It's about weary
old soldiers becoming tired of killing and being inspired by the stoic suffering of their prisoners to become better men themselves.
Not exact matches
It might be a little reductive to pick the only male character to highlight Sofia Coppola's The Beguiled, but Farrell is clearly having all the fun in the world playing this
soldier turned coward turned lothario turned maniac that
becomes the object of desire for a house full of Southern Belles, young and
old alike.
However, like all machines he
becomes redundant when even better genetically engineered
soldiers are introduced and like a piece of machinery he is left for dead and discarded like an
old piece of machinery on a planet used for dumping trash.
In an effort to beat his disease, he signs up for a super
soldier program that turns out to be shockingly cruel and nefarious,
becomes hideously disfigured («you look like an avocado that had sex with an
older, uglier avocado» says sidekick / friend Weasel, played with a hysterical dryness by TJ Miller), goes pretty much insane (to the point where he repeatedly breaks the fourth wall and speaks directly to the camera), but also
becomes essentially unkillable.
And unlike a movie like We Were
Soldiers - which never
became anything more than an
old - school, John Wayne-esque «let's rally around our troops» type of war film - Harrison's Flowers feels brutally realistic.
It's hard not to think of The Pianist while watching Saul Dibb's WWII drama, an
old Joanna
becoming, as in Polanski's Oscar winner, the thing that brings an occupying Nazi
soldier and a member of the occupied together.
His grandfather was his first experience with war wounds, and Adam grew to love him, and soon after the
old soldier died, he joined the army and
became a great
soldier and now has his own list of places he has been.
Atari, a one year
old Australian Cattle Dog, is being trained with the group
Soldier's Best Friends to
become a service animal for a local veteran.