I still enjoyed the first movie more, but that's only because it introduced me to the world and the characters so brilliantly, engaging me in the quirky relationship between boy and dragon, mixing age -
old tropes with oodles of heart.
Not exact matches
Do not concern yourself
with the tired
old trope about jump - shooting teams in the playoffs.
Bowed down
with the weight of the past, rushing through their stories to solemnly validate that heritage, they rob us of the moments in the present when those same
old reliable
tropes can kindle once again.
Sheridan again displays flair in his writing, breathing life into
old crime movie
tropes with three - dimensional characters
The film starts off gloriously enough
with a brilliantly filmed action piece set in Mexico City's Day of the Dead parade, but Mendes and crew soon settle into a muddled, anti-climactic mishmash of
old tropes and familiar ideas.
Attenborough's heartfelt admiration for the man's philosophy of resistance through peace is indisputable, yet it is expressed exclusively in conventional coffee - book epic
tropes that render it a swollen underdog tale,
with Gandhi as the exotic center of a huge, guest - star cast of Hollywood Yanks (Martin Sheen, Candice Bergen) lending liberal cred and
old - pro Brits (Edward Fox, John Gielgud, Trevor Howard) supplying Imperial villainy.
Writer - director - star Michael Rosenbaum indulges in countless
old - hat genre
tropes in Back In The Day, a tale of an average Joe who goes home for his high - school reunion, pals around
with buddies, and tries to rekindle a romance
with his ex.
If director Bruce McDonald proved anything
with acclaimed genre darling Pontypool, it's that he's not afraid to think way outside of the box when it comes to deconstructing
old tropes.
Find reason there for the caricatured white trash pastiches serving as Maggie's family (and additional pathos in Maggie's need for a father figure), the boxing - trainer archetype, the
old fighter Scrap (blind in one eye and living in a tiny room at the gym), the evil Drago Eastern Bloc nemesis, and the rags - to - riches sports story into noble - cripple
tropes that worked in 1962
with Requiem for a Heavyweight.
The horror - film
tropes resurface only intermittently in their later films: a hand bursting out of the ground, recalling the final shot of Carrie, during the prison break in 1987's Raising Arizona (a shot also used in The Evil Dead); the wood chipper that in Fargo (1996) is put to the grisly use that Marty had intended for his incinerator; Anton Chigurh's slasher murders in No Country for
Old Men (2007); and, most acutely of all, in Barton Fink (1991), a film about a writer's worst nightmare, writer's block, complete
with sweating wallpaper, expanding plumes of blood, and a hellfire climax.
Right under their nose, their 15 year
old son Chris (Travis
Trope) is sexting
with Hannah (Olivia Crocicchia) but he has been so far desensitized by hard core smut online (we're talking humiliation, bondage and then some) that having any normal teenage encounter is not possible.
Maybe this is why the filmmakers have jettisoned most of the
old fogy Gene Roddenberry
tropes and pitched their cybertent
with the under - 25 set — the Twitter Trekkies.
-- but it's shot through
with an infectious exuberance and attention to detail that reinvigorates
old tropes.»
That subtle leaning on
tropes but using them as springboards for substance as well as style is what gives Hap and Leonard its intriguing, engaging appeal; Purefoy's East Texas charm and Kenneth Williams» hot - tempered intensity fit together like
old friends really do,
with each one enjoying the chance to deliver the pulpy dialogue.
And I guess that's just stayed
with me... using those
old, conventional Hollywood
tropes and then just turning them upside down, or inside out.»
(In a clever subversion of an
old trope, this film offers a small - town diner where a table full of gossipy
old men —
with Bruce Dern as their ringleader — pass judgment on everyone's comings and goings.)
This raunchy look at growing up in a broken home hits all of the classic
tropes with panache — living in the shadow of an
older sibling, an absentee mother, nursing a crush on the high - school bad boy and the student - teacher friendship.
The film's plot also feels like a derivative and Goth - infused mash - up of the age -
old werewolf vs. vampire
trope, mixed
with the bullets and leather stylings of The Matrix (as it happens, Underworld's 2003 theatrical release was sandwiched by the two Matrix sequels).
Blame and One Percent More Humid repeat the tired
trope of female students having affairs
with their
older male teachers, a familiar storyline on just about every teen - oriented TV series, though their emphasis on the strengths and dangers of teen girl friendships was strong.
Certainly, the
old tropes of historic publishing remain — the feel and smell of a book, the pleasure of holding it, the sense of tradition you get sitting by a fire
with a novel.
This was a fun read, in the way that the
older Harlequin Presents books can be (a good story and not tied down
with the typical overused
tropes).
The first major deviation from the Souls series is the setting,
with Bloodborne eschewing many of the fantasy realm
tropes in favour of a grim, Victorian London-esque environment that conjures up fond memories of the
old PSX Nightmare Creatures.
Similarly, the game feels ancient in the way it's designed and comes
with some
tropes synonymous
with the classic action platformers of the PlayStation 2 — and honestly, I appreciated it all the more for having that gritty, low - poly,
old school look and feel.
By subverting
old - school gaming
tropes with unique hacking mechanics, Hack «n» Slash allows non-programmer players to experience that same sense of mystery and discovery.
Despite these claims, Tokyo RPG Factory shows that
with its
old - school turn based battle system and typical RPG adventure
tropes, I Am Setsuna proves that it still has what it takes to contend
with the big boys.
You're rarely short of things to entertain yourself
with in The Witcher 3's quasi-open world, then, and all the better that you're in a universe that involves the supernatural without leaning on the same
old Tolkien fantasy
tropes.
Insofar as the new abstract painters employ
old tropes and methods
with a certain insouciant abandon, one might call them the new casualists.
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