what you need is a film that keeps you guessing rather than spoonfeeding you the same old stuff, this might fit the bill.

Fincher's excellent at whatever the film needs — Freeman sulking around because he's a lonely old cop and it's what lonely old cops do, Pitt doing a chase sequence, even John C. McGinley's glorified cameo as the SWAT commander has some good procedural sequences — but he doesn't actually have a real vision for it.

Given the speed and unpredictability of change in this arena, it's reasonable to wonder if a big - budget feature film, much less one based on a four year - old novel (by Dave Eggers, who co-wrote this adaptation's screenplay), can hope to speak to the needs of the moment.

It also highlights the effort that Linklater has made in support of Independent filmmaking and how he was influential in helping create the Austin Film Society whereby old film prints could be saved and showed, as well as raising money from filmmakers to help make more films.Overall, it does little but scratch the surface and a bit more in - depth analysis to his films would have been welcome but to paraphrase Billy Bob Thornton on the outtakes at the end; «Rick Linklater doesn't need anyone to make a documentary about him.

I personally am shocked that the film is nominated for a screenplay award and supporting actress (nothing against Melissa McCarthy because she is an awesome) but if that's all Hollywood needs from a script is a bunch of women fighting like 8 year olds and pooping in the street, please let me know and I will have my brothers write you up a screenplay in a few hours.

I would have been so much more satisfied walking out of the screening had the film been about 40 - year - olds and their struggles with deciding what it means to be that age and if they need kids to be happy.

Guy Ritchie's momentum and speed - ramping flourishes distract from the rickety mystery, but I'm not convinced that the old - school detective stories need to be turned into a spectacle - laden action film.

Inglourious Basterds is really well written but I can't imagine the wide support it'd need to win, (500) Days of Summer might seem too slight of a film even though it is wonderfully written, and the Coen's just won a ton of Oscars for No Country for Old Men which I'm sure will hurt their chances.

It is a rough film with a warm heart, about a grumpy old man and a juvenile misfit who don't understand each other but look after each other's welfare when needed.

If one knows the first film, which openly doubted the need for reviving an old intellectual property (such as the television show upon which it was very loosely based) in the years or decades after it first appeared, this will come as no surprise.

After film reviewer Jan Wahl took issue with Tarantino's assertion that kids older than 12 would enjoy the violent «Kill Bill,» the director told Wahl that she needed to separate movies from the real world.

It argues that we need an open, inclusive and truly international approach to understand anew both old and current film and media works.

Every scene is constructed with a need for mass appeal, targeting slapstick for the kiddies and plenty of old film references for the adults, and almost all of these are a distraction from the main story, rather than a means to enhance the characters or plot.

«Cable brings a presence to the film that is really important because when you have Deadpool, who at core and heart is a 16 - year - old boy, you need an adult around,» Reynolds says.

Last year's Spielberg film, «War Horse,» pushed the Old Hollywood artifice to a breaking point, and it had me wondering if Spielberg needed a change - up in terms of his longtime collaborators.

Yet other than the mandatory violence needed to fight off alien invaders, the film contains a marginal degree of content that may cause parental concern for older teen viewers.

For my taste McQueen lingers too long on scenes of brutal floggings and assaults (though the sex is not tastelessly explicit), which may be what white viewers need to be reminded of — except excessively explicit violence is a staple of many modern films, where the old saying that «less is more» has long been forgotten.

«Love & Mercy» is an old - fashioned film, I know, about a woman saving a troubled man, not simply because she loves him, or likes his music, but because she possesses a nuanced detailed power of sympathy that waits for someone who needs rescue and who has taken up the odd challenge of selling Cadillacs as a way of finding him.

It's the film's universal truths — among them the constant splintering and rebuilding of familial relations, the open road as an open - ended metaphor, and the need for continued purpose and relevancy as one grows older — that makes this six - time Oscar nominee (including a Best Picture nod) less a movie involving a specific state and more a film evoking a specific state of mind.

This movie would have been better with a heavier focus on just these two rather than bringing in their SNL entourage, as evidenced by the film's funniest scenes — when Kate helps Maura hit on the neighbor or when they dig through their old bedroom or when they go to the mall to shop for party clothes, in a makeover montage gone wrong, before concluding that they need a little less Forever 21 and a little more Suddenly 42.

As yesterday's news set in that The Shape in the original Halloween, Nick Castle will resume the iconic role of Michael Myers again in the new Halloween movie, executive produced by John Carpenter and arriving in theaters in 2018, many fans questioned if the 70 - year - old Castle would need a walker for the film, to which a humorous response was posted by Castle's friend and associate Sean Clark (Horror's Hallowed Grounds, Convention All Stars).

The movie included several hits from the 80s, as director James Gunn had earlier pointed out in an interview that he needed the old, forgotten classics of the past in the film, as Chris Pratt's character, Peter Quill, belonged to the same era.

The film is a flawed - but - joyful throwback to the gritty racing films of old, for good or ill, and so I'll have to give Need for Speed a pass.

It needs that — Get Out is already eight months old and few films released in February are ever nominated for Academy Awards, let alone those made by black first - time writer - directors like Jordan Peele, and in the horror genre no less.

It is the type of film that might not appeal to fans of Westerns, but those who have even a little appreciation for the old frontier that have never seen this feature need to.

He captures the innocence of his nineteen year old character yet possesses the presence needed to carry the film.

I need to get into more of Costner's older films, I'm a relatively new fan of his, but yes I do like him a lot.

Cataracts in Dogs: What You Need to Know: Owners of older dogs often notice begin to notice a bluish white film start...

I campaigned for Rococo and Baroque art (because clearly 400 - year - old art movements need a champion) and became enchanted with Matthew Barney's meandering but aesthetically pleasing films.

It has so much more character and easy to add drawers, maybe you can add metal old wheels to the bottom so you can roll it out and away when you need to photograph or film