Sentences with phrase «older women characters»

Not long after I finished Out of Circulation, I was working on ideas for a second series, one that would feature two older women characters.

Not exact matches

(besides, a wisdom - seeker as a woman makes plenty of sense seeing that is how wisdom is portrayed as a woman - character in multiple religious literature, including but not limited to the Old Testament...)

I am glad and sympathized to see the relatives of jailed prisoners but I am not happy to see our Muslims old and young men or women with the signs of «V» for victory which is not our Muslim character and to my mind we Muslims have to create or already exist in Muslim society what we are not realizing to replace the «V «sign as RED CROSS into CRESCENT MOON for Muslims character.

Timeless characters like Humpty Dumpty, the Old Woman in the Shoe, the Three Little Pigs and Peter Rabbit came to life here in 1954.

One of the more gag - worthy examples involves a mother dressing her 3 - year - old daughter up as a prostitute based on Julia Roberts «character in Pretty Woman.

Whether it is a two year old being pressured to do a strip tease and sexy dance with tassels hanging from her cone - shaped breasts or a three year old being dressed up as Julia Roberts» prostitute character from Pretty Woman, these beauty pageants and dance competitions are out of control.

«It's okay to have an older woman as a sleuth, but surround her with younger characters.

Within seconds, he can change his complete body, facial expressions, and personality of his character like «Hedwig», who is a nine year old boy; or «Patricia», who is an upkeep woman that is eerily similar to Norman Bates.

For the benefit of older men dating younger women online connection, you do not have to get into character effectively.

Older women want strong younger guys who have high value and good character.

The young men on Toy Boy are eager to date older women with knowledge, confidence, strength of character and yes, skill in the bedroom.

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Thelma is a fictional character, but she represents a lot of older women who struggle with first date anxiety.

Starting with the character of forty - something Samantha and her young boyfriend on Sex and The City, the media has helped in recent years to open up a whole new role model: «the cougar,» an older woman who dates or marries a younger guy.

Let's face it, with popular fictional TV and movie characters like Stifler's mom, Samantha from Sex and the City, and arguably the queen of them all, Mrs Robinson, older women, or cougar's as they are now fondly referred to as, have never been more popular, or sexy.

Hathaway will play Megan, a young woman who reacts to her boyfriend's marriage proposal by pretending to go on a career retreat while she's really hiding out with her new best friend, Moretz's character, 16 - year - old Annika.

A Fantastic Woman is the Chilean Oscar nominee for the Best Foreign Language Film, and if voters are swayed at all by the old - school attractions of underdog characters or indomitable heroines, this terrific movie should win in a walk.

It was especially poignant to see Robinson, a lesbian filmmaker who's been working in the industry for years on various projects including The L Word, present such a radical film to both older audiences who were familiar to the character and young audiences who are growing up with the chance to see a complex women - centric narrative propelled by her.

What we've tried to do, and I think she pulls it off brilliantly, is this: her character behavior is such that it enables you to see the woman she is at the same time as the young woman she once was and who she's desperately trying to hang on to, and also the old woman that she's terrified of becoming.

Sexual Content: Characters debate about the gender preference of a man, as well as speculate about his relationship with an older woman.

I am glad that in Doris, we have a fully realized older female character with real flaws and foibles who tries, however awkwardly, to bridge the romantic generational gap generally portrayed by Hollywood as unable to be crossed by older women.

Some kind of a beautiful mess, Frances Ha aims to reflect the chaotic existence of its 27 - year - old titular character, a flighty woman who is at a turning point of her life and is doing everything within her power to ignore it.

Two casting items tonight: Julianne Moore will play the title character in the feature adaptation of Harvard neuroscientist Lisa Genova «s debut novel, Still Alice, about a 50 - year - old woman diagnosed with early onset Alzheimer's disease.

In this British character study, a lonely 27 - year - old woman (Jessie Buckley) still living with her parents falls in love with a mysterious young man (Johnny...

One of the most wholly original slice of life character studies in years as a young «actress» befriends an old woman for dubious reasons to incongruously sweet results

Jolie plays Christine Collins, a character based on a real - life woman of the same name whose nine - year - old son, Walter Collins, went missing without explanation in 1928.

The veteran French actress pulls off one of the year's most challenging characters — a rape victim who refuses to let her abuse define her — as she claims her identity as an entrepreneur, mother, and sexually active older woman.

The main character is a young woman with a mysterious past and powers, attaching herself to the much - hated» villain» Blackheart in his quest to destroy his old rival Goldenloin and the oppressive institution that employs him.

Meanwhile, Carell's character serves as an almost clownish mouthpiece for old - school chauvinist views, as Riggs goes on television to promote the match by spouting that women belong in the kitchen or the bedroom, and insisting that he can beat any female player on the court.

Together they have finally broken through the «old» Hollywood stigma (pun intended) by creating a contemporary character in which women can truly relate.

If the story and characters compel, does it matter that the lead character is an older woman?

Count The Last Kiss as a film that treats its women characters as the entire Greek pantheon of hysterical goddesses, from a flat - crazy mother (Blythe Danner in a series of ironed housecoats) pining after an old flame to our collegiate temptress (who, for no earthly reason, is mightily attracted to thirtysomething milquetoast Michael), to finally our damsel in distress Jenna, three months pregnant (her hormones blamed more than once for her behaviour — and she agrees!)

With a lot of talk, little action, overlapping relationships, quirks, insecurities, infidelities, and an older man with a much younger woman, it has his styles, his interests, his sensibilities, his characters, and his melting pot of divergent ideas.

In fact, First Reformed plays so much like old - school Schrader, you might confuse it for the work of a dutiful grad student: Once again, we get a tortured Travis Bickle voiceover (Hawke's Ernst Toller keeps a journal from which, in between hitting the sauce, he reads passages like «I know there is no hope»); here, too, is a troubled woman who needs saving (Amanda Seyfried, playing a character named Mary), and Toller's own memories of his soldier son, killed in Iraq.

For every inspired character and performance, such as Steve Buscemi's suicidal cabaret singer and Campbell Scott's creepy German steward, there are duds like a faux French con couple (Richard Jenkins and Allison Janney) and a golddigging older woman (Dana Ivey).

Ann - Margaret stars as the crazy old woman, while Marg Helgenberger plays the lead detective on the case (which proves to be a model for her eventual character on the hit show, CSI).

The title character in «Frances Ha,» a 27 - year - old woman whose life is headed in any number of directions but few of the good, calls herself «undatable.»

A portmanteau made up of three tales linked by geography and the inner lives of several female characters, Certain Women feels almost like a summary of director Kelly Reichardt's work so far, drawing in the sweeping Midwestern landscapes of Meek's Cutoff, the aching loneliness of Wendy and Lucy and the shaggy - bearded, searching men of Old Joy.

The way this 20 year old woman can so effectively make her character age from 15 to her mid to late twenties over the course of a few hours is remarkable, and reminiscent of similar roles we've seen from Jennifer Lawrence in Winter's Bone or Elizabeth Olsen in Martha Marcy May Marlene.

In many ways, it's similar to Leo's — both play brash, tough older women prepared to do anything to protect their families — but Weaver isn't attempting to completely reinvent herself onscreen, and that leaves her free to channel all of her energy into making her character, who's improbably called «Smurf,» as creepy as possible.

A character has implied sexual encounter in the back seat of a car is implied between an older man and a much younger woman (only bare shoulders are shown).

The Wandering Soap Opera presents a succession of archetypes, of actors playing characters who essentially look exactly as you'd expect them to: the flighty ingénue, the nobly vampish middle - aged romantic heroine, the grey - templed older roué, assorted raffish bohemians, harassed civil servant types... I didn't recognize anyone in the cast, although somewhere in there is Francisco Reyes, who can currently be seen as the ill - fated older lover in Sebastián Lelio's Oscar - nominated A Fantastic Woman.

George is a bit of a womanizer, but when he hits it off with feisty ex-waitress Cassie (Ann Sheridan), he's ready to settle down; Paul has a wife back home pressuring him to get her pregnant, and let's just say the movie has a habit of granting its female characters exactly what they wish for with unusual disregard for the free will of Joe, Paul, and people like Ed Carlsen (Alan Hale), husband to a woman, Lana (Ida Lupino, later Hale Jr.'s director on several episodes of «Gilligan's Island»), who considers herself one of Joe's old flames and still carries an Olympic - size torch for him.

Synopsis: Nymphomaniac is the wild and poetic story of a woman's erotic journey from birth to the age of 50 as told by the main character, the self - diagnosed nymphomaniac, Joe.On a cold winter's evening the old, charming bachelor, Seligman, finds Joe beaten up in an alleyway.

On the street is 24 - year old Maud Watts (a composite of several real life characters), a working class laundress, wife, and mother who has been slaving since childhood underpaid, overworked, and sexually violated by her male bosses along with countless other women and children.

Temple is better, if a tad affected, but is lumped with a thankless, thin role as one of Allen's favorite recurring characters: the young woman who needs an older man to save her.

Tracy and Brooke strike up a genuine friendship, and while the young Tracy is transfixed by Brooke, it's clear to the audience that Gerwig's character doesn't really have it all together herself, even though she thinks she's playing the part of the «older, experienced» woman to Tracy's young, naïve teenager.

(For example, even the incredibly wise Sarah Polley, who made this weekend's wonderful; Stories We Tell, conceded at a Q&A for the film that she hadn't even noticed her lead female characters are defined by their relationships with their male partners, as pointed out by an older woman in her audience.)

While this tale of three newly - empowered women taking control of their love lives and careers may itself play into some old cliches — there's plenty of footage of Graham's wannbe screenwriter half - naked, for example, — and characters can behave in ways that service the story, rather than reality, it's still worth a watch.

Shaye really does seem like one of the nicest people on earth, and it's refreshing that the Insidious franchise made an older woman their lead character, as opposed to most other horror franchises which tend to gravitate towards much younger leads.