Not exact matches
In the most haunting scene in the
film, sometime in the middle of the wintry night after he drives by Akron, Ohio, where he knows his two - year
old child lives, whom he until recently thought was aborted, Davis encounters one of those cats again, apparently one he abandoned, when it darts out in
front of his car.
Better yet, how would they feel if their 16 year
old daughter was bumping and grinding on
film or in
front of h0rny 50 year
old men?
The
film ends when Andreotti appears in
front of the judicial investigation that ended his career at the top, but in real life he is still a senator at the ripe
old age of 90.
In fact, not only is the supposedly Viennese car chase actually staged in the
old town section of the city, but the climax of the chase, glimpsed briefly in the coming - attractions trailer, was
filmed almost directly in
front of the American Embassy and ornate Slovak National Theater there.
Really the
film excels with its visuals, a lovely looking
old fashioned 30's New York complete with dated cars, store
fronts and atmospheric swirling mist, the invisibility effects, shadow effects, hands on makeup and a surprisingly cool looking outfit for the Shadow (did someone pinch ideas for «Dark City» here?).
Conveyed via two interviews done with Mike Nichols and theater director Jack O'Brien in the summer of 2014 at the Golden Theatre, where «An Evening with Nichols and May» premiered in 1960 — one in
front of a paying audience, and one not — McGrath's
film attempts to capture how a seven - year -
old immigrant from Nazi Germany became one of the most influential and award - winning directors of all time.
This is a
film riddled with doppelgangers: Candy, the woman who owns a seedy bar that serves as a
front for a whore house, looks like an
older, more run - down version of Kelly, and Buff, who works at the hospital, and a girl who works for Candy.
Dushku goes on to outline how Kramer allegedly used his position as the
film's stunt coordinator — and, thus, the man responsible for her safety on the set of James Cameron's stunt - heavy action thriller — to threaten and silence the 12 - year -
old child he had loudly, publicly nicknamed «Jailbait» in
front of his co-workers.
Even on the catalog release
front, there are some really great early
older films coming out, including some outstanding Frank Capra and some better - known - than - usual pre-codes from the Warner Archive.
The
film's chilling effect is perhaps best remembered through the one, blink - and - you'll - miss - it moment that caused collective gasps in every theatre where it screened: a man calmly slitting his own throat in
front of an
old friend.
The pair's 2012 «Frances Ha» previously charmed audiences with its mix of millennial ennui and
old - fashioned American pluck, but it was the
film's interest in putting a female friendship
front and center that really set it apart from the pack.
Starring as the
film's definitive anti-hero, a 40 - year -
old miscreant named Guy Trilby determined to become the nation's best speller, Bateman knew in order for the material to reach its highest comedic potential he would have to step in
front of the camera as well.
Near the beginning of the
film, after a grim montage of
old newsreels and photos of southern black labor and lynching of blacks, a color fade takes us from archival footage of blacks exiting a New Orleans train to a shot of Junior alone with his suitcase in
front of the station.
Maybe I'm just nostalgic because Red Dawn was the first
film I'd ever seen set in my home state of Colorado (Calumet — which is a real town, but deserted)-- albeit shot in New Mexico, but whatever — and that the image of a bunch of «necks tooling around in
old Fords with bristling gun racks was less fantasy than cozy,
front - porch documentary.
At the ripe
old age of 16, he's left behind the locker room nonsense from his first
film and taken on a more sophisticated
front as a clarinet player in an international youth orchestra.
At the ripe
old age of 16, Agent Cody Bank has left behind the locker room nonsense from his first
film and taken on a more sophisticated
front as a clarinet player in an international youth orchestra.
From on - screen titles dividing the
film into three chapters; to the actors posing in
front of a curtain and looking straight into the camera for the closing credits; to the brief glimpse of a futuristic city that recalls the kookier side of mainstream sci - fi, we see countless influences,
old - fashioned and contemporary, and they're all a treat for the eyes and ears.
Raimi's
old - fashioned approach to sound design (and the age of the
film) spell a relatively underwhelming lossless DTS - HD Master Audio 5.1 mix, but every cartoony sound effect is perfectly clear and Danny Elfman's score sounds robust; just don't expect maximum exploitation of the surround channels — it's a fairly
front - heavy mix.
Old foes become new allies, some new characters are introduced, the soundtrack scores on several
fronts, and the
film is just plain fun for fans of the superhero genre.
This four bedroom residential masterpiece on 1.8 acres of ocean
front property is four minutes from Lyford Cay, 10 minutes from Nassau's International Airport and next door to the exclusive
Old Fort Bay Club (setting for the
film «After the Sunset»).
On the playable character
front, familiar faces from all of the
old films and newer big screen epics play a part in fighting for victory.
From the moment you open the heavily rusticated
front doors into the courtyard the building oozes history, charm and artifice; in this city everything is
old and yet looks like it belongs to a strangely two - dimensional
film set.
Visiting Better Place HQ in Tel Aviv (You Can Go, Too) Seated in an impressive theater with a giant screen and comfy seats reclaimed from
old cars (I settled into a 1995 Suzuku Baleno), our group, which was visting oin behalf of the Israeli Ministry of Tourism, watched a
film flash by on the massive screen in
front of us.