Sentences with phrase «old school film»

The manipulation and saturation of digital photo filters comes to mind, but the newest work, painted in reverse, seems to draw from old school film negatives.

Not exact matches

It's proving to be an exceptionally busy day for the 40 - year - old: He's already attended four fashion shows; later, he'll give a talk at NYU's Stern School of Business, and attend another show and a swanky after - party, all while a film crew from New York magazine buzzes around him for an online video piece.

The app offers more editing capabilities than Instagram, and each filter preset is designed to emulate the effect of an old - school film camera.

He does the things that leaders do, like paying the way for several of his receivers to join him for off - season passing workouts, dubbed Jets West, at his old high school in Mission Viejo, Calif., and putting in long hours of film study.

When a siren goes off midday in Ohakune — a long, keening wail of an old school air raid siren, the kind you hear in films about the Battle of Britain, to be exact — I walk into a hotel and ask a clerk if that's something I should be worried about.

And topping nearly every paper in sight were overflowing, old - school reels of football film, the silent movie type.

RIP Dan Lynch, an old - school newspaperman who was also a novelist, producer of documentary films, radio and TV host, political candidate and teacher, who died at the age of 71 Sunday at a hospice in Delray Beach, Fla., where he moved after decades in the Capital Region.

25 year old Vanessa Hudgens is an American actress and singer who rose to fame in her teens starring in the High School Musical films.

Fit guy looking for some female company, like old school rock, martial arts films and love science.

I'm a lonely 21 year old film student that goes to a school with less than 15 % girls.

The film, out Friday, tells the real - life tale of how 19 - year - old high - school dropout

As the Golden Age of Hollywood faded, glorious old - school films like Ben - Hur began to give way to the grittier, wised - up work of those like Billy Wilder, creating a tension between impish youth and pompous elders.

Dr Death suicide film being shown in schools: Euthanasia fanatic gives workshop on how to kill yourself in educational video for 14 - year - olds Teaching resources for 11 - 14 year olds.

Starsky & Hutch's been directed by Todd Phillips, who also helmed Old School, and the two films are certainly on an equal plane in terms of laughs.

In fact, anytime I see a film with people inside a building — whether it's a log carbin, a fortress, a castle, a school, etc. — being charged by terrifying outside forces, I hold on to the arms of my theater seat for dear life, just as I did as a child watching that old John Ford flick.

Other than Graham, who doesn't really have much to do here, there's a surprising lack of women in the movie, which might make this as much of a guys» film as «Old School.»

Morton's old - school - tie personality and men's - club looks served him well in securing numerous film roles as aristocrats or snobbish business executives.

Adapting a novel by Frances Hodgson Burnett, also the author of The Secret Garden, the film shifts the story's setting to World War I. 10 year - old Sara Crewe (Liesel Matthews) has been left in a respected New York City boarding school while her British father heads overseas to fight.

Well these «horror» films fail to capture the essence of old school horror.

Ben Bradlee can smell something is up — he's noticed that Sheehan hasn't had a by - line in three months — and the film hooks you with Bradlee's cussed old - school fervor, which takes the form of his brazen desire to compete with the Times.

Lelio understands that the community at the center of the film is rooted in old - school tradition, but as it's physically rooted in a cultural capital of the world, no one here is a stranger to gays and lesbians, and so the reactions to Ronit and Esit's rekindled love affair never rise to the level of the hysteric.

The way films should be made old school; for sure.

Most of this expository stuff, however, serves as a weak excuse for the film's performers to have some fun acting like idiots, and there's no doubt that Old School has its fair share of inspired gags, most of them revolving around former SNL standout Ferrell.

«Old School» is, in fact, an old - school film in the spirit of «Porky's,» with «Saturday Night Live» alum Will Ferrell filling the John Belushi role of chief mischief - maker and beer - imbibOld School» is, in fact, an old - school film in the spirit of «Porky's,» with «Saturday Night Live» alum Will Ferrell filling the John Belushi role of chief mischief - maker and beer - imSchool» is, in fact, an old - school film in the spirit of «Porky's,» with «Saturday Night Live» alum Will Ferrell filling the John Belushi role of chief mischief - maker and beer - imbibold - school film in the spirit of «Porky's,» with «Saturday Night Live» alum Will Ferrell filling the John Belushi role of chief mischief - maker and beer - imschool film in the spirit of «Porky's,» with «Saturday Night Live» alum Will Ferrell filling the John Belushi role of chief mischief - maker and beer - imbiber.

Classic Woody Allen films come to mind when attempting to describe this gem (partially due to the prevalent old - school jazz soundtrack), although Beginners lacks the overt neurosis (which may be a positive depending on one's opinion).

This is coupled with an old school way of film making.

«Old School» director Todd Phillips has met and surpassed the hysterics of his former film with this take - it - to - the - limit comedy.

(Director Todd Phillips, the man behind films like Old School and Starsky and Hutch, usually relies heavily on the luck of casting, which does not serve him here.)

For a certain kind of old - school film fan, someone who believes in shapely, classical proportions and an epic yarn told over time, it will be the revelation of the year.

It's no «Old School,» but it will do nicely until that film's anticipated sequel rolls around in 2011.

The title Old School doesn't just refer to its story, which follows the antics of three moronic thirty - somethings who decide to start up a college fraternity; it also unintentionally highlights the film's considerable derivativeness.

This felt like an old - school, big budget sci - fi film with massive special effects, great visuals and a concept that made you think in Director Joseph Kosinski's love letter to 80s and 90s science fiction trendsetters.

Agora proves that it is entire possible to have an old - school blockbuster (and I am talking Cecil B. DeMille and Alan Mann spectacle films with casts of thousands wearing togas and swords) coupled with science, mathematics and commentary on modern times nudge shoulders with romance, upheaval and politics of antiquity.

Presented in 70 mm and with a running time of 187 minutes (because Tarantino), the film continues his love for old school cinema, right down to the three minute «overture» that opens the film, something I don't think I've seen since Dancer in the Dark.

Special Guests: Seven out of the eight films shown will be in old - school 35 mm prints, and the other is in digital format.

The Universal Pictures film about an old - school lawman (Richard Widmark) in a Texas town, trying to «modernize,» who comes into conflict with the elders after killing a man in self - defense, was originally directed by TV Westerns helmer Robert Totten, a veteran of «Gunsmoke» and «Bonanza.»

One of the most cruel and divisive endings to a film ever, and a preceding two hours of excellent old school horror.

If you spend too much time on comedy you get a film like Old School, which I found hilarious but had a weakly confused and rambling plot.

The second of 2015's collaborations with her real - life director boyfriend Noah Baumbach, Mistress America was one of the best films at the Sundance Film Festival, an old - school screwball comedy about a young woman who befriends her dad's new girlfriend.

Lost in the cacophony of superheroes, explosions, and raunchy holiday comedies, MURDER ON THE ORIENT EXPRESS arrives ready to remind us what old - school film was like.

The result is an unbalanced but never less than entertaining film, enthralling and deflating in roughly equal measure, and studded with moments of true, old - school glory.

Josh doesn't fully buy into Jamie's documentary idea — tracking down an old high school friend who submits a Facebook friend request for a filmed candid real life encounter — but he goes along for the ride and is surprised to see the project take a life of its own, when the subject turns out to be a decorated Army veteran traumatized by his experiences in Afghanistan.

«Old School Orientation» (13:02) is a standard EPK - style featurette with the stars, producers, and director commenting on the film amidst clips.

Even the film's petty villains — a pair of fellow female students narcissistically absorbed in their own beauty in a failed effort to age up that tired high school trope — are mean simply for the sake of being mean, not driven by any pathos or motivation beyond Deanna being... older, I guess?

When 19 - year - old aspirant drummer Andrew Neiman (Miles Teller) goes to the movies with his Pennington High School writer / teacher father (Paul Reiser) there's Rififi on the hoarding, the 1955 French noir film directed by blacklisted émigré filmmaker Jules Dassin.

The film feels nice and old school, with a slow - burn build up and some decent scares.

The existence of God becomes a major concern for the film's protagonist, 10 - year - old Catholic school student Joshua Beal (newcomer Joseph Cross, in a promising debut) after his beloved grandfather (Robert Loggia) dies of bone marrow cancer.

But, in an age when CGI and digital technology are taking over the realm of animated filmmaking, I'm willing to give Burton a pass for that needless 21st - century enhancement to his otherwise moving and funny film, and his terrifically old - school approach to animation.

Tucked away with old school charm, a place to relax with a glass of red and loose your self in a film.

It's hard to pick an adjective to describe the film's portrayal of women — particularly Rebecca De Mornay's late teens call girl (it's always implied she's only a little bit older than Cruise's high school senior).