Not exact matches
Most Twitter users don't look at tweets that are more
than a couple of hours
old, so if you want people to actually read your posts, you should time them for when you have the largest live
audience.
Smith started Vice as a print magazine with Suroosh Alvi and Gavin McInnes in Montreal more
than two decades ago; with Smith at the helm as CEO, it's now a multi-platform content mill with a reported
audience of between 250 million and 300 million people a month, many of them members of Generation Y. Smith made his money by convincing an
older generation that Vice knows millennials better
than they could ever hope to, and that pitch has worked: Rupert Murdoch's 21st Century Fox paid US$ 70 million for a 5 % stake of Vice in 2013, and Rogers Communications (which owns Canadian Business) inked a $ 100 million partnership.
When a couple came on to talk about their 16 - year -
old daughter, who had been murdered by her boyfriend, they told the host that they wanted the
audience to know their daughter's life was bigger
than her tragic death.
With more
than 100 million daily active users and a primary
audience of 18 - to 24 - year -
olds, Snapchat is nothing short of a cultural phenomenon.
They're the new rock stars with a bigger
audience than old Hollywood ever had a chance to access.
Robert offers this insight to explain why more marketers say they focus on creating the right content for the right person at the right time, yet fewer report crafting content specifically for the buyer's journey: «It could be a semantical difference to some degree, but rather
than the «
old - school» development of content for the buyer's journey, we're seeing a focus on dynamically serving up content in the
audience's time — no matter what stage they happen to be in.
Leverage
old - school PR tactics to make friends with people who have a way larger
audience than your own.»
I just wished the
old SEO companies who have tried to reinvent themselves as content marketers would spend more time helping their customers «invest» in building
audiences and authority through their content, rather
than promising them short term returns on their efforts.
There are demographic concerns about baseball — the average fan is
older than the average football or basketball fan — so it's not ludicrous to worry about how to appeal to a younger
audience.
The
audience for the new Mommy Lit taps into a fairly new demographic:
older, well - educated mothers looking for more
than «how - to» parenting information.
The top network, MTV2, aired 2,959 minutes of energy drink advertisements (8.1 % of all energy drink ad airtime); the proportion of 12 - to 17 - year -
olds in MTV2's base
audience was 398 % greater
than the average network
audience in the United States.
Henderson likened the resulting improved resolution of neural sensing, compared with that of
older - generation BCIs, to that of handing out applause meters to individual members of a studio
audience rather
than just stationing them on the ceiling, «so you can tell just how hard and how fast each person in the
audience is clapping.»
They found that
older, more experienced males did drum more
than other troop members, but the drummer's rank and the makeup of the local
audience played little role.
Portrayals of smoking in kid - oriented movies tend to be less
than realistic and are probably a weaker influence on tween and teen behavior
than smoking in films geared toward
older audiences, Sargent says.
And while Yours appeals to a 20s and 30s
audience, that doesn't mean it's not accessible to ladies younger and
older than that.
I would say that Mature Love is more simplified
than the average dating website, but I assume that is because it caters to an
older audience, rather
than because it's «incomplete.»
For apart from ensuring the film an
audience on both sides of the Atlantic, it enables Himelstein to import a theme more usually associated with Henry James
than Wilde — the corruption of the New World by the
Old — and also to introduce some amusing cross-cultural digs (like Darlington's mock approval of America as a society «that's gone from barbarism to depravity without bothering to develop civilisation in between»).
Other
than the boozing scene, Miyasaki clearly realizes the importance of teaching lessons to his young
audience, as the
old «Don't judge a book by its cover» adage is a central theme, as well as several scenes that depict the awful devastation that mankind is leaving on our oceans.
The Hangover DVD is what we expect out of every male -
audience - focused broad comedy: there's some mild nudity, more raunchy jokes
than even most 12 - year -
olds will be able to stomach, some partially offensive ethnic stereotypes, the women aren't so much as mistreated as nonexistent, and there's Mike Tyson.
In 2010, Pixar joined those ranks, with a third adventure for Buzz and Woody that matched the movies before, with a greater emotional punch
than ever before, but with everything that made
audiences young and
old fall in love with the characters before.
But I'm going to stick my neck out and suggest most of the target
audience would rather look at the gorgeous Elisha Cuthbert
than grizzled
old Gandalf any day of the week.
It's targeted for a slighter
older audience than your standard animated kid's flick as it tackles very strong subjects along the way.
Furthermore, Pixar films usually don't have stereotypical antagonists and stick to their guns by telling character driven stories that resonate with
audiences young and
old, rather
than conforming to conventional structures.
There was probably no better
audience, then or now, for «Star Wars»
than someone who was eight - years -
old in 1977.
Like the Hunger Games series, it's got at least 2 female protagonists (who have considerable degrees of agency, unlike Katniss), and it's targeted at an
older audience than a lot of Nix's series.
Other
than the bad language, this may be a good watch for
older audiences who are looking for strong dialogue and acting versus special effects and action.
It is probable that
audiences were nostalgic for the
old series, but that resulted in little more
than a blip at the box office.
The Passion play has been a success for more
than 40 years in the famous Montreal basilica, but the passage of time has made it seem
old - fashioned, and modern
audiences are growing restless.
Some of the regular characters have little more
than walk - ons, and the
audience is supposed to greet them like
old friends.
Director Stanley Tong (Swordsman II, Rumble in the Bronx) and superstar Jackie Chan (Around the World in 80 Days, The Medallion) reunite after nine years with an
old - school adventure tale in The Myth, a special effects powered martial arts extravaganza that seeks a larger worldwide
audience than your typical Hong Kong fare.
To explain just how well conceived some of the choices are would be to spoil a few of the movie's many surprises and treats, but decisions such as the oft - discussed Billy Dee Williams Two - Face tip the hat to Batman aficionados of an
older -
than - strictly - target -
audience persuasion.
Teens might find this story fresher
than older audiences who have seen Mary Shelley's Frankenstein in previous versions.
This is one of those rare «family films» that an
older audience will understand and appreciate more
than their younger counterparts, and isn't that all that matters?
The evidence is Swanberg's 2 - year -
old son Jude, who handily upstages anything co-stars Melanie Lynskey and Anna Kendrick can come up with to generate interest onscreen, to the extent that one can imagine a greater
audience for 80 minutes of «baby Jude does the darnedest things» YouTube videos
than might turn out for this sweetly insipid, mostly improvised dramedy, acquired by Magnolia and Paramount together prior to its Sundance premiere.
What The Bourne Identity lacks is freshness within its genre, content to be a good example of how to make an
old school spy yarn
than in an updating for today's
audience.
Marcus Nispel's recent remake of 29 - year -
old Conan the Barbarian had far greater problems in attracting
audiences than the marketing, but the trailer and all subsequent marketing materials came off as nothing more
than «been there, done that».
The crew hits every demographic for today's all - embracive
audience: the workaholic team leader (Josh Brolin), the wisecracking heartthrob (Ryan Gosling), the experienced
old - timer (Robert Patrick), the soft - spoken Latino (Michael Pena), the switchblade - wielding black cop (Anthony Mackie) and the morally torn egghead (Giovanni Ribisi) who absurdly asks how they're any better
than the mobsters they're fighting (I'm not sure how bugging Cohen's living room remotely compares to Cohen having rivals physically torn in half by two cars, but maybe that's just me).
This is the rare entry in Disney's canon which does a better job of entertaining teens and
older viewers
than the young
audience members the name «Disney» widely conjures up.
While some would argue that seven years is more
than enough time for some kids to grow up with no knowledge of the previous Fantastic Four films or media, it's worth noting that the darker content and occasionally strong language in this film really do appeal to an
older audience than its predecessors.
Rather
than relying on topical jokes to make a kid's movie fun for
older audiences, this instead reminds adults what it feels like to be a kid.
More
than that, it's about two very different young men who, together, stick it right up a pair of devious
old codgers, make themselves a fortune, and curry favour with the
audience in the process.
The Pink Panther is just too silly and immature to consistently entertain
audience members
older than 12.
For «The Shape of Water,» more
than 50 % of the
audience is under 35 years
old, and 60 % is female.
Indeed, the childish nature of The Pink Panther is more
than likely to irritate most
older audience members.
It adopts the same specious pretext that we're gazing deep into the dark American unconscious rather
than catering to the
audience's worst instincts; and it advances the same duplicitous claim that parody of excess is somehow different from plain
old excess — a claim that becomes just another pretext for heaping on more.
- Excerpted from the inside cover Sasha and Malia Obama are now 9 and 12, respectively, which actually makes the First Daughters a little
older than the 4 - 8 demographic contemplated as the target
audience for this children's book designed as a letter to them from their doting dad.
New tech is celebrating the
old tech it replaces, making the antiquities more accessible
than ever to a worldwide
audience.
Noot went into hiding after being summoned and interrogated at a local Nazi office at age 17 — just a few years
older than most of Wednesday's student
audience.
When Volvo unveiled a prototype only to auto journalists a few years ago, design chief Thomas Ingenlath described the Compact Modular Architecture (small) models, including the XC40, as aiming for a much younger — say, thirty - something —
audience rather
than traditional customers of the brand, who are
old enough to have watched the television show «Thirtysomething» when it was on broadcast TV -LRB-!)
In 2004 an
old Ruf CTR could keep up with new supercars at the Autocar 0 -100-0 challenge and impressed the
audience, [5] so did another one - with more
than 100,000 kilometers on its odometer - at the Road & Track standing mile contest 2005.