Not exact matches
Older Americans have
long been the target of unscrupulous investment scam
artists.
The 31 - year -
old artist trained initially as a theatre practitioner, before deciding that she «hated» everyone (she says laughing down the phone) and no
longer wanted to act.
Ben Affleck stars as Tony Mendez, the real life CIA Agent, who uses the international fascination with movies to create a plan that involves making a fake Star Wars rip - off with the help of award winning make - up
artist John Chambers (Planet of the Apes) and a
long - time and
old school Hollywood producer named Lester Spiegel.
Working on a Spanish translation of A Midsummer Night's Dream on an
artist residency, Camila (Agustina Muñoz) finds herself within a constellation of shifting relationships (an
old flame, a new one, a
long - lost relative).
«Lost in Paris» If «La La Land» and «The
Artist» taught us anything, it's that a massive audience awaits movies that dare to resurrect
old - fashioned cinematic forms, so
long as they do it with romance and charm.
There is a
long history of
artists copying
old masters in order to learn how to draw.
Nora Eldridge, a thirty - seven - year -
old elementary school teacher in Cambridge, Massachusetts, who
long ago abandoned her ambition to be a successful
artist, has become the «woman upstairs,» a reliable friend and tidy neighbor always on the fringe of others» achievements.
Older Americans have
long been the target of unscrupulous investment scam
artists.
We took our 3 year
old and 5 year
old to Detroit for a month
long artist residency I was part of this past August.
Nine
long time Santa Barbara
artists will exhibit one vintage work over 20 years
old alongside a newer work to examine and demonstrate how style, vision, and content may or may not have evolved over time
This lesson has a lot of steps and a bit
longer than usual, so it's naturally for the
older artists.
EDIT 9/7/16: ASF tells me that this
artist was on an
older plan that no
longer exists, and that future customers would have a completely different experience going forward.
This month -
long juried show is open to Virginia resident
artists, 18 years
old and
older.
This past month, a bizarre, three - year -
long lawsuit accusing the
artist Peter Doig of falsely claiming he never made a 40 - year
old landscape painting signed «Pete Doige,» finally came to a close when the judge sided with the painter due to the sheer preponderance of evidence that he had nothing to do with the middling artwork (which was in fact made by a prison inmate).
The
artist; given to Carl Planski, New York; to Eilliot Bossman,
Long Island City, New York (art dealer); to Marcia Blum,
Old Westbury, New York (art dealer), 1991; sold to Dr. Larry Wells, Brookville, New York, in 2002; consigned to Robert Miller Gallery; sold to present collection, 2002.
Shared on the first day of Black History Month, the photograph was taken by 29 - year -
old artist Erizku, who has
long rewritten Western art historythrough his work to include people of color.
One such outlier is 88 - year -
old Chicago
artist Evelyn Statsinger, who has had some taste of national attention during her
long, still - active career but should be much better known.
Cuban - American
artist Carmen Herrera (1915), at 101 years
old is celebrating her
long overdue retrospective at the Whitney Museum of American Art.
Alex Hay, an
artist best known for his paintings of the 1960s, and who after a
long hiatus began to exhibit his work again in the last two years, will be represented by a painting shown for the first time entitled
Old Green 05.
Hamish Jenkinson, Art Curator at Lights of Soho and former Artistic Director of the
Old Vic Tunnels states: «With Soho changing at such a rapid rate, it's a great privilege to bring together so many fantastic
artists, working together to ensure Soho's creative legacy is upheld
long into the future.
The 79th Guild Hall
Artists Members Exhibition is now accepting registration at GuildHall.org for the
oldest non-juried museum exhibition on
Long Island.
The twenty year
old artist - run space is organizing a number of special exhibitions this year to celebrate its birthday, and after the Richard
Long exhibition, it keeps work on the line of conceptualism, hosting the site - specific project by Roman Ondák.
by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an
Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2,
Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Rig
Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years -
Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25,
Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Rig
Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an
artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Rig
artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!
And although the idea may seem counter-intuitive to those emotionally beholden to the
old ideal of the cloistered genius flattered and enriched by virtue of shining talent alone,
artists who think beyond their own careers, leave the confines of the studio, and contribute to the art community tend to have more rewarding art practices over the
long haul.
The Art Students League Names Timothy J. Clark As Interim Executive Director January 19, 2017: The League has appointed Timothy J. Clark, nationally known
artist and
long - time Instructor at the League, as Interim Executive Director of the iconic 143 - year -
old art school... Read more here.
Tate acquires Joan Carlile portrait The Tate gallery has announced a round of new acquisitions in its annual report, including a landmark portrait by 17th - century British painter Joan Carlile that now represents the
oldest work by a female
artist in the museum's collection — one which was
long assumed to be the work of a man.
Koons's 51 - piece line, a project spearheaded by the daughter of Bernard Arnault, the head of LVMH and a
long - time Koons collector, is an homage to the
Old Masters, featuring handbags printed with reproductions of iconic paintings by da Vinci, Fragonard, Rubens, Titian, and Van Gogh and overlaid with the respective
artist's name — e.g., «DA VINCI» — in bling - y metallic lettering.
The 34 - year -
old Canadian
artist,
long revered for his Google Street View screengrabs (circa 2009 — ongoing), has explored darker themes in his latest videos and installations — and the art world has taken notice.
And surely no one has taken seriously in an even
longer time the Met's modern wing, with show after show of
older British
artists.
The celebrated designer of the Vietnam Veterans Memorial in Washington, D.C., (a career milestone she hit early on, as a 21 year -
old Yale student) has gone on to have a
long and productive career as an
artist and architect.
Moscow dealer (and former New Yorker) Gary Tatintsian hosted the buffet supper for Halle and his betrothed,
artist Ann Craven, at his
old loft, inhabited now mainly by a compelling group of vintage artworks by Carroll Dunham, Vik Muniz, John Coplans, John Currin, and George Condo, and a scatter of strange furniture too avant - garde to sit on very
long.
Artists are Provincetown affiliated, representing over 100 years of creating in Provincetown, America's
oldest and
longest running art colony.
What does artwork about «being a 43 - year -
old artist whose window to fulfill conventional notions of youthful genius
long ago closed» look like?
This 39 - year -
old former
artist has a Ph.D. in geology and teaches science at
Long Island City High School in Queens.
«Guild Hall
Artist Members Exhibition» is the
oldest non-juried museum show on
Long Island, according to Guild Hall.
SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017
Long Beach Foundation of the Arts & Sciences,
Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An
Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015
Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried
Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis
Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work,
Old Court House, Woodstock, IL 2012 Contemporary Women
Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!
Wandering ominously through the tent were the Siamese Hair Twins, a pair of 11 - year -
old girls whose
long wigs were tied together — the «creation» of Brazilian sculptor and performance
artist Tunga.
Guild Hall's
Artists Members Exhibition is the
oldest non-juried museum exhibition held on
Long Island.
Irwin, now a spry 86 years
old, has shaped the history of art in Southern California more significantly, over a
longer period, than any other living
artist.
The exhibition starts with the
oldest works, including Dosso Dossi's Psiche abbandonata da Amore (1525) and Antonio Carneo's Aracne tesse la tela (better known as L'Indovina, c. 1660), presented in dialogue with an assortment of books on «magic» from the same period, and ends with works by the most recent generations of contemporary
artists — from Christian Marclay to Grazia Toderi, from Markus Schinwald to Clare Strand, Elina Brotherus, Jeppe Hein, Beate Gütschow and Hans Op de Beeck — passing through masters like Gustav Klimt, Giorgio de Chirico, Fernand Léger, Edward Weston, Kurt Schwitters, Yves Klein, Arnulf Reiner, Georg Baselitz, Gerhard Richter, Peter Blake, Christo, Günter Brus, Mimmo Jodice, Gilberto Zorio, Giulio Paolini, Richard
Long, Candida Höfer, Giuseppe Penone, Fischli and Weiss and Shirin Neshat, to mention just a few.
In fact, the way the
artist has installed these panels, inserted into the backs of
old windows that act like frames, evokes the kind of nostalgia that seems deeply rooted in the image and the idea of
long streets of semi detached houses and semi detached doors.
It is fair to say that the National Gallery, home of rarefied
Old Masters and temple to
long - dead
artists, has never had anything quite like it inside its hallowed galleries.
The
artist was shortlisted for State Britain, his recreation of Brian Haw's
long - running Iraq war protest, although for the Turner exhibition itself, Wallinger chose to showcase his three - year
old film, Sleeper, in which he sports a bear suit.
If you take the
older artists in Line — Sol Lewitt, Richard
Long, Tom Marioni and Fred Sandback — their visual language is stripped right back; they were working when the dematerialization of the art object was the most important political act for an
artist.
To be sure, there are dozens of major Henri Matisse works in the show, but Matisse / Diebenkorn is very much the story of Richard Diebenkorn and his decades -
long engagement with the
older artist.
The 48 - year -
old artist has
long been interested in juxtaposing the organic and the manufactured.
Artists have
long appropriated the strategies, images, and forms of preceding generations or movements, rephotographing, collaging, upending, adding, or erasing to refresh the
old with a new proposition or perspective.
Inviting the viewer to enter a space charged with symbolic elements, from the more obvious to the more covert, that configure the multiple realities and readings which give life to the
artist's personal universe, «Something
old, something new, something borrowed» essentially speaks of personal records and comforts, of the past and the present, of what was and what is — a series of reflections that convey a repertoire of emotions, interests, and stories particularly important to the author: distant family recollections, but also recent intimate memories; pleasant re-connections with domesticity after
long periods of travel in the real world, but also disconnections and ironic provocations with the virtual world of social media; a
long relationship with the universe of animation and video games, but also another with themes of classical representation from the history of art.
Even later in his
long career, as other
artists began to adopt Abstract Expressionism, he continued to work slowly and methodically in a realist mode, drawing inspiration from both the
old Victorian houses of small New England towns and the mundane, quotidian world of the city, featured in such famous paintings as the Art Institute's Nighthawks.
18 Nov 2002 Equivalence Exhibition at the Irish Museum of Modern Art An exhibition based on the results of two different residencies by the
artist Terry O'Farrell — one a
long - term project with
older people; the other a short - term residency with young children — is now open to the public at the Irish Museum of Modern Art. 11 Nov 2002 IMMA Announces Appointment of New Director The Chairperson and Board of the Irish Museum of Modern Art today (Monday 11 November 2002) announced the appointment of Enrique Juncosa, currently Deputy Director of the prestigious Reina Sofía National Museum of Modern Art (MNCARS) in Madrid, as the new Director of IMMA.