From what I remember of my now 6 month -
old viewing of the film, it's a nice enough little trifle, elevated by a sly pair of comic turns from Mark Ruffalo and Rachel Weisz.
From what I remember of my now 6 month -
old viewing of the film, it's a nice enough little trifle, elevated -LSB-...]
Not exact matches
At the same time Ofoto and Shutterfly are reaching out to picture takers
of all stripes by offering steep discounts on
old - fashioned
film processing (returning prints by snail mail), as well as digitizing the images for online
viewing and distribution.
It was that
old story that came to mind recently after I had spent two hours and 40 minutes
viewing the controversial
film The Last Temptation
of Christ.
The 38 - year -
old was first spotted sporting the heels for a
viewing of the new
film «Can't Stop, Won't Stop: The Bad Boy Story» with Kendall Jenner and friends on Wednesday.
The
film hasn't stood the test
of time, and the material on - screen is tired and
old, and gets annoying after a few
viewings.
Popular 3D titles from 20th Century Fox include Avatar and Prometheus and with
older titles such as iRobot now re-mastered for 3D Blu - ray release it looks like we will be
viewing more and more
of our favourite 3D
films at home this year.
Viewed as a stream -
of - consciousness reaction to a rich, established,
older man's fear that he might lose everything he has worked his entire life to attain, however, the
film takes on a more illuminating meaning.
Considering the filmmaker is barely 30 years -
old (and Dunham only 25), the
film takes a surprisingly mature
view of relationships.
The
views of old Hong Kong, both daily life and the geography
of the city, add another layer to the
film - watching experience.
Given that thematic base, it shouldn't be surprising that even specific story points are duplicated: In both
films, the heroes connect with
old girlfriends, only to realize that for decades they've been carrying mistaken
views of those relationships.
That said, the
film begins to lose its sense
of fun with a romance that doesn't seem very authentic from a 14 - year -
old's point
of view.
But while I would only recommend it to art - house enthusiasts due to its slow pace, it is refreshing to see a
film that deals with body image from an
older woman's point
of view.
Take My Nose... Please: The acclaimed
film, directed by the 89 year -
old first time filmmaker Joan Kron (former editor at Allure Magazine for over 25 years and at New York Magazine), is a comedic point
of view on women and plastic surgery.
Speaking to the crowd at his Glasgow gig on Sunday the 26 year
old star said, «When we were
filming it I meant to get a tattoo
of her handwriting saying Galway Girl from her point
of view.
Because the
film is told — in narration and in its cinematography — from the point
of view of Ma's five - year -
old son Jack (Jacob Tremblay), who has lived his whole life within the space, Abrahamson was able to focus his lens on the minutiae that feed a child's imagination: dust swirling in sunlight, eggs being cracked into a bowl, the novelty
of a rat skittering across the floor.
A couple
of much
older attitudes underlying the two books are a
view of cinema as literature by other means and, conversely, a
view of film analysis as a literary and linear pursuit.
To form and be a part
of the first ever Hawaii
Film Critics Society, in which our varying / shared
views of film,
old and new, can find greater exposure and a wide platform.
Below, we've taken some
old clips
of the Harding and the Kerrigan controversy that are going to be required
viewing for those planning to see the
film.
Yes the parameters may be looser — we encourage submissions
of older films, for example, firmly believing that such
viewing keeps cinephilia alive and is always in dialogue with contemporary
film viewing.
The
view from TIFF: Allen's evident lack
of investment in his characters turns Tall Dark Stranger into a no - stakes Husbands And Wives, recycling
old types and situations from past Allen
films into a comedy that presents the complications
of infidelity, but misses the fallout.
A recent
viewing of all my
old 1970s disaster movie DVDs has led me to conclude that Mark Robson's «Earthquake» (1974) is a
film worth discussing, even if it is clearly far from the best
of its genre.
OLDBOY is 10 years
old this year, hard to believe that a
film can remain so striking after simply dozens
of viewings.
Sabaah Folayan and Damon Davis»
film tells the story
of the 2014 killing
of 18 year -
old Michael Brown and the subsequent outcry from the point
of view of those who were there at the time.
The 13 - year -
old Shih Tzu presides over a whole pack
of rescue and shelter dogs — and a Will Ferrell doppelganger — in Freshpet's holiday video, a follow - up to its short
film from last year that racked up 9.5 million
views on YouTube and more than 61 million on Facebook.
You can take a self - guided tour
of the
Old Point Loma Lighthouse; visit three different exhibit rooms; see the wonders
of the tidepools during the winter months; hike the Bayside Trail; see a
film or slideshow in the auditorium; or enjoy spectacular
views of the Pacific Ocean and the city
of San Diego.
No one in Basel could have missed the endearing and ubiquitous Malcolm McLaren, whose compilation
of twenty - one cut - up
old adult
films (
of people «desiring, wanting, wishing, and imagining having sex») was on
view in a cabin outpost
of Art Basel Projects.
Old Black could be
viewed as a display
of artwork culled out
of a used - up and burned - out occidental landscape — a future we've already seen and bonded with through the pessimistic but curious lenses
of film and literature.
Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk
of the work on
view extended four familiar (and familial) lineages
of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work
of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array
of community - based works at LAXART), and
film and video projects that pointed, more or less, to the looming shadow
of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes
of a 1961 episode
of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade -
old roll in the clay).
One
of the works, Lenticular (2013), exploring train
of the Planet through figures
of self - taught astronomer,
filmed at an
old observatory in Dundee, is shown in this book together with its installation
view of dome shaped and rectangle channels to feature its sculptural presence, while Aurora (2013) is enhanced the work's rather powerful charms by showing images in various sizes.
Reading their vivid testimony
of the seasons — sometimes in books several hundred years
old - was like
viewing their lives in a speeded up
film.
Each
of the five bedrooms takes in
views of the
Old Tacoma waterfront — the house is situated in Tacoma, Washington state, though just outside Seattle, the fictional setting for the
film.