Sentences with phrase «old narrative at»

Not exact matches

What is less clear to me is why complementarians like Keller insist that that 1 Timothy 2:12 is a part of biblical womanhood, but Acts 2 is not; why the presence of twelve male disciples implies restrictions on female leadership, but the presence of the apostle Junia is inconsequential; why the Greco - Roman household codes represent God's ideal familial structure for husbands and wives, but not for slaves and masters; why the apostle Paul's instructions to Timothy about Ephesian women teaching in the church are universally applicable, but his instructions to Corinthian women regarding head coverings are culturally conditioned (even though Paul uses the same line of argumentation — appealing the creation narrative — to support both); why the poetry of Proverbs 31 is often applied prescriptively and other poetry is not; why Abraham, Isaac, and Jacob represent the supremecy of male leadership while Deborah and Huldah and Miriam are mere exceptions to the rule; why «wives submit to your husbands» carries more weight than «submit one to another»; why the laws of the Old Testament are treated as irrelevant in one moment, but important enough to display in public courthouses and schools the next; why a feminist reading of the text represents a capitulation to culture but a reading that turns an ancient Near Eastern text into an apologetic for the post-Industrial Revolution nuclear family is not; why the curse of Genesis 3 has the final word on gender relationships rather than the new creation that began at the resurrection.

In Thomas there is no attempt at providing a historical framework for the ministry of Jesus (as already noted, the sayings are regarded as spoken after his death); there are no miracles; there is no passion narrative; there is no correlation with the Old Testament.

The sermon's narrative runs continuously like the old serial matinees at the movies, but the preacher experiences the sermon as an artistic and religious endeavor that must be repeated every week.

First, it is not unimportant that the legislative texts of the Old Testament are placed in the mouth of Moses and within the narrative framework of the sojourn at Sinai.

Mary stands, along with John the Baptist, at a unique point of intersection in the biblical narrative between the Old and the New Covenants.

Games between Liverpool and Manchester United at Old Trafford tend to follow a certain narrative with a free - flowing attacking unit coming up against a double - decker bus.

The comrades need to grip this and develop a narrative that is compelling and attractive before they get all jiggy with the Lib Dems, especially at the local level — it's like the old saying, if you fight a pig, you both get dirty but the pig likes it.

Moralioglu, a self - confessed classicist known for the rich narratives behind his collections, bought the portrait at an auction last month, and it couldn't be more indicative of the space he has carved out as a go - to for old - world elegance in a market that is increasingly crowded with an athletic, hyper - branded aesthetic.

Let's hope Peculiar Children can put a fresh spin on the tired «you're so special» narrative, or at the very least, mock it openly like an old Burton movie would.

There are other issues here, ones that involve pacing and tone and narrative momentum and Bilbo's own lack of significance in a story that's allegedly all about him, but all I can think about right now, 30 minutes after exiting the theater, is how badly I need to go see it again at a reasonable 24 frames per second in regular old 2D in the hope that I can fully immerse myself into this too - long, too - repetitive saga.

The head - shaking silliness of all this aside — compounded shortly thereafter when Crowe graces us with a rousingly ahistorical oratorical salute to good old centuries - distant democracy — what's telling is the relative weight of narrative emphasis on this wholly unnecessary chunk of backwards - looking motivation at the expense of the still - progressing story.

At a certain point, Parvana seems willing to share this parallel narrative with anyone who will listen, though the meandering fable isn't compelling enough in its own right, and really only serves to reveal the fate of her absent older brother.

As the narrative weaves back and forth between the 1980s, and present day, we come to learn how 30 - year - old Katie (Amanda Seyfried) battles the demons that stemmed from her troubled childhood and simultaneously watch how Jake fights to hold on to the thing he loves most — his daughter, at the cost of his fortune, sanity, and ultimately even his own life.

Slow West Directed by John Maclean (UK, New Zealand)-- New York Premiere, Narrative At the end of the nineteenth century, 16 - year - old Jay Cavendish (Kodi Smit - McPhee) journeys across the American frontier in search of the woman he loves.

While this is justified from a storytelling standpoint, with Tyler's 19 - year - old Lucy arriving in Italy at the beginning of the picture and greeting her cohabitants for the summer, the film takes forever to achieve narrative momentum as a result.

Soderbergh and first - time screenwriter Coleman Hough weave the movie's manifold narrative strata into one another in ways reminiscent of Frederico Fellini's «8 1/2,» while feeling like off - the - wall, old school Soderbergh at the same time.

As the narrative weaves back and forth between the 1980s, and present day, we come to learn how 30 - year - old Katie battles the demons that stemmed from her troubled childhood and simultaneously watch how Jake fights to hold on to the thing he loves most — his daughter, at the cost of his fortune, sanity, and ultimately even his own life.

But that's easily debunked — just look at Pixar's roster, which features a number of magic - feather narratives but also includes stories largely about family, friendship, and growing older.

And like the old «Secret Life of Walter Mitty,» starring Danny Kaye (I haven't seen the remake yet), it offers a narrative that's at least one - fourth occupied by fantasy segments — yet there isn't enough variety in those segments or enough revelation of character beyond the «I wan na be famous» impulse that drives Pupkin to make them interesting.

At - risk children running wild and having too much fun to know why they're hurting inside; a poverty - line motel named the Magic Castle, a cruelly short distance from Orlando's Walt Disney World, run by a kindly, big - hearted manager; a pace of perpetual motion set by the 6 - year - old with the reckless mother at the narrative center: It sounds like the stuff of vicious pathoAt - risk children running wild and having too much fun to know why they're hurting inside; a poverty - line motel named the Magic Castle, a cruelly short distance from Orlando's Walt Disney World, run by a kindly, big - hearted manager; a pace of perpetual motion set by the 6 - year - old with the reckless mother at the narrative center: It sounds like the stuff of vicious pathoat the narrative center: It sounds like the stuff of vicious pathos.

He is less concerned here, unlike, say, «Secrets & Lies» and «Vera Drake», with following a driving narrative than with minutely observing Poppy through her relationships with others, whether it's the kids she teaches at her primary school, her repressed driving instructor (Eddie Marsan, excellently playing a heavy - duty bag of hang - ups), her close friend and flatmate Zoe (Alexis Zegerman) or her older, more settled colleague Heather (Sylvestra Le Touzel), whom she joins at flamenco lessons after work.

At once informative and entertaining, the fast - moving narrative tells an age - old story about our capacity to be conned.

The narrative then flashes ahead 10 years — to 10 - year - old Claire and 13 - year - old Abigail, enjoying their usual summer at their lake house.

It was powerful, even at an early age, because unconsciously I'd already bought into that narrative about running to the wild to heal yourself, and I think the same can be said for the subjects of those other, older stories in the book.

Go traditional at the Old Lahaina Luau, which offers a historical narrative in a beautiful oceanfront setting, with traditional Hawaiian dancing and delicious food.

Add to that a poorly paced narrative devoid of substantial character development and a battle system that fails to meet its full potential and I can't help but feel something important is missing, Regardless, Assassin's Creed: Origins has a lot to offer new and old fans alike - though the state of its technical performance at launch is highly questionable.

The Sensation award is about experimentation at heart, something out of the ordinary, novel aesthetic, a twist on an old mechanic, a fresh narrative, or just amazingly well - tuned.

What all the games have in common is that they have experimentation at heart, that they try for something out of the ordinary; be it a novel aesthetic, a twist on an old mechanic, a fresh narrative, or are just so well - tuned that they bowled us over.

You'll scoff at the design trappings of a four - year - old game from a ten - year - old platform, marvel at the personalization behind its mechanics, revel in consuming its substantial amount of content, openly dismiss and simultaneously embrace its bonkers narrative, and maybe come to terms with the weird and winding road Type - 0 drove into existence.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

With choreography specific to the structure of the building, a soundscape recorded over a month - long residency, and a narrative inspired by the centuries - old curatorial conundrum of the «Summer Exhibition», this is the London premiere of a performance which has taken different forms at a number of venues including the National Museum Stockholm, the Hamburger Kunsthalle and Birmingham Museum and Art Gallery.

Figgis writes that Yiadom - Boakye is «Clearly influenced by old masters like Goya and Valazquez, she hints only slightly at a narrative.

The merging of human and plants components adds a speculative element to the paintings, adding a narrative effect that harkens old horror tales and subtly hints at popular culture.

A natural extension of the racial, cultural and historic narratives explored in her practice, the sugar - coated work was commissioned by Creative Time and is on view at the old Domino Sugar refinery in Brooklyn.

He pulls at the threads of a particular narrative of spiritual bankruptcy, in which modern man has killed the old gods and replaced them with his own image — which is not necessarily a good thing.

Within the context of Samuel Roy - Bois» current installation, Not a new world, just an old trick at SFU Gallery until December 14, this panel will unpack the dynamic between built environments and the fictional narratives suggested by architecture and art.

Hemings is the subject of one of two shows at the Studio Museum, which both dig up old narratives, and both pull out a very fresh take on identity.

They also threw mud at the Mann hockey stick from AR3, but AR4 had already replaced that in 2007, and they mostly didn't care about the little detail that those emails were 10 years old, from 1999, because it spoiled their narrative of implying ongoing issues.

We have seen lots of allegations and snippets of evidence of grotesquely misleading, cherry - picked, bullying tactics aimed at confirming a narrative in support of a political agenda, that flout the age old tenets of the scientific method.