Sentences with phrase «older rock creating»

Using what they know about groundwater processes on Earth, NASA scientists determined that groundwater must have reacted with silicon present in older rock creating the silicates.

Not exact matches

That trees were created already decades old, with existing tree rings demonstrating their age; that dinosaur bones were placed in the Earth already millions of years old; canyons were created with layers of sedimentary rock AS IF they had been carved out by water over eons, etc..

It's possible that God could have created the earth in situ with Lucy, dinosaur fossils and rocks which date over 4 billion years old.

Several studies exist that show carbon dating to be woefully inaccurate, dating rocks that are created by man and known to be 70 years old to be millions of years old.

@linca Why didn't you just use the old scam,» can God create a rock He can't lift?

Third, if God created the rocks old, then He is being deceptive, i.e. lying.

Just like before, you can still enjoy the old - fashioned pleasure of creating simple toys from scratch such as sock puppets, paper dolls, cardboard forts, blanket tents, paper beads, balance boards and painted rocks.

AMERICAN MADE A 18,500 - to 17,000 - year - old stone artifact unearthed at Chile's Monte Verde site, shown from the side (left) and top (right), contains smooth areas where pieces of the rock were struck off to create a scraping or cutting tool.

They found stone artifacts — mostly flakes that were dropped as hominins knapped rocks to create tools for butchering animals — lying in sediments almost 1.85 million years old.

Although the Tetons form the youngest range in the Rockies, they expose some of the oldest rock in North America, creating a treasure - trove for geologists — and a paradise for anyone inspired by breathtaking mountain scenery.Leaving Grand Teton, we journey on to Yellowstone, where your home for the night is a renowned lodge set within the park.

The Junk Gypsies created a rock - n - roll living room for Texas musician John Evans, turning an old piano keyboard into this coffee table.

Israeli flags are seen near the Dome of the Rock, located in Jerusalem's Old City on the compound known to Muslims as Noble Sanctuary and to Jews as Temple The president's changing story, which has stunned advisers, is part of a lifelong habit of attempting to create his own version of reality.

David Bowie might as well have had the X-Men in mind when, in the»70s, he created his own private rock»n' roll cosmology in which the old making way for the new and sexually transgressive youth cultures signified the advent of the homo superior — with the accent firmly on the homo.

The lives of a high profile couple, a famous rock star and a filmmaker (Tilda Swinton and Matthias Schoenaerts), vacationing and recovering on the idyllic sun - drenched and remote Italian island of Pantelleria are disrupted by the unexpected visit of an old friend and his daughter (Ralph Fiennes and Dakota Johnson)- creating a whirlwind of jealousy, passion and, ultimately, danger for everyone involved.

In «A Bigger Splash,» the lives of a high profile couple, a famous rock star and a filmmaker (Schoenaerts and Swinton), vacationing and recovering on the idyllic sun - drenched and remote Italian island of Pantelleria are disrupted by the unexpected visit of an old friend and his daughter (Fiennes and Johnson)-- creating a whirlwind of jealousy, passion and ultimate danger for everyone involved.

Founded in 2009 by Rob Dickinson, a Los Angeles - based Brit with a degree in product design, a successful career as a rock musician and a life - long love of old - school Porsches, Singer Vehicle Design and the cars it creates are the physical embodiment of his all - consuming vision of the perfect 911.

The car rocks gently to the V8's beat, but the funky - looking exhausts create a trebly, racer - like howl rather than a deep - chested old - school rumble.

Amazon Prime Music has a few hundred «Prime Playlists» created by Amazon's editorial team, grouped by genre (Pop, Alternative & Indie Rock) as well as context (Happy & Upbeat, Party Time & Entertaining, Work, Study & Reading and more) Most of the playlists have older tracks on them and new ones will take six months from their release to become available on the new Amazon service.

Amazon Prime Music is launching with hundreds of «Prime Playlists» created by Amazon's editorial team, grouped by genre (Pop, Alternative & Indie Rock) as well as context (Happy & Upbeat, Party Time & Entertaining, Work, Study & Reading and more) Most of the playlists have older tracks on them and new ones will take six months from their release to become available on the new Amazon service.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

Another rock»n' roller who juiced up the New Museum this year — with a towering, sci - fi / fantasy gray clay sculpture, the breakout work of the museum's second Triennial — was Adrián Villar Rojas, a 32 - year - old Argentine who creates installations around the globe with posse of kindred spirits.