This is exemplified by the Marianne Boesky Gallery's solo booth of stunning work from the Syrian artist Diana al - Hadid, as well as by the return of established
older generation artists such as the Lebanese - American Etel Adnan and Sudanese painter Ibrahim El - Salahi.
Not exact matches
The 28 - year -
old Swedish director, Niclas Gillis, represents a new
generation of
artists and filmmakers responding to inequality and social misery.
She placed younger
artists, including Jones, Shinique Smith, and Angel Otero, in dialogue with members of the
older generation, such as Felrath Hines, Alma Thomas, and Romare Bearden, who were producing seminal works in the 1960s.
Partially in response to an exhibition at the Jewish Museum,
Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal myt
Artists of the New York School: Second
Generation (1957), organized by Meyer Schapiro, which included twenty - three
artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal myt
artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes:
Old Masters, nature departed, natured observed, paint, and personal mythology.
This will include those from
older generations of
artists, including Malick Sidibé and Carrie Mae Weems, to those by more contemporary
artists, such as Deana Lawson, Zanele Muholi, and LaToya Ruby Frazier, who are part of Thomas's
generation or younger, and may in turn find inspiration in Thomas's own practice.
This will include those from
older generations of
artists, to those by more contemporary
artists who are part of her
generation or younger, and may in turn find inspiration in Thomas's own practice.
Lebanese - born
artist, academic and poet Etel Adnan produces with her palette knife luminous abstracted landscapes — blocks of bright colour on canvas — that, late in life (Adnan is now nearly 90 years
old), have brought her a new
generation of devotees.
Rail: My first question is how did you get to show with Willard Gallery which was mostly associated with
artists of
older generations such as Lyonel Feininger, Morris Graves, Mark Tobey, Charles Seliger, and so on?
He's right
older artists shouldn't care about the younger
generation.
By chance, I was afforded a ringside seat on this burgeoning scene when I went to work as a cook for Mickey Ruskin, founder of Max's Kansas City in the 1960s, the favorite watering hole of both the denizens of Warhol's Factory and the
generation of Minimalists and
older artists that included John Chamberlain, Carl Andre, Richard Serra and Brice Marden.
The Tibor de Nagy Gallery presents a group exhibition of gallery
artists, with a fresh perspective, highlighting correspondences amongst
generations, pairing an
older guard next to a younger group of contemporary
artists.
So were Jenny Snider and Amy Snider, her sister, who got me an internship at Heresies magazine, an experience that was incredibly important in terms of my own introduction to feminist
artists from the
older generation as well as my own.
As with the
older generation of German
artists, Gerhard Richter comes to mind, Wolfgang Tillmans secures a deeper engagement with abstraction, beginning with the important work Sendeschluss / End of Broadcast I 2014.
An
older generation — Cage, Cunningham, Johns, and Rauschenberg — was clearing a path, and a younger
generation with great ambition — Richard Serra, Chuck Close, Meredith Monk, Joan Jonas, Richard Foreman, Lee Breuer, and Phil Glass among them — was making art and supporting one another, as faithful audiences, as Glass reminds us, in a real
artist community.
Painters such as Noel Mahaffey, John Moore, Elizabeth Osborne and Warren Rohrer tackled traditional subjects such as the landscape, the figure or interiors with new expressive energy - stirred by Pop, and influences from an
older generation of
artists such as George Segal, Agnes Martin, Alice Neel and Alex Katz.
In November, when the German government gave Haus der Kunst $ 23 million for renovations, Enwezor said the funding «affirms and strengthens our core mission to serve
old and new audiences, and provide them a lively forum and strong access for the encounter and appreciation of the art and ideas of different
generations of contemporary
artists.»
Usually these male
artists were at least a
generation older than the appropriators: Rachel Lachowitz and Carl Andre, Deborah Kass and Andy Warhol, Bonnie Rychlak and Donald Judd, Sue Williams and Richard Prince.
Artists of earlier
generations sought a signature style and produced exhibitions of very similar paintings, and
old - school galleries and collectors no doubt still favour this kind of «branding.»
We had this idea to do a catalog that would not be alphabetical but instead chronological, from the
oldest artist to the youngest, so in a way the book would map different
generations.
After passing paintings by the
older postwar titans, Orozco's Blackboard Drawing works (1998) show that the traditions of «first
generation» conceptual
artists, themselves informed by Minimalist aesthetics, have not been forgotten.
But these
older black
artists are using their clout to ensure that the younger
generation have opportunities to show their art.
For another, at 30 years
old, he's a
generation or two younger than the influential
artists — like John Armleder, Olivier Mosset, or Fischli / Weiss — that the space has often shown.
Circling back, can you tell me about a couple of the
older artists you introduced in dialogue with the youngest
generation here?
This mini-site will have video interviews with
artists, many of them from the
older generation whose work you will see in today's program.
Now that twenty years have elapsed since Minimalist
artists broke with the
older generation of Abstract Expressionists, it is evident that the younger
artists found their roots within the less gestural branch of the New York School - in the simplified but profoundly moving paintings of Ad Reinhardt, Barnett Newman and Mark Rothko, rather than in European geometric painting.
Hofmann's belief in the importance of modernism allied him with the New York
artists opposed to conventional approaches, a particularly with the Abstract Expressionists, despite his being a
generation older — he was a contemporary of Pablo Picasso.
Against the backdrop of these questions, the group exhibition presents pieces by
artists who have grown up with the Internet as well as those produced by an
older generation and brings together works that explore, unclose and question pictorial worlds in addition to ultimately creating individual original works with the tools of the digital cosmos.
«Paint, chairs, food, electric and neon lights, smoke, water,
old socks, a dog, movies, a thousand other things that will be discovered by the present
generation of
artists.»
«One striking thing was a certain antipathy toward the exhibition, if not necessarily toward Thelma, by an
older generation of African - American
artists who believed their work had been ignored by museums in the city,» remembers Okwui Enwezor, then a young transplant from Nigeria (and later a Venice Biennale curator).
Entitled Drip, Drape, Draft, the show presents works by Robert Davis, a close friend of Johnson for more than a decade; Angel Otero, who he has known for some six years; and Sam Gilliam, an
older artist from what Johnson refers to as «an almost lost
generation of black abstract painters», with whom he recently struck up a mutually significant friendship.
His
generation of Chinese
artists are not only better known in the West than many
older ones, but are also more used to the gallery system here, said Mr. Maupin.
Hofmann's belief in the importance of modernism allied him with the New York
artists opposed to conventional approaches, particularly with the Abstract Expressionists, despite his being a
generation older — he was a contemporary of Pablo Picasso.
A New Spirit in Painting also featured members of an
older generation, including Francis Bacon, Willem de Kooning, and Pablo Picasso, presenting works that challenged standard notions of these
artists» oeuvres.
Iranian - born, London - based Shirazeh Houshiary does not belong to the
older generation of
artists included in that show, but her work reflects the Persian tradition of using the written word as a formal device.
Artists such William Scott, Patrick Heron as well as the
older generation such as Nicholson and Hepworth were part of a
generation that had spent time in Paris and Europe making friends and collaborating.
But while this often led the
older generation —
artists like Hans Haacke, Hanne Darboven and Robert Barry — to work that was visually spare, or barely there, the younger
artists have embraced the tools of spectacle — lights, camera, action — and tried to turn them to purposes that push back against mass culture.
Despite her renown in Latin America (she emerged as part of the
generation of Rio - born
artists that also includes Beatriz Milhazes, Ernesto Neto and Adriana Varejão, and is represented by Galeria Luisa Strina, one of the
oldest and most influential galleries in Brazil whom Gomes first exhibited with in 1994), this show was the first in the British capital since her solo outing at the Chisenhale Gallery, in 1997.
These factors serve as an anchor for L» Origine du Monde # 1 (1992) securing it to four separate events in art history: Dutch Golden Age painting (1665), Early Modernism (1866), Surrealism (1929), and Photorealism (1969), making it resistant to the
older generation of
artists and their pursuit of a singular style such as Pop art, Op art, Conceptual art and Minimalism.
Anxiety and Its Influence The episode on I - 95 describes, to some extent, my larger protracted history with a family of reductive
artists a
generation older than me, a case of «anxiety of influence,» in the words of literary critic Harold Bloom.
That was really my introduction to the
older generation of black
artists.»
Highly engaged with international art movements such as cubism, abstract expressionism, arte povera, and conceptual art — but also having studied and lived in Europe and the United States — an
older generation of the
artists on view pioneered modern art in Cyprus, through a dialogue within local traditions.
Meanwhile, you also have the younger
generation of African American
artists who think, «Well that's
old hat.
Artist Mark Bradford's conversation with Christopher Bedford will explore how he changed the course of his life when he was 30 years
old to eventually become one of the most accomplished
artists of his
generation.
Bringing together
Old Masters and contemporary
artists whose work spans more than 350 years, Creating the Countryside provokes reflection on the artistic, social and political forces that have played an important role in forming successive
generations» perceptions of this «green and pleasant land».
In addition to exploring cross-connections among LeWitt's peers, the exhibition presents contributions by
older artists whose methods inspired LeWitt, as well as younger
artists whose approaches are in dialogue with earlier
generations while extending the medium in new directions.
After World War II, Petlin moved away from the bold aesthetic sensibilities of the Chicago Imagists and the Monster Roster, which included an
older generation of Chicago
artists such as Leon Golub and Nancy Spero, towards a more surrealist approach.
SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An
Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015
Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015
Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried
Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis
Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work,
Old Court House, Woodstock, IL 2012 Contemporary Women
Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!
The exhibition starts with the
oldest works, including Dosso Dossi's Psiche abbandonata da Amore (1525) and Antonio Carneo's Aracne tesse la tela (better known as L'Indovina, c. 1660), presented in dialogue with an assortment of books on «magic» from the same period, and ends with works by the most recent
generations of contemporary
artists — from Christian Marclay to Grazia Toderi, from Markus Schinwald to Clare Strand, Elina Brotherus, Jeppe Hein, Beate Gütschow and Hans Op de Beeck — passing through masters like Gustav Klimt, Giorgio de Chirico, Fernand Léger, Edward Weston, Kurt Schwitters, Yves Klein, Arnulf Reiner, Georg Baselitz, Gerhard Richter, Peter Blake, Christo, Günter Brus, Mimmo Jodice, Gilberto Zorio, Giulio Paolini, Richard Long, Candida Höfer, Giuseppe Penone, Fischli and Weiss and Shirin Neshat, to mention just a few.
Rather than the fash ionable Bar Jamaica — then closely associated with
artists of the
older generation, including Lucio Fontana, Piero Manzoni and Enrico Castellani — Gruppo T would meet at the Bar Titta.
Unsurprisingly, the gallery itself bases a large portion of their business on well - established or downright famous
artists at least a
generation older than Johnson.