Sentences with phrase «older than the audiences»

Not exact matches

Most Twitter users don't look at tweets that are more than a couple of hours old, so if you want people to actually read your posts, you should time them for when you have the largest live audience.
Smith started Vice as a print magazine with Suroosh Alvi and Gavin McInnes in Montreal more than two decades ago; with Smith at the helm as CEO, it's now a multi-platform content mill with a reported audience of between 250 million and 300 million people a month, many of them members of Generation Y. Smith made his money by convincing an older generation that Vice knows millennials better than they could ever hope to, and that pitch has worked: Rupert Murdoch's 21st Century Fox paid US$ 70 million for a 5 % stake of Vice in 2013, and Rogers Communications (which owns Canadian Business) inked a $ 100 million partnership.
When a couple came on to talk about their 16 - year - old daughter, who had been murdered by her boyfriend, they told the host that they wanted the audience to know their daughter's life was bigger than her tragic death.
With more than 100 million daily active users and a primary audience of 18 - to 24 - year - olds, Snapchat is nothing short of a cultural phenomenon.
They're the new rock stars with a bigger audience than old Hollywood ever had a chance to access.
Robert offers this insight to explain why more marketers say they focus on creating the right content for the right person at the right time, yet fewer report crafting content specifically for the buyer's journey: «It could be a semantical difference to some degree, but rather than the «old - school» development of content for the buyer's journey, we're seeing a focus on dynamically serving up content in the audience's time — no matter what stage they happen to be in.
Leverage old - school PR tactics to make friends with people who have a way larger audience than your own.»
I just wished the old SEO companies who have tried to reinvent themselves as content marketers would spend more time helping their customers «invest» in building audiences and authority through their content, rather than promising them short term returns on their efforts.
There are demographic concerns about baseball — the average fan is older than the average football or basketball fan — so it's not ludicrous to worry about how to appeal to a younger audience.
The audience for the new Mommy Lit taps into a fairly new demographic: older, well - educated mothers looking for more than «how - to» parenting information.
The top network, MTV2, aired 2,959 minutes of energy drink advertisements (8.1 % of all energy drink ad airtime); the proportion of 12 - to 17 - year - olds in MTV2's base audience was 398 % greater than the average network audience in the United States.
Henderson likened the resulting improved resolution of neural sensing, compared with that of older - generation BCIs, to that of handing out applause meters to individual members of a studio audience rather than just stationing them on the ceiling, «so you can tell just how hard and how fast each person in the audience is clapping.»
They found that older, more experienced males did drum more than other troop members, but the drummer's rank and the makeup of the local audience played little role.
Portrayals of smoking in kid - oriented movies tend to be less than realistic and are probably a weaker influence on tween and teen behavior than smoking in films geared toward older audiences, Sargent says.
And while Yours appeals to a 20s and 30s audience, that doesn't mean it's not accessible to ladies younger and older than that.
I would say that Mature Love is more simplified than the average dating website, but I assume that is because it caters to an older audience, rather than because it's «incomplete.»
For apart from ensuring the film an audience on both sides of the Atlantic, it enables Himelstein to import a theme more usually associated with Henry James than Wilde — the corruption of the New World by the Old — and also to introduce some amusing cross-cultural digs (like Darlington's mock approval of America as a society «that's gone from barbarism to depravity without bothering to develop civilisation in between»).
Other than the boozing scene, Miyasaki clearly realizes the importance of teaching lessons to his young audience, as the old «Don't judge a book by its cover» adage is a central theme, as well as several scenes that depict the awful devastation that mankind is leaving on our oceans.
The Hangover DVD is what we expect out of every male - audience - focused broad comedy: there's some mild nudity, more raunchy jokes than even most 12 - year - olds will be able to stomach, some partially offensive ethnic stereotypes, the women aren't so much as mistreated as nonexistent, and there's Mike Tyson.
In 2010, Pixar joined those ranks, with a third adventure for Buzz and Woody that matched the movies before, with a greater emotional punch than ever before, but with everything that made audiences young and old fall in love with the characters before.
But I'm going to stick my neck out and suggest most of the target audience would rather look at the gorgeous Elisha Cuthbert than grizzled old Gandalf any day of the week.
It's targeted for a slighter older audience than your standard animated kid's flick as it tackles very strong subjects along the way.
Furthermore, Pixar films usually don't have stereotypical antagonists and stick to their guns by telling character driven stories that resonate with audiences young and old, rather than conforming to conventional structures.
There was probably no better audience, then or now, for «Star Wars» than someone who was eight - years - old in 1977.
Like the Hunger Games series, it's got at least 2 female protagonists (who have considerable degrees of agency, unlike Katniss), and it's targeted at an older audience than a lot of Nix's series.
Other than the bad language, this may be a good watch for older audiences who are looking for strong dialogue and acting versus special effects and action.
It is probable that audiences were nostalgic for the old series, but that resulted in little more than a blip at the box office.
The Passion play has been a success for more than 40 years in the famous Montreal basilica, but the passage of time has made it seem old - fashioned, and modern audiences are growing restless.
Some of the regular characters have little more than walk - ons, and the audience is supposed to greet them like old friends.
Director Stanley Tong (Swordsman II, Rumble in the Bronx) and superstar Jackie Chan (Around the World in 80 Days, The Medallion) reunite after nine years with an old - school adventure tale in The Myth, a special effects powered martial arts extravaganza that seeks a larger worldwide audience than your typical Hong Kong fare.
To explain just how well conceived some of the choices are would be to spoil a few of the movie's many surprises and treats, but decisions such as the oft - discussed Billy Dee Williams Two - Face tip the hat to Batman aficionados of an older - than - strictly - target - audience persuasion.
Teens might find this story fresher than older audiences who have seen Mary Shelley's Frankenstein in previous versions.
This is one of those rare «family films» that an older audience will understand and appreciate more than their younger counterparts, and isn't that all that matters?
The evidence is Swanberg's 2 - year - old son Jude, who handily upstages anything co-stars Melanie Lynskey and Anna Kendrick can come up with to generate interest onscreen, to the extent that one can imagine a greater audience for 80 minutes of «baby Jude does the darnedest things» YouTube videos than might turn out for this sweetly insipid, mostly improvised dramedy, acquired by Magnolia and Paramount together prior to its Sundance premiere.
What The Bourne Identity lacks is freshness within its genre, content to be a good example of how to make an old school spy yarn than in an updating for today's audience.
Marcus Nispel's recent remake of 29 - year - old Conan the Barbarian had far greater problems in attracting audiences than the marketing, but the trailer and all subsequent marketing materials came off as nothing more than «been there, done that».
The crew hits every demographic for today's all - embracive audience: the workaholic team leader (Josh Brolin), the wisecracking heartthrob (Ryan Gosling), the experienced old - timer (Robert Patrick), the soft - spoken Latino (Michael Pena), the switchblade - wielding black cop (Anthony Mackie) and the morally torn egghead (Giovanni Ribisi) who absurdly asks how they're any better than the mobsters they're fighting (I'm not sure how bugging Cohen's living room remotely compares to Cohen having rivals physically torn in half by two cars, but maybe that's just me).
This is the rare entry in Disney's canon which does a better job of entertaining teens and older viewers than the young audience members the name «Disney» widely conjures up.
While some would argue that seven years is more than enough time for some kids to grow up with no knowledge of the previous Fantastic Four films or media, it's worth noting that the darker content and occasionally strong language in this film really do appeal to an older audience than its predecessors.
Rather than relying on topical jokes to make a kid's movie fun for older audiences, this instead reminds adults what it feels like to be a kid.
More than that, it's about two very different young men who, together, stick it right up a pair of devious old codgers, make themselves a fortune, and curry favour with the audience in the process.
The Pink Panther is just too silly and immature to consistently entertain audience members older than 12.
For «The Shape of Water,» more than 50 % of the audience is under 35 years old, and 60 % is female.
Indeed, the childish nature of The Pink Panther is more than likely to irritate most older audience members.
It adopts the same specious pretext that we're gazing deep into the dark American unconscious rather than catering to the audience's worst instincts; and it advances the same duplicitous claim that parody of excess is somehow different from plain old excess — a claim that becomes just another pretext for heaping on more.
- Excerpted from the inside cover Sasha and Malia Obama are now 9 and 12, respectively, which actually makes the First Daughters a little older than the 4 - 8 demographic contemplated as the target audience for this children's book designed as a letter to them from their doting dad.
New tech is celebrating the old tech it replaces, making the antiquities more accessible than ever to a worldwide audience.
Noot went into hiding after being summoned and interrogated at a local Nazi office at age 17 — just a few years older than most of Wednesday's student audience.
When Volvo unveiled a prototype only to auto journalists a few years ago, design chief Thomas Ingenlath described the Compact Modular Architecture (small) models, including the XC40, as aiming for a much younger — say, thirty - something — audience rather than traditional customers of the brand, who are old enough to have watched the television show «Thirtysomething» when it was on broadcast TV -LRB-!)
In 2004 an old Ruf CTR could keep up with new supercars at the Autocar 0 -100-0 challenge and impressed the audience, [5] so did another one - with more than 100,000 kilometers on its odometer - at the Road & Track standing mile contest 2005.
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