Sentences with phrase «older woman in her audience»

(For example, even the incredibly wise Sarah Polley, who made this weekend's wonderful; Stories We Tell, conceded at a Q&A for the film that she hadn't even noticed her lead female characters are defined by their relationships with their male partners, as pointed out by an older woman in her audience.)

Not exact matches

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Dating Over 50 Here's a useful article on love over 50 aimed at a target audience interested in dating older men and dating older women.

The target audience of it is older women who lack a taste for the exquisite stuff and need new things in life.

Across its whole sweep — which in retrospect now does seem genuinely epic — the Harry Potter series offers one ravishing special effect no digital compositor or makeup artist can match: the opportunity to see the three leads, Radcliffe, Watson, and Grint, age from adorably buck - toothed 11 - year - olds into young men and women toward whom the audience now feels an oddly avuncular pride.

With some of the cast talking directly to the audience to fill us in on what's going on, «I, Tonya» stars Margot Robbie as a 15 - year - old right up to her 25th year: credit the wig people and makeup artists for converting a classy - looking actress as a hardscrabble, working - class woman who had in at least one instance is looked over by as a representative of her sport because she does not radiate a wholesome, family manner.

No matter how they sliced their claims that movies are different from books, which the novelist especially attempted to put forward, Brooklyn is a blatant throwback to bad old Hollywood and its incessant glorification of «the girl» at the expense of the real women in the audience whose real world experiences of problems barred them from the easy bliss of the heroine.

Charles Gant: British - Indian retirement film draws ill - served older audience, but pales against popularity of The Woman in Black

It was especially poignant to see Robinson, a lesbian filmmaker who's been working in the industry for years on various projects including The L Word, present such a radical film to both older audiences who were familiar to the character and young audiences who are growing up with the chance to see a complex women - centric narrative propelled by her.

After a few misfires («Tamara Drewe,» «Lay The Favorite»), Stephen Frears returns to critical — and likely audiences» — good graces with this take on the true story of Philomena Lee (Judi Dench), a 70 year old woman searching for the son that was taken away from her 50 years prior after she became pregnant and was forced to live in a convent.

Warners is hoping that more of those older female Wonder Woman fans come out, just like they did for her June solo outing: Females over 25 are giving Justice League its best grades at 90 %, but they're still in the minority among the pic's headcount repping only 18 % of the audience.

I sat in the audience of a fifty - two - year - old woman who had worked with a voice coach for two years to become a more fluent and compelling public speaker, watched the dress rehearsal of a play written by a sixty - three - year - old new playwright, and enjoyed the debut performance of a fifty - eight - year - old former schoolteacher at the conclusion of his first year of studying acting.

Harriet recounts these events forty - five years later, writing as an old woman in her London flat, a memoir very deliberately entered into the historical record of a minor painter («It would appear that I am to be the first to write a book on Gillespie») and quite self - conscious in its address to its audience («The astute reader will, of course, realize that I was employing irony»).

While this doesn't mean you should target all of your efforts to 70 - year - old women living in the outskirts of Atlanta, there is a point: know where to find your audience.

For some time, they have been promoting and investing in work by older women, primarily because they know it flourishes with a wide audience.

An impish reference to Duchamp's infamous last major artwork Étant donnés (Given)(1946 - 66), Give In is an optical illusion, visible only through a key hole in an old wooden door; instead of Duchamp's tableau of a nude woman lying on her back, Turk presents his audience with a distorted examination of self, through the lens of the artisIn is an optical illusion, visible only through a key hole in an old wooden door; instead of Duchamp's tableau of a nude woman lying on her back, Turk presents his audience with a distorted examination of self, through the lens of the artisin an old wooden door; instead of Duchamp's tableau of a nude woman lying on her back, Turk presents his audience with a distorted examination of self, through the lens of the artist.

Each serving of Jell - O would be rewarded with a verse of song taken from the spirituals that Hancock learned as a child, which the young assistant would then repeat to an older white woman emerging from within the Mound who would in turn transmit the verse to the audience.

Far and above all the other so - called evidence used in attempts to show that a sinister industry plot exists is what I term the core evidence: the set of leaked memos from way back in 1991 — supposedly from the Western Fuels Association's «Information Council for the Environment» (ICE) public relations campaign — containing the alleged strategy to «reposition global warming as theory rather than fact» where the targeted audience was «older, less educated males» and «younger, lower income women.»

The design and merchandise aims at a middle American audience of women in their teens and older.»