Not exact matches
He had stopped his SF70H further left,
because the right - hand side was damper and he was trying to avoid the white lines and
old lines that had been
painted black.
But that has limits, and when some try to
paint him as an
old crackpot, and get away with it
because he won't be goaded, I think a line is crossed.
I know this post was YEARS ago, but I found it with a Google search
because my 9 month
old has a Melissa & Doug wooden block set that she's been chewing and I noticed green
paint around her mouth the other day.
The kids have to take turns
because some are
older and bigger so when the bigger kids go in the smaller ones get to do finger
painting... I am having the parent bring
old clothes for them so they don't ruin anything to fancy and I have tons of wipes and buckets of water on hand to clean them up.
In fact, my 4 year
old daughter loved helping with this particular craft
because she had to dig through snow to find branches to
paint!
Kids will have so much fun watching the magic as you create DIY watercolors from Skittles candy — and moms, this is a great way to use up some of the candy after Halloween or Valentine's Day Plus, this is an excellent way to create art with 1 year
olds or young children,
because the
paint is taste - safe!
That is
because an
older home is more likely to be deteriorating, creating
paint chips and lead - contaminated dust that can be ingested by younger children.
In addition to lead
paint,
older homes can also put kids at risk
because of
older lead plumbing, causing elevated water lead levels.
I like it when the
paint is thick enough for each dot to turn into a visible fingerprint with an interesting structure and when I can easily see how the flowers made by my younger child are smaller than the ones made by my
oldest because of the different sizes of fingers.
Schumer's comments add to the growing call for action in Buffalo, where elevated lead levels have been a problem for years
because of the presence of lead
paint in its
old housing stock.
«It's been an issue here in Syracuse, unfortunately for a long time, mostly due to the fact that we have very
old housing stock — which is a great access
because it's unique, but it does have it's liability
because old houses do have lead
paint in them,» Miner said.
Lead from
old pipes,
paint, or even leaded gasoline still in topsoil (with children particularly at risk
because even brief exposure can affect brain development)
The doors came off (hubby wasn't too excited about that part of the project,
because he didn't have a place to store the
old closet doors, but we'll figure that out this spring — for now they are in the garage), and then we started to
paint.
You like being busy
because if you have three little Greenwoods and do all of this; you stay absolutely busy!!!! I have an
old pie safe that I have
painted and put my china and crystal in.
It was fairly simple except for the fact that the insides of
old hutches are kind of hard to
paint because it's difficult to reach in.
I know the feeling
because I did a milk
paint black dresser as well for my
older son's room.
I was hesitant at first
because painting a family heirloom made me afraid I would get hate mail But she reassured me that they didn't care and I love the idea of making something
old, new -LSB-...]
Usually I mix it rather «thin» but recently mixed it thick
because I did want a
paint mixture that made it possible to actually build up layers of
paint for an
old European look on a chandelier.
I am 35 yrs
old, but have a very childlike nature, except when it comes to sex.I work hard, but love to
paint, draw, write, play videogames, and have fun.I am looking for a serious relationship with an attractive
older waoman.I do nt like younger women
because they are inexperienced, an immature.plus I'm...
I hope not
because it brought a somewhat strong premise with hints of
old school horror and mystery into it's own canvas, that was
painted beautiful from start to finish.
Instead of fussing over his T's sixty - year -
old paint job or the fact that the doors no longer latch securely
because the Fisher - built, wood - framed body has suffered
old - age spread, he enjoys driving his car frequently, even in the dead of winter.
Josh said is likely the worst car for the
oldest paint shop
because it's the car that everybody cares about what their
paint looks like.
Much like the often - spouted criticisms of modern art that claim «my two - year -
old could
paint that on the bedroom wall with the contents of his diaper,» are authors writing this for laughs, or
because they are genuinely fed up with what is considered award - winning and best - selling content?
That's
because old - growth wood window frames are more rot - and warp - resistant, hold
paint better, and is both dense (it terms of its internal structure) and scarce (as a resource).
It has also been called, «Costa Rica's cowboy country»
because of a variety of
painted landscapes, from the dusty,
old cattle towns in the north to the humid, mist - swathed cloud forest high in the hills.
This is mostly
because Epic have managed to dig out their
old paint sets and discovered that there are plenty of other colors in the world.
I tried this in direct sunlight and
because I had no shady spot on the roof, I rigged up an
old net curtain above the canvass, it diffused the light hitting the work and reduced all of the glare, so the
painting remained very bright.
You can see the ground I used was an
old painting that I had
painted out, and if you can, do the same,
because old paintings form an excellent seal over the canvas, and also provide a fantastic texture to work over.
If you have a very contemporary, urban style of
painting, you should probably not try to market your art to women in their 80s living in rural areas — not
because 80 - year -
olds will never purchase your work, but
because your art won't attract this demographic.
At the time I
painted it, it felt uncool and I abandoned it immediately for the rigidity of the grid, removing the mess, but after doing the Spot catalogue raisonné I've felt really drawn to that first
painting and knew I'd revisit it eventually — maybe it's
because I'm getting
older.
He could associate the Klan with assaults on Jews from childhood, but the air of confessional
painting belongs to an
older man in his studio, not least
because confession came with the less than frank irony of a cartoon.
A 37 - year -
old Art Center graduate who was in Sterling Ruby's class, Joshua Nathanson is only now starting to get attention — he's currently having his first solo show at Various Small Fires — but the timing is fortuitous,
because if Ruby's rambunctious sculptures and big - sky
paintings capture the L.A. of the aughts, Nathanson's thoughtful, computery, sleek, and telegraphic
paintings exemplify the city's present - day art moment.
At the press opening, in the conservation studio that has a glorious floor to ceiling wall of glass on the Hudson (light, light, light), a kind and concerned professional explained: «We have put glass on many
paintings for the first few months,
because, having learned a lesson from the Tate Modern, we are expecting much larger and much different crowds from the
old location, people who do not pay attention to their backpacks or care much about the art.»
Feminist critics said it was
because of her sex, but I think it had more to do with her style of
painting, which simply looked
old fashioned.
Blue Tree Grey has a 5ft wooden stand, I designed it and my dad made it, he's an
old school master carpenter, I
painted the stand indigo blue, made 6 long grey droopy branches for it, tied a grey velvet egg baby to its central pole with a blue ribbon,
because oh dear what can the matter be, Johnny's so long at the fair, he promised to buy me a bunch of blue ribbons to tie up my bonny brown hair, and there's 6 midnight blue velveteen «heads» tied to its branches, I see them as mourners, watchers, protectors, and they're my version of my all time favorite sculpture: Nature Study (Velvet Eyes) by Louise Bourgeois.
But
painting, perhaps
because it is so
old, seems unusually inclined to rebirth, to responding to its time in surprising ways.
I chose them
because they are, in many ways, the polar opposite of traditional mediums — a way to take very complex, age -
old master's techniques like reverse
painting and the glazing and layering of oil
paints, exploding them onto modern mediums that speak more to current times.
Critics pounced on Dan Colen at Gagosian and the
old porno
paintings of Jeff Koons,
because it is now entirely safe to do so.
Publicly Martin tended to deny a direct connection with other minimalists, possibly
because she was
older or
because she had taken exception to the dogmatism of Donald Judd, a highly vocal sculptor who argued that
painting was a doomed «illusionist» enterprise that could never satisfy the minimalist prescription to generate only «specific objects» in «real space».
So I like the idea of you ending up in an
old print shop,
because you've exploited that gray area between
painting and printmaking.
The 45
paintings, prints, and photographs selected for this exhibition all focus on the human body
because, as collection curator Don McNeil points out, the age -
old need to understand the human condition is vital and the human form remains its most direct manifestation.
When I went to
old house
paint, my creative exploded
because that «pillar» was out of my way.
But the principal reason the
old Masters
painted in oils and not acrylic was
because acrylics weren't invented: oils was about the only thing artists could get their hands on.
I believe that it is true, however I would look at it from a different standpoint from Canaday and as a matter of fact that had been noted, the observation that 10th Street lacked a vitality had been noted several years before, you know, by a great number of people, including Clem Greenberg, I think in print he even coined the term Tenth Street
Painting as a deneogatory term which would be that it was kind of
old hat,
because Clem Greenberg's stand of course is that abstract expressionism really lost it's pertinence after the early fifties.
Here's the press release of the day, which was selected
because the language used to describe Josephine Halvorson «s beautiful,
old - school perceptual
paintings makes them sound edgy and very fashionable — sort of relational aesthetics - y.
The next work [«Fireplace» 2014] is directly about domesticity —
because it's a chimney — but it's actually based upon a part of a very
old installation by Mike Kelley, who was a friend, but now is dead... it was created in a warehouse in New York, and he
painted this chimney on a cardboard box, and it was a very, very violent orange.
At just 26, the artist invites comparisons to the 61 - year -
old Kerry James Marshall, and not only
because they both exclusively describe the lives of black figures in their
paintings.
Artists of our generation tend to be self - taught
because our instructors, many of them
older abstract painters, liked to talk about content and form, but not necessarily about how to
paint.
The
older the better
because there are interesting things to be found on the back of an
old or new
painting.
But this might be
because their best work has been kept back to be installed in a corridor of
old GLC committee rooms - not least Kippenberger's Paris Bar Berlin, a neo-Edward Hopper
painting of the bar he had previously decorated and installed with his own works.