Sentences with phrase «old scripts of»

It was also nice to see industry members challenged like they were, you can't pull the wool over the eyes of the consumer anymore and it proves that the old scripts of what we do and what it costs simply aren't resonating with consumers today.

The work is the slow, steady work of ministry so that we, personally and communally, are able to renounce old scripts of death and enter new scripts of life.

«Emperor's Children» is an old script of mine that's being made now.

Not exact matches

You can literally ask one of your camera - comfortable employees to follow the script of an older post or talk about the benefits of your offerings.

Wes Craven, the famous writer and director of horror movies, could have scripted several of the gruesome human catastrophes in the Old Testament.

This is an old post, but we will continue debating it till someone believe that Christ was not using figure of speeches or just quoting other scripts.

Because last I checked there was still not a single shred of tangible, measurable, empirical evidence in support of any form of Theism, let alone something as backwards, corrupt, and atrocious, morally reprehensible (historically), and specific as Catholicism, which isn't even a very accurate form of Christianity when compared to the oldest Biblical scripts we've yet found.

There was relatively little writing in those days, not because the people did not know how to write, for a good many of them did, using the old Semitic alphabet script in Old Testament times and Greek in the Nold Semitic alphabet script in Old Testament times and Greek in the NOld Testament times and Greek in the New.

«In the day of a catastrophe the old familiar script just won't work and there aren't any good books that will have all the answers, but if your ear is tuned to God, he will lead you through the rubble!»

Milton, who appears to have had full conviction of the truth of Christianity, and to have regarded the Holy Scriptures with the profoundest veneration, to have been untainted by an heretical peculiarity of opinion [Johnson of course wrote this before Milton's heretical manu scripts were discovered], and to have lived in a confirmed belief of the immediate and occasional agency of Providence, yet grew old without any visible worship.

When Arnold Palmer and Gary Player — it was part of the script, of course, that their scores would result in their playing together — teed off at 25 minutes past one on Sunday afternoon for their final round it seemed as if Palmer were embarking on a private contest of his own against Ben Hogan's nine - year - old tournament record of 274 strokes for the full 72 holes.

Needing to play like the Tiger of old at the PGA Championship for a chance to make it to the postseason, Woods went off his «I'm here to win» script Tuesday to instead claim that he was in Sheboygan to prepare for the long haul.

He, like most of the others are rolling on the same dog eared script (9 trophyless years, he earns 7/8 mil, specialist in failure, no dm, no cb, sell all our stars, he's French, too old etc, etc) the list is as laughable as it is long.

Betsy Brown Braun is the bestselling author of the just released, «You're Not the Boss of Me: Brat - Proofing your 4 to 12 Year - Old Child» (HarperCollins, 2010) and the award winning «Just Tell Me What to Say: Sensible Tips and Scripts for Perplexed Parents» (HarperCollins, 2008 — now in it's 4th printing).

Betsy Brown Braun, best selling author of Just Tell Me What to Say: Sensible Tips and Scripts for Perplexed Parents (HarperCollins) and You're Not The Boss Of Me: Bratproofing Your Four To Twelve Year Old (HarperCollins), is a child development and behavior specialist, parent educator, multiple birth parenting consultant, and founder of Parenting Pathways ®, Incof Just Tell Me What to Say: Sensible Tips and Scripts for Perplexed Parents (HarperCollins) and You're Not The Boss Of Me: Bratproofing Your Four To Twelve Year Old (HarperCollins), is a child development and behavior specialist, parent educator, multiple birth parenting consultant, and founder of Parenting Pathways ®, IncOf Me: Bratproofing Your Four To Twelve Year Old (HarperCollins), is a child development and behavior specialist, parent educator, multiple birth parenting consultant, and founder of Parenting Pathways ®, Incof Parenting Pathways ®, Inc..

Betsy Brown Braun, best selling author of Just Tell Me What to Say: Sensible Tips and Scripts for Perplexed Parents (HarperCollins) and You're Not The Boss Of Me: Bratproofing Your Four To Twelve Year Old (HarperCollins), Best Hybrid Bikes Under 500 is a child development and behavior specialist, parent educator, multiple birth parenting consultant, and founder of Parenting Pathways ®, Incof Just Tell Me What to Say: Sensible Tips and Scripts for Perplexed Parents (HarperCollins) and You're Not The Boss Of Me: Bratproofing Your Four To Twelve Year Old (HarperCollins), Best Hybrid Bikes Under 500 is a child development and behavior specialist, parent educator, multiple birth parenting consultant, and founder of Parenting Pathways ®, IncOf Me: Bratproofing Your Four To Twelve Year Old (HarperCollins), Best Hybrid Bikes Under 500 is a child development and behavior specialist, parent educator, multiple birth parenting consultant, and founder of Parenting Pathways ®, Incof Parenting Pathways ®, Inc..

Next, my old roommate Brad Terrell found a most amazing piece of video today, in which a reporter interruputed a scripted political parrot and asked real questions.

She said: «The Prime Minister is sticking to the same old script that she can get whatever she wants, that we can all have all the same benefits of the single market without playing by the rules.

But Miliband and his inner circle of advisers believed they were writing a whole new chapter of the party's history, «turning the page» on New Labour without lurching back to an old Labour script.

Previous examples of Mayan script could only be confidently dated to around A.D. 250, leading to speculation that the Mayans may have inherited their writing from other, older cultures, such as the Zapotec, despite stylistic differences.

Nearly 3 percent of American men aged 40 and older are thought to have received such scripts in 2011 — three times the percentage in 2001.

A brilliant but troublesome character who was written out of the script years ago makes an unexpected comeback, sending ripples of excitement through the community but also reopening old wounds.

I began to destroy the old script and let go of that self - sabotaging voice within.

New sugar shows in the works include Logo «s formerly named «Kept» (now titled «The Gay Socialites of New York»), as well as ABC's scripted «Cougar Town», starring Courteney Cox as a 40 year old cougar with a 17 year old son.

The script, by Baker and Chris Bergoch, is essentially an old - fashioned stage farce — complete with a harridan mother - in - law and a big ending commotion — spread out over several miles of city and transposed into a social stratum that's somewhere below the bottom.

Maybe the shooting script was really written by dropping the scripts of those other two (better) films, then gathering up the pages any old how and hoping for the best.

Fulcrum in script is the beneficent boulevardier, limned by Laurence Olivier in a modern refashioning of the old Maurice Chevalier role.

Simon Kinberg's script is awash in banal, expository dialogue — the characters having to keep explaining the plot to each other — but people don't go to X-Men movies for naturalistic exchanges: a few pithy one - liners will suffice, and Jackman puts the ones he does get across with the gruff brio of an old pro.

Skyfall is not without its weak spots — Bardem's master plan is ultimately a bit blunt and unartful, the script is not terribly good to women (wish they'd get rid of that old Bond trope for good), Whishaw and Craig regrettably don't kiss — but, all cards on the table, it's still a knockabout success.

She's more of a mascot of the script's fully - functioning male gaze, which later pairs the 52 - year - old Owen with the 32 - year - old Seyfried without blinking.

Stale as week - old bread and every bit as bland, the movie saddles a strong cast with a groaningly ineffectual script (courtesy of Michael LeSieur, who wrote 2006's You, Me and Dupree) and wastes the director's gift for bringing lived - in charm and feeling to broad comic premises.

The story of a young girl (voiced by The BFG's Ruby Barnhill) who discovers that she has been born into a long traditional of witchcraft, the film — adapted by Yonebayashi and Riko Sakaguchi, with an English - language script by David Freedman and Lynda Freedman — is predicated on a sense of wonder, but so much of its world feels familiar, if comfortably so, like a favorite band playing their old hits.

Joyce rents an old haunted home to pen her horror script, which releases an evil army of robot vampires, a knife - wielding demon and a battalion of otherworldly creatures.

Even if ultimately this is not one of Renoir's best efforts, assured direction and a biting script show some of the old magic.

Liking the film less is Variety, concluding, «Seven Psychopaths feels like either an older script knocking around the bottom of a drawer or a new one hastily tossed off between more ambitious projects,» and giving it a «C,» The Playlist finds even less to enjoy in a picture both «manic and exhausting.»

Filmmaker Alejandro Amenábar - working from a script cowritten with Mateo Gil - has infused Agora with an unapologetically old - fashioned sensibility that's clearly meant to evoke the larger - than - life epics of yore, although the emphasis on countless underwhelming elements ensures that the movie remains terminally uninvolving virtually from start to finish.

Though subsequent efforts have shown great care to stay both true to the original script and culturally accessible to American viewers, this one makes the poor choice of casting 21 - year - old Van Der Beek (just beginning his «Dawson's Creek» run) as a character who sounds about 11 in the original Japanese presentation.

Rupert Wyatt (Rise of the Planet of the Apes) does a good job directing a gifted cast of talents young and old, and moody cinematography by Greig Fraser gives the film a stylish visual signature, but it's in the script by William Monahan where the film comes up short.

Based on the journalist Lynn Barber's memoir of her sentimental education at the hand of an older charmer and scripted by Nick Hornby, this soft - edged exercise in nostalgia is worth seeing for its rich array of sharply drawn characters led by Carey Mulligan, who received a deserved Oscar nomination for her sweet, smart, sexy central performance.

It just suffers from B - list actors, a less - than - inspired director, an old fashioned script, and a lack of fresh ideas.

Ultimately, however, Bill Condon directs this Stephen Chbosky and Evan Spiliotopoulos script as a celebration of the original, more than doing justice to old favorites with new recordings of the original Alan Menken and Howard Ashman score and including three new songs by Menken and Tim Rice.

Directed by Lasse Hallstrom (Salmon Fishing in the Yemen, Casanova), who trod some similar food - tinged French romance in the Oscar - nominated Chocolat, and scripted by Steven Knight (Locke, Closed Circuit), it's a sumptuously presented, old - fashioned feel - good film, not too dissimilar to the kind of Miramax films Hallstrom and company would regularly churn out in its heyday.

M. Night Shyamalan is resurrecting one of his very first scripts, and he's enlisting an old collaborator to bring the project to life.

Scripted by Lonergan, the director of You Can Count On Me and Margaret, Manchester By The Sea stars Casey Affleck as a man who, after the death of his brother, is forced to return home to care for his 16 - year old nephew and confront a tragic past that separated him from his family and the community where he was raised.

The movie is as predictable as any of the old clichés about country music and men who write it, although that's mainly because Cooper's script (based on Thomas Cobb's novel) uses so many of them without delving any deeper.

The new script, said to be loosely based on the old one, will be written by Peter Hedges (Dan in Real Life, The Odd Life of Timothy Green).

The movie's old school conception of heroism and values wouldn't work without some nifty writing — Christopher Markus and Stephen McFeely's script makes it clear Steve wants to go to war not to kill the enemy but to keep some other poor soul being killed — and a great central performance by Chris Evans's, who sublimates all the cockiness he displayed in Fantastic Four (and then expertly lampooned in Scott Pilgrim).

At the lower end of the register, Nora Ephron's first time directing «This Is My Life» is a fine, but forgettable story of a woman forced to choose between family and her stand - up career and nowhere near as good as stuff she'd do later, while Guillermo Arriaga («Babel,» «Amores Perros» scripts) went back to the old «interconnecting stories» well for his debut «The Burning Plain» but with diminishing returns.

In Allan Loeb's script for «The Space Between Us» based on Stewart Schill's story, Butterfield performs in the role of Gardner Elliott, a sixteen - year - old who also finds a common humanity, bridging the aforementioned space when he follows up a flurry of emails to Tulsa (Britta Robertson).

The Coens» concise, efficient script proficiently captures McCarthy's melancholic view of old - young disparities, whether it be Ed Tom's utilization of horses to scour the desolate desert for clues, or his bafflement at the callous disregard for the dead (and propriety) shown by a guy transporting corpses to the morgue.