Sentences with phrase «old printed paper»

Not exact matches

This 150 - year - old paper - printing giant has navigated the decline and consolidation of the printing industry deftly, by selling itself as a one - stop shop for large, corporate printing needs and by purchasing smaller rivals.

Mazzone pads to the kitchen, pours coffee into a paper cup — an old clubhouse habit — and picks up a stack of papers that his wife has printed out for him.

For the worksheet world, I have assembled a notebook (reused from previous years) of handwriting sheets (printed on recycled paper) which are slid inside sheet protectors pulled from other old projects around the house.

No Coast Collective in Pilsen, Spudnick Press in Ukrainian Village, and Evanston Print and Paper are just a few examples of the boom in old - fashioned bookbinding.

I know my little one loves to color so I'll take some of my old work papers and print these on the backside.

Some people detox by retreating to a cabin with old - fashioned print on paper for a week once a year (Bill Gates does that).

Duvet & Shams Sheets Bedskirt Nightstands (swapped hardware) Acrylic Ball Lamps Lamp Shades Sailboat Photo taken by me on Our Honeymoon Pocket Watch Clock Beautycounter Bedside Goodies Favorite Devotional «Hello Darling» Print (old Sugar Paper) Top Knot Girl Print Bow Tie Boy Print Hampers (old), Similar

honeycomb gold stemless wine glasses polka dot stemless wine glasses christmas tree stemless wine glass christmas tree old fashioned glasses gold straws glitter coasters cocktail napkins, similar -LCB- mine are from Homegoods -RCB- crystal candle holder, similar -LCB- mine is from Homegoods -RCB- «cheers» drink stirrers white marble paper wreath disco ball cups «pop, fizz, click» print

And once the fateful decision to publish is made, Spielberg indulges in a good old - fashioned montage devoted to the newspaper printing process, from typesetting to the paper rolling through the presses to the bundled copies being dropped at newsstands before dawn.

Extension Activity If you teach elementary or older students, you might print the names of the Asian Americans listed above and below on slips of paper.

You can print on any old color printer, but for best results, use photo paper.

Great for printing out and replacing the old fashioned paper record sheet in a school planner, gives a better overview of which students are struggling with and can highlight if there are any general weaknesses.

The quality of the paper in the new version was thinner — it displayed the ink print on the other side; the quality of the cover in the older book — it laid flat.

The newspaper, which is to be the world's oldest as it has continuously been in print since 1734, stated the paper will be entirely digital from December 20th.

The new spin on the old theme is that ebooks don't have the limitations on the binding or cost to print and ship like paper anthologies do, so they can include full novels and sell the whole thing at ninety - nine cents.

It was stored in old Christmas wrapping paper, printed with gingerbread men and mistletoe, and she unwrapped it slowly.

E-books have been with us for quite some time now and although there might be quite a few book enthusiasts out there that could dislike e-books because they lack the «magic» which obscurely surrounds a regular book, I believe that any book lover should embrace both the e-book and the old fashioned printed paper, as they are both simply mediums through which we can get our portion of literature.

She still prefers reading «old - fashioned» paper books, which led to her interest in designing print interiors.

There are instructions on the piece of paper to log in to a website with instructions on how to print a mailing label and send in your old Blackberry.

If the machine could take old books and recycle their paper and covers and use them to print new books I think people would be really excited.

As we transition from paper books to a paper + digital world (and perhaps eventually to a primarily digital book world), we'll see many changes in the centuries - old print publishing industry: bookstores will close, publishers will struggle, and new companies will step in and pick up the slack.

When it came time for Lulu author Morag Embleton to publish her book Old Knobbley the Oak Tree, she had a dilemma: how could she get her marvelous book to more readers without contributing to deforestation from the printing of her book on paper?

If you'd prefer to print out an old fashioned paper - and - ink «grid schedule,» you can you can find Word and Excel versions online here.

Those fancy interactive e-books on tablets may not be the improvement over print that they appear to be: Research indicates reading comprehension is higher in kids reading plain old paper books — but that doesn't mean e-books don't have a place in education.

They praise the author's decision to preserve «the smell of ink on paper,» «old - fashioned print,» «real books.»

I had to actually print out a paper copy and mail it the old antiquated way because Turbo Tax couldn't file a partial.

I have an account for a small side business, and I haven't bothered to get new checks printed since I moved 6 years ago even though the checks still have my old address, because I've only written I think 3 paper checks on that account in that time.

There was Circuit City, the old General Motors (MTLQQ) and Lehman Brothers, just to name a few that ended up being worth no more than the cost of the paper their stock certificates were printed on.

How about advertising an awesome franchise to be included in the box, only for the associated item to be a lackluster art print on regular old paper?

Award - winning photographer Ray Germann photographs mainly in black & white, and his twenty - five years experience working in the traditional black & white wet darkroom helps him produce digital prints today with a similar look and quality to the photographic papers of old.

With an interest in printed matter, Louis also resurrects old found pages of books and maps in his collages on paper that create new landscapes of shape and color with an inert celebration of the human hand at work.

Of its 14,000 works on paper there are topographical views of York, old master prints, children's illustrations and political cartoons.

«The [new] space works for both the younger artists we show, as well as for our prints and older works on paper,» Blum explains.

Still, one can seek depths in a dark but ebullient paper mural by Sandeep Muherjee at Chimento, a wall of bird carvings as unnatural habitat by Manuela Viera Gallo at Y, old luggage as the site of strange growth by Kathleen Vance at Rockelmann &, or weathered screen prints merging into abstractions by Levan Mindiashvili at Lodge.

Like a gelatin silver print, an older photographic process, the chromogenic color print uses paper coated in several layers of gelatin mixed with silver.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

The exhibition is accompanied by a fully illustrated catalogue with essays by Cheryl K. Snay, curator of European art, Snite Museum of Art, University of Notre Dame; Jonathan Bober, curator of Old Master prints, National Gallery of Art, Washington, D.C.; and Kenneth M. Grant, paper conservator, Harry Ransom Center.

As he explains on his website: «I use layers of hand cut paper and spray paint to create texture and form - a modern adaptation of an old - fashioned printing process.

HELEN FRANKENTHALER Grey Fireworks screenprint in colors, 2000, on wove paper, signed in pencil, numbered 94/108 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, old hinge remains in places on the reverse, a pale stain at the reverse upper margin edge, otherwise in very good condition S. 26 x 46 1/8 in.

David Octavius Hill and Robert Adamson, Colinton Manse and weir, with part of the old mill on the right, 1846, salted paper print, National Gallery of Art, Washington, Paul Mellon Fund 2007.29.26

The vehicles for Close's mark - making range from oil paint, airbrush, and finger printing, to paper pulp, colored pencil, and photography — including the Daguerreotype, which, like the artist's jacquard tapestries, revived a centuries - old - tradition, propelling an antiquated technique into the modern era.

Robin Schaefer's most recent work is about layering time and memory and my process involves taking stills from old 8 mm family films and printing them on thin translucent Japanese paper.

Belén Uriel, Good Companion Rooms (old and new side by side), 2011, inkjet photographs printed on cotton paper, 45 x 40 cm each; Belén Uriel, Manual, 2012, nickel - plated tubular modular steel structure and okume drilled wood panels, 200 x 350 x 100 cm; Lubaina Himid, Venetian Palace, 1997 - 1998, acrylic on canvas, 110 x 146 cm; Karl Holmqvist, Give Posters a Try, 2013, A1 size wallpaper.

Anna Fasshauer, Serotonin, 2013 various found objects, cement, laquer, 135 x 90 x 38 cm; Belén Uriel, Manual, 2012, nickel - plated tubular modular steel structure and okume drilled wood panels, 200 x 350 x 100 cm; Belén Uriel, Good Companion Rooms (old and new side by side), 2011 inkjet photographs printed on cotton paper, 45 x 40 cm each.

2014 Face to Face: British Portrait Prints from the Clifford Chance art collection, Sir John Soane's Museum, London, UK Light Fantastic, House of the Nobleman, London, UK Old Rope, Pippy Houldsworth Gallery, London, UK What Marcel Duchamp Taught Me, The Fine Art Society, New Bond Street, London Lexus Hybrid Art 2014, VDNKH, Optika Pavilion, Moscow, RU The Space Where I Am, Blain Southern London, UK Diacore presents Ron Arad's Last Train, Ron Arad Studio, London, UK Forever, The Metropolitan Art Society, Beirut, LB Paper, SMAC Art Gallery, curated by Keith Coventry and Helen A Pritchard, Cape Town, ZA

A gallery devoted solely to works on paper, Schema Projects is housed in a quirky old barbershop storefront with only one mission, to not only bring attention but to celebrate artist books, prints, drawings as well as sketchbooks as an important part of the creative process.

Long Description: «3 mm Cut West Antarctic Ice Core, Latitude 79 ° 28.058»S, Longitude 112 ° 05.189» W, WDC06A, 10,833 years old» 2015, Pigment Inkjet print on Photo Rag Paper, 24 «x30»

While that older series was printed on C - print semi-gloss paper, the STPI reboot involves cyanotypes, sculpture and screenprints in weavings of matt paper, into which warp and weft are injected with glints of silvery foil — a nod to traditional silver joss paper burned as offerings to ancestors.

BUY ONE TONIGHT, READ IT FOREVER; THE BEST IN WORDS AND PICTURES; YOU ARE THE STORY: With that earnest air of hucksterism indigenous to an earlier time in American history, Allen Ruppersberg spins new narratives from old ones in his bright, sizable 1985 collage Cover Art (Wonder Series)-- a pristine composite of pasted - up texts like the above (whether in adlike tag lines rendered with vintage label - maker tape or via disconnected words and numbers torn from paper) and mostly midcentury print images (including a depiction of the pope, one of a monkey wearing a lab coat, and several nature

Toby Old Cheerleaders, Daytona Beach, FL, 1988 Silver gelatin print, 10 x 10 ″ on 11 x 14 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50 (unnumbered), signed by the artist