Sentences with phrase «old objects into»

Inspired by Matt Gonzalez and the San Francisco Collaging Collective, we'll be remixing old objects into our own unique works of art.

Not exact matches

The alchemists of old attempted to transform or transmute certain objects into other objects (most famously, base metals into gold).

You don't even notice that you are using the old ideas when you describe the phenomena; for example, you put them into time and space or say that objects are solid.

1 - year olds and younger love shape sorters because it satisfies their need to move and place objects into containers.

If an older child has received a degree of special treatment such as foster care or a especially assigned and paid for caretaker within the institutional setting, this may certainly facilitate a smoother transition to an American home but it is so very important that newly adoptive families understand that they are a very different experience to the older post-institutionalized child who may view them as objects of indiscriminant attachment or people who can be easily manipulated into giving all the things which they never had: food, clothing, toys, games, socialization and unconditional love in the absence of structure or consistency.

Webb — custom - built to study these murky epochs — could use gravitational lensing to unveil these and even older galaxies in sufficient detail and number to pin down exactly how these ancient objects arose and first brought light into the universe.

Lead author Dr. Danail Obreschkow, from The University of Western Australia (UWA) node of the International Centre for Radio Astronomy Research (ICRAR), said that ten billion years ago the Universe was full of clumpy galaxies, but these developed into more regular objects as they evolved; the majority of stars in the sky today, including our five billion - year - old Sun, were probably born inside these clumpy galaxies.

On Friday, 11 - year - old Cannan Huey - You walked up to his poster and described research on the object known as Complex A, a massive gas cloud destined to crash into the Milky Way.

There have been several instances where women have been used a mere sex objects by older men, who had no intention of getting into a relationship with them.

Uranium dating is one of the ways of determining the age of ancient objects, even one million years old, by measuring how much of the following are present in them: the amount of radioactive isotopes of uranium, and the amount of other materials into which the radioactive isotopes would decompose.

Timothée Chalamet stars as the 17 - year - old Elio, summering with his archaeology professor father (Michael Stuhlbarg) in the Italian countryside; Armie Hammer features as the 24 - year - old grad student assistant who moves into their villa, and who becomes Elio's object of desire.

Whether it's the Bunsen burner or the microscope, scientists young and old are being asked to post their nominations along with a photo or picture if available, online www.scientificlaboratoryshow.com The top ten nominated objects will go into the Show's «Hall of Fame» on 25th May, and delegates will be asked to vote for their Number One object during the Show and conference.

School grounds should be inspected for potential hazards such as: • Verandah poles outside doorways, in thoroughfares or in situations where students are unlikely to see them, especially while running; • Steps and changes in level which are poorly proportioned, difficult to see or lack handrails; • Fencing, gates and railings which students climb and which have structural problems, sharp protrusions, splinters or other hazards; • Trip hazards at ground level — protruding drainage pit covers, irregular paving, cracks or tree roots in thoroughfares, broken off post or other remnants of old structures; • Loose gravely surfaces on slopes and where students run; • Slippery patches which may stay damp in winter; • Rocks which students can fall onto or throw around; • Embankments which students can slip down or which have protruding sharp objects; • Blind corners in busy areas; taps and hoses which are positioned where students play or walk; window glass at low levels through which students could fall; • Holes, cracks or exposed irrigation fixtures in ovals; • Trees or shrubs with poisonous parts, sharp spikes or thorns or branches at eye level; • Splinters and deteriorating timbers in seats, retaining edges and other wooden constructions; • sSeds or other areas with hazardous chemicals or machinery to which students have access; rubbish skips which students can climb into or around, or which place students at risk when trucks enter the school; • Areas within the site used for car parking when students are present; and, • Sporting equipment such as goal posts or basketball rings which have structural or other design or maintenance problems.

THE WIDTH AND configuration of the interior have allowed us to haul objects we couldn't dream of loading into our old Grand Cherokee.

It's not about dressing up in pseudo-Victorian garb and attending ComiCon, instead it's about the culture of taking an object and recreating it into a new technology that suits the user's purpose, about the age - old craft of tinkering with something until it becomes new again.

The old answer was that the eye gave us the object in a series of positions which we then strung together into a movement.

Exploration is only meaningful if rewarded with discovery, and when you do stumble upon an object with which your girl can interact — like an old building facade littered with spent rifle shells — you are granted not just an item to collect for your basket and potential rooms to unlock in Grandmother's house, but a short line of pop - up text that gives insight into your chosen avatar's thoughts, feelings and personality.

- get Public Works tasks from Isabelle - early on you'll have to build a school - choose the outside look from a selection of options then work on the inside - inside includes work on benches, lockers, tables and more - later you'll work on a hospital, cafe, a shop and more - the hospital tasks you with working on multiple rooms - use the stylus to drag and drop items into the playing field - tap the object to change the perspective and move them all easily to somewhere on the grid - drag the characters around as well - tapping on the D - Pad lets you change the camera angle - move around with the Circle Pad and interact with others by pressing the A-button - the plaza is where old and new animals are gathered - a speech bubble above a head denotes requests - once you've wrapped up the development of a property, a scene will play where the animals interact with the property - animals will say specific things when they are in stores / school or comment on things that are placed around the house - throw in your own favorite characters by purchasing amiibo cards - scan them and they will enter the house or scene - cards also give requests from characters before you even meet them in the game - some characters are exclusive to the cards - put data back on the card and give that information to the friend

A bunch of older games had split graphics like stages into tiles (small images that are, like, 16 × 16, though size can vary) and the devs wrote code to make the tiles repeat in different ways to make different objects in order to reduce size.

There's one that lets you summon Amiibos into the world, such as Twilight Princess» Wolf Link (the timeline is in tatters) and, finally, there's a Rune called Cryonis that replaces the Ice Arrows of old, letting Link create pillars of Ice from water to help create platforms and lift up certain objects.

Thomas Kiesewetter recycles scrap metal and old plate for his sculpture Blue Violet (2008) and John Bock combines various materials — including wrappings and small everyday objects, such as cotton buds or cocktail skewers — into miniature assemblages reminiscent of cabinets of curiosities.

Or is she trying to secure the entwinement between old and new by laboriously weaving her subject matter into delicate physical objects?

The elevation of the found object and the devotion to chance, key procedures in the work of both those artists, unexpectedly achieved an apotheosis in the tinkling piano of Tinguely's own Homage to New York, 1960, a piece that, at its premiere in the gardens of the old Museum of Modern Art, New York, famously collapsed into flames — the

Scraps of fabric, broken dishes, old jewelry, lost and found objects: these are the materials that work their way into Graven's art.

Some of his pieces include intricate fabric weavings from old scraps and other works transform kitschy household objects like ketchup and mustard bottles and corn cob holders into artistic elements.

To assist with welding colanders, other objects, and scraps of old iron into unique sculptures as convincing as statues, he enlisted Julio Gonzalez, a fellow Spaniard.

In poetical interactions, guided by intuitional laws she is arranging the found specimen into new formations and compositions, bringing back to life these old, forgotten objects and remains, as reminders of the past, waste, life and death.

By inserting the trickery of art into old, used historical objects, Ratna Wulan intends to reconfigure these things again as an artist - trickster.

In «New Geometries,» one of Gibson's shaped canvas paintings uses the armature of an old ironing board multivalent in meaning: a readymade, shaped canvas; an homage to his grandmother who was a meticulous housekeeper; and the transformation of a domestic object into a power object — a shield.

«The Cemetery of Reason» features old and new work including paintings, photographs, silkscreens, and painted objects, many of which are arranged into some pretty awesome clusters.

Dutch artist Reus's architectural sculptures — the latest body of which has been co-commissioned by and shown at the Hepworth Wakefield, SculptureCenter, Westfälischer Kunstverein, and the Fondazione Sandretto Re Rebaudengo — repurpose utilitarian materials (wire hangers, refrigerators, aluminum pots, steel rods, PVC - coated folding chairs, old food packaging) into structured works that reimagine the objects» original forms and functions.

«The painting leaves the studio as a purist, abstract, non-objective object of art, returns as a record of everyday (surrealist, expressionist) experience («chance» spots, defacements, hand - markings, accident - «happenings,» scratches), and is repainted, restored into a new painting painted in the same old way (negating the negation of art), again and again, over and over again, until it is just «right» again» (Ad Reinhardt, in: Americans 1963, Museum of Modern Art, NY, 1963).

Julian Hoeber's third solo show at Blum and Poe Gallery, titled All That is Solid Melts into Air, explores aged forms, bronze busts and op - art in particular, and emphasizes the way old recycled ideas shape «new» people and objects.

His subject of old and new aerodynamic technology meets apocalyptic showdown has a curious taste: On first glimpse the heavy bronze cast rockets and air balloons appears as a serious technological inquest into the subject, but on a deeper examination — juxtaposed with other works such as «Old Peculiar» (2015) combining everyday inexpensive materials such as cardboard, wax, and foam with deliberately clumsy attachments, it transpires Alex's is creating amusing objects exploring human endeavors and failed attempold and new aerodynamic technology meets apocalyptic showdown has a curious taste: On first glimpse the heavy bronze cast rockets and air balloons appears as a serious technological inquest into the subject, but on a deeper examination — juxtaposed with other works such as «Old Peculiar» (2015) combining everyday inexpensive materials such as cardboard, wax, and foam with deliberately clumsy attachments, it transpires Alex's is creating amusing objects exploring human endeavors and failed attempOld Peculiar» (2015) combining everyday inexpensive materials such as cardboard, wax, and foam with deliberately clumsy attachments, it transpires Alex's is creating amusing objects exploring human endeavors and failed attempts.

But Wattis director Anthony Huberman has managed to turn this old and tired juxtaposition into an exhibition that looks at technology not as a local industry, but as a group of machines — objects, devices, systems and infrastructure.

Salvage: Upcycling the Old into Art Through February 23 (Artist Talk Feb 10, 3 - 5 pm) Art Exchange Exhibition Space, Long Beach by Genie Davis Through February 23rd at the Long Beach Art Exchange Exhibition space, «Salvage» offers the work of twelve dynamic female artists who have turned discarded objects into art.

The resulting body of work — including mash - ups of functional objects and whimsical figurines — show an artist at the top of her form: recasting centuries old traditions into her own mold.

All images from Inhabitat Inhabitat is having a Spring Greening Contest — challenging entrants to clean out their closets and remake some old dusty household item into a found object.

Jevvers» old Toyota had been completely disassembled onto plastic sheeting, as in one of those diagrams in a child's book where a mechanical object is carefully «exploded» into labelled components.

It's a jarring change from the neutral greys used in the old widget, and has the potential to turn an otherwise classy looking smartphone into almost an object of fun.

With an emphasis on breathing new life into old, forgotten objects, it brings a hands - on approach to this thriving pastime.