Sentences with phrase «old practice of painting»

Not exact matches

I have drawers and boxes full of cutouts from some old watercolours and practice linocut prints that I've used as stencils, masks or collage in other paintings, for example.

The program, initiated last year by County Executive Anthony J. Picente, Jr., targets properties in Cornhill, West Utica and parts of East Utica that are «at risk» for lead poisoning and allows the homeowners to replace old lead - base painted, single paned windows with new energy efficient replacement windows purchased at cost and using lead safe work practices.

Oneida County's housing stock is among the oldest in New York State, and while sturdy and architecturally aesthetic, is covered with lead - based paints requiring specialized knowledge of lead - safe work practices compliant with the Environmental Protection Agency (EPA) regulations that went into effect in 2010.

«Protecting our children from the hazards of lead common in pre-1978 housing has been a high priority of my administration; and while it may take years to provide adequate lead safe housing in our community, there are measures we can take now to reduce children's risks of lead poisoning, including insisting that rental property owners replace or repair older windows and chipping and peeling lead paint and ensuring the work is performed by EPA certified contractors using lead safe work practices,» Picente said.

The source for his practice is the millennial - old tradition of Chinese landscape painting, using scrolls as his format and ink and paper as his medium.

The paintings and works on paper that comprise Ye's second solo exhibition Animal Portraits echo the age old literary practice of using animals as protagonists such as the much loved Tortoise and the Hare from Aesop's Fables, the legend of Rabbit in the Moon and the complex characters of George Orwell's Animal Farm.

Only the works of Amy Sillman and Nicole Eisenman, who both have portrait - painting practices, hinted at the fact that in our next, emphatically historical moment, something old would be doing the replacing.

I've always loved Hew's practice, from the assemblage pieces of old to these newer reworked with painting on top of photographs (very different to Richter's disconcerting pieces).

They also squabble over how to photograph the striking scenery and sunsets (projected into the movie at odd moments, the photographs seem like old - master Dutch paintings), hone their depression and fear of illness, discuss the folly of the war in Iraq and watch a group of machos at target practice.

Works include woodblock prints, hand - painted scrolls, metal works and sculpture that highlight esteemed and centuries - old artistic practices and traditions from the cultures of Japan, China, India, Tibet and Thailand.

Employing the old technique of «layer painting», Fomenko applies the practice in a modernized way and injects bright primary shades of acrylic paint onto the canvas, before awakening his subjects of surrealism with oils by using broad brushstrokes.

New Smoke from Old Fires investigates the contemporary positions from the perspective of painting influences as a point of departure including media practices such as installation, digital print, performance and video.

Between the late 1980s and early»90s, says Matthew Higgs, director of White Columns, New York's oldest alternative art space, «artists like Pierre Huyghe and Rirkrit Tiravanija rethought conceptual practice, and artists like Elizabeth Peyton and Peter Doig rethought traditional painting.

Within Collis practice, everyday objects and surfaces are presented splattered and stained with the marks of wear and tear, and the viewer might, upon further investigation, realise that the timeworn flecks of paint that cover an old broom, are in fact delicate and precisely inlaid pearls, jasper, turquoise, garnets and black diamonds.

BRICE MARDEN CAME OF AGE amid the artistic ferment of 1960s New York, a context in which many eyed with suspicion the age - old practice of applying paint to a two - dimensional rectangular surfacOF AGE amid the artistic ferment of 1960s New York, a context in which many eyed with suspicion the age - old practice of applying paint to a two - dimensional rectangular surfacof 1960s New York, a context in which many eyed with suspicion the age - old practice of applying paint to a two - dimensional rectangular surfacof applying paint to a two - dimensional rectangular surface.

Like Thomas's work, Strobert's painting is rooted in what the older artist, who had turned to art late in life, called a «day in time,» or a commitment to the artistic practice of the present moment.

2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI

The recent resurrection of abstract art and color field painting can definitely be seen as part of the revival trends in contemporary art practices and certainly as one of the main features of postmodernism, dominated by the appropriational spirit and constant recycling of the old art movements.

The way Yun - Fei Ji takes on the thousand - year - old practice of Chinese scroll painting to present the gritty reality of life in China today parallels our Asian art program.»

Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade - old roll in the clay).

John Marin painted The Written Sea in 1952, when he was 82 years old, and it is considered one of the masterpieces of his late career, during which oil painting played a central role in his practice.

Working in a variety of media and techniques (e.g. old - fashioned items such as woodcuts, glass painting and pressed flowers), Andrea Büttner references religious and spiritual themes in her practice.

There is a video somewhere of an interview where George McNeil is in his studio, quite old, talking about his painting practice.