Sentences with phrase «older generation of artists»

In talking with my colleagues, an older generation of artists who by that time had been painting for fifty years and sixty years --

ALEX GARTENFELD — You grew up in Hamburg during the time when an older generation of artists, including Albert Oehlen, were at university studying under Sigmar Polke.

The older generation of artists represented here, a major force in their own day, exerted certain influence over the next generation, who in turn became the teachers of the next.

Still, it's striking that the pieces which do most to trouble the RA's reputation as a haven for Sunday painters come from an older generation of artists: Grayson Perry's quick - witted, tapestry - borne commentary on class and taste (The Vanity of Small Differences), for instance, or Maggi Hambling's incisive vision of the nexus of fanaticism and violence (War Zone).

Interest, Rosenfeld says, has developed incrementally around an older generation of artists like Barbara Chase - Riboud and Alma Thomas, who served as inspiration for a younger generation of better - known contemporary artists.

The list of nominated artists for the Turner Prize 2017 clearly reflects the progression that takes into account the older generation of artists.

The gallery also organizes art historical exhibitions working with an older generation of artists from the region.

«Until relatively recently,» she says, «the older generation of artists have been experimenting with canvas and paint, and seeing how far that could go.

New Orleans» own Ida Kohlmeyer, who Sumrall posits as the bridge between the older generation of artists in the show and a newer one, is represented by early paintings that show the influence of Mark Rothko, with whom she studied.

Highly engaged with international art movements such as cubism, abstract expressionism, arte povera, and conceptual art — but also having studied and lived in Europe and the United States — an older generation of the artists on view pioneered modern art in Cyprus, through a dialogue within local traditions.

These factors serve as an anchor for L» Origine du Monde # 1 (1992) securing it to four separate events in art history: Dutch Golden Age painting (1665), Early Modernism (1866), Surrealism (1929), and Photorealism (1969), making it resistant to the older generation of artists and their pursuit of a singular style such as Pop art, Op art, Conceptual art and Minimalism.

Iranian - born, London - based Shirazeh Houshiary does not belong to the older generation of artists included in that show, but her work reflects the Persian tradition of using the written word as a formal device.

Painters such as Noel Mahaffey, John Moore, Elizabeth Osborne and Warren Rohrer tackled traditional subjects such as the landscape, the figure or interiors with new expressive energy - stirred by Pop, and influences from an older generation of artists such as George Segal, Agnes Martin, Alice Neel and Alex Katz.

This will include those from older generations of artists, including Malick Sidibé and Carrie Mae Weems, to those by more contemporary artists, such as Deana Lawson, Zanele Muholi, and LaToya Ruby Frazier, who are part of Thomas's generation or younger, and may in turn find inspiration in Thomas's own practice.

This will include those from older generations of artists, to those by more contemporary artists who are part of her generation or younger, and may in turn find inspiration in Thomas's own practice.

Not exact matches

The 28 - year - old Swedish director, Niclas Gillis, represents a new generation of artists and filmmakers responding to inequality and social misery.

She placed younger artists, including Jones, Shinique Smith, and Angel Otero, in dialogue with members of the older generation, such as Felrath Hines, Alma Thomas, and Romare Bearden, who were producing seminal works in the 1960s.

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytArtists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytartists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

Lebanese - born artist, academic and poet Etel Adnan produces with her palette knife luminous abstracted landscapes — blocks of bright colour on canvas — that, late in life (Adnan is now nearly 90 years old), have brought her a new generation of devotees.

Rail: My first question is how did you get to show with Willard Gallery which was mostly associated with artists of older generations such as Lyonel Feininger, Morris Graves, Mark Tobey, Charles Seliger, and so on?

By chance, I was afforded a ringside seat on this burgeoning scene when I went to work as a cook for Mickey Ruskin, founder of Max's Kansas City in the 1960s, the favorite watering hole of both the denizens of Warhol's Factory and the generation of Minimalists and older artists that included John Chamberlain, Carl Andre, Richard Serra and Brice Marden.

The Tibor de Nagy Gallery presents a group exhibition of gallery artists, with a fresh perspective, highlighting correspondences amongst generations, pairing an older guard next to a younger group of contemporary artists.

So were Jenny Snider and Amy Snider, her sister, who got me an internship at Heresies magazine, an experience that was incredibly important in terms of my own introduction to feminist artists from the older generation as well as my own.

As with the older generation of German artists, Gerhard Richter comes to mind, Wolfgang Tillmans secures a deeper engagement with abstraction, beginning with the important work Sendeschluss / End of Broadcast I 2014.

In November, when the German government gave Haus der Kunst $ 23 million for renovations, Enwezor said the funding «affirms and strengthens our core mission to serve old and new audiences, and provide them a lively forum and strong access for the encounter and appreciation of the art and ideas of different generations of contemporary artists.»

Artists of earlier generations sought a signature style and produced exhibitions of very similar paintings, and old - school galleries and collectors no doubt still favour this kind of «branding.»

After passing paintings by the older postwar titans, Orozco's Blackboard Drawing works (1998) show that the traditions of «first generation» conceptual artists, themselves informed by Minimalist aesthetics, have not been forgotten.

Circling back, can you tell me about a couple of the older artists you introduced in dialogue with the youngest generation here?

This mini-site will have video interviews with artists, many of them from the older generation whose work you will see in today's program.

Now that twenty years have elapsed since Minimalist artists broke with the older generation of Abstract Expressionists, it is evident that the younger artists found their roots within the less gestural branch of the New York School - in the simplified but profoundly moving paintings of Ad Reinhardt, Barnett Newman and Mark Rothko, rather than in European geometric painting.

Hofmann's belief in the importance of modernism allied him with the New York artists opposed to conventional approaches, a particularly with the Abstract Expressionists, despite his being a generation older — he was a contemporary of Pablo Picasso.

Against the backdrop of these questions, the group exhibition presents pieces by artists who have grown up with the Internet as well as those produced by an older generation and brings together works that explore, unclose and question pictorial worlds in addition to ultimately creating individual original works with the tools of the digital cosmos.

«Paint, chairs, food, electric and neon lights, smoke, water, old socks, a dog, movies, a thousand other things that will be discovered by the present generation of artists.»

«One striking thing was a certain antipathy toward the exhibition, if not necessarily toward Thelma, by an older generation of African - American artists who believed their work had been ignored by museums in the city,» remembers Okwui Enwezor, then a young transplant from Nigeria (and later a Venice Biennale curator).

Entitled Drip, Drape, Draft, the show presents works by Robert Davis, a close friend of Johnson for more than a decade; Angel Otero, who he has known for some six years; and Sam Gilliam, an older artist from what Johnson refers to as «an almost lost generation of black abstract painters», with whom he recently struck up a mutually significant friendship.

His generation of Chinese artists are not only better known in the West than many older ones, but are also more used to the gallery system here, said Mr. Maupin.

Hofmann's belief in the importance of modernism allied him with the New York artists opposed to conventional approaches, particularly with the Abstract Expressionists, despite his being a generation older — he was a contemporary of Pablo Picasso.

A New Spirit in Painting also featured members of an older generation, including Francis Bacon, Willem de Kooning, and Pablo Picasso, presenting works that challenged standard notions of these artists» oeuvres.

Artists such William Scott, Patrick Heron as well as the older generation such as Nicholson and Hepworth were part of a generation that had spent time in Paris and Europe making friends and collaborating.

But while this often led the older generation — artists like Hans Haacke, Hanne Darboven and Robert Barry — to work that was visually spare, or barely there, the younger artists have embraced the tools of spectacle — lights, camera, action — and tried to turn them to purposes that push back against mass culture.

Despite her renown in Latin America (she emerged as part of the generation of Rio - born artists that also includes Beatriz Milhazes, Ernesto Neto and Adriana Varejão, and is represented by Galeria Luisa Strina, one of the oldest and most influential galleries in Brazil whom Gomes first exhibited with in 1994), this show was the first in the British capital since her solo outing at the Chisenhale Gallery, in 1997.

Anxiety and Its Influence The episode on I - 95 describes, to some extent, my larger protracted history with a family of reductive artists a generation older than me, a case of «anxiety of influence,» in the words of literary critic Harold Bloom.

That was really my introduction to the older generation of black artists.»

Meanwhile, you also have the younger generation of African American artists who think, «Well that's old hat.

Artist Mark Bradford's conversation with Christopher Bedford will explore how he changed the course of his life when he was 30 years old to eventually become one of the most accomplished artists of his generation.

Bringing together Old Masters and contemporary artists whose work spans more than 350 years, Creating the Countryside provokes reflection on the artistic, social and political forces that have played an important role in forming successive generations» perceptions of this «green and pleasant land».

After World War II, Petlin moved away from the bold aesthetic sensibilities of the Chicago Imagists and the Monster Roster, which included an older generation of Chicago artists such as Leon Golub and Nancy Spero, towards a more surrealist approach.

SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!

The exhibition starts with the oldest works, including Dosso Dossi's Psiche abbandonata da Amore (1525) and Antonio Carneo's Aracne tesse la tela (better known as L'Indovina, c. 1660), presented in dialogue with an assortment of books on «magic» from the same period, and ends with works by the most recent generations of contemporary artists — from Christian Marclay to Grazia Toderi, from Markus Schinwald to Clare Strand, Elina Brotherus, Jeppe Hein, Beate Gütschow and Hans Op de Beeck — passing through masters like Gustav Klimt, Giorgio de Chirico, Fernand Léger, Edward Weston, Kurt Schwitters, Yves Klein, Arnulf Reiner, Georg Baselitz, Gerhard Richter, Peter Blake, Christo, Günter Brus, Mimmo Jodice, Gilberto Zorio, Giulio Paolini, Richard Long, Candida Höfer, Giuseppe Penone, Fischli and Weiss and Shirin Neshat, to mention just a few.

Rather than the fash ionable Bar Jamaica — then closely associated with artists of the older generation, including Lucio Fontana, Piero Manzoni and Enrico Castellani — Gruppo T would meet at the Bar Titta.