Sentences with phrase «old school critics»

Not exact matches

Critics have carped that the Bloomberg - led system fails to give parents sufficient voice — whatever that means — but the current arrangement is a night - and - day improvement over the old Board of Education, which was not only less accountable to the public, but failed at its most basic mission: improving our schools and teaching our kids.

«It's true there are some who are critics but I would also say there's a lot of people in the Senate who, you know, are clear, at least privately, that they're not promoting an alternative and it's not like they say they wan na go back to the old school boards which — as I remind people — was a system plagued with chaos and corruption,» de Blasio said.

Critics are somewhat mixed on the film, but the reviews are far more positive than what we read for The Hangover sequels, and they're about on par with the reviews for Phillips» Old School, Starsky & Hutch, and Road Trip, his more well - liked movies.

Id Software's 2016 sequel / remake / reboot of its iconic first person shooter Doom surprised and delighted both critics and fans for its lightning fast action, old - school mechanics tuned hair - trigger sharp and lush graphics awash in demonic gore.

Schools should be permitted to use multiple, locally created assessments instead of «one shot» tests to measure student progress for accountability purposes, according to a report released last week by a panel of experts convened by the Forum on Educational Accountability, a group that includes some of the most vocal critics of the 5 - year - old No Child Left Behind Act.

There's also reason to suspect that some of the harshest critics may be motivated at least in part by the riches they have reaped by prepping high school kids for the old version of the test.

He noted that anyone longing for the «good old days» would have difficulty finding a time when critics were not bemoaning the quality of the public schools.

She's determined to raise her school's state - designated school performance letter grade — a volatile and, critics say, capricious measurement of achievement: It had risen from a D to a C under the old principal, but last year it fell back to a D again.

At its core, NCLB faults schools and curriculum for student failure, but critics claim that other factors are also to blame, including: class size, old and damaged school buildings, hunger and homelessness, and lack of health care.

In a previous blog post I explained why I felt Grin's Bionic Commando was a well - designed 3D update of an old school classic, in spite of getting a bum rap from critics.

While I wasn't as big a fan of the old - school Bit.Trip series as a lot of critics, I did really like Bit.Trip Runner, a game in which you must make your little runner jump and duck at just the right places.

Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.

And it seemed that many did, for Kruger became a flash point, one of the artists old - school critics had in mind when they complained about the hectoring, lecturing turn they felt that art was taking.

We sent our critics back to their old schools to see how their subjects are handled.

Molesworth has served as a senior critic at the Yale School of Art, and has held teaching positions at Bard Center for Curatorial Studies; SUNY Old Westbury; and the Cooper Union School of Art.