They are about disaster, which is one of
the oldest subjects of art.»
Not exact matches
As another school year begins, artistic - minded students (and their parents) are once again wrestling with the age -
old question
of whether one should indulge an enthusiasm for music, literature or other fine -
arts subjects at school, or instead study something more... shall we say... employable?
But a visit from a dangerous stranger, who looks uncannily like a
subject in one
of Derek's
older paintings, leads the young artist to a place where the line between life and
art seems not to exist at all.
Our FREE education resources for 5 - 18 year
olds can be used to teach a range
of curriculum
subjects including science, geography, English and
art.
The 38 - year
old Arcangel has been the
subject of numerous international monographic exhibitions at both galleries and major museums, including The Carnegie Museum
of Art in Pittsburgh, The Whitney Museum in New York, The Hamburger Bahnhof in Berlin, The Barbican in London and MoCA in Miami.
Fishman is currently the
subject of two large exhibitions: «Louise Fishman: A Retrospective» at the Neuberger Museum
of Art acts as the 77 - year -
old's first comprehensive show, while «Paper Louise Tiny Fishman Rock» at the Institute
of Contemporary
Art, Philadelphia displays an entirely different body
of work, focusing on sketchbooks, smaller paintings and sculptures, and other rarely - seen items.
Sex, exuberant and unrestrained, is the
subject of 80 - year -
old, self - taught American artist Dorthy Iannone — and it has been for over five decades, though she's only come into the
art - world spotlight in the last five years.
In these earlyworks there is a lyricism, a tenderness
of touch,
of surface, and content, while the more recent work
of the same
subject matter is tougher, sharper, bolder and more imposing materially, thus proposing another kind
of youthfulness in
older age though the return to landscape or nature as a thematic seems to bracket the period
of cooler irony
of Artschwager's most noted works, emerging in the era
of Pop
Art and continuing through the era of appropriation a
Art and continuing through the era
of appropriation
artart.
Antiques and The
Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The
Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel
Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real
Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG inde
Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact
of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to
Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG inde
Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection
of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part
of the
Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG inde
Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum
of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG inde
Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American
art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG inde
art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!
Now, the 85 - year -
old German artist is the
subject of a major career survey show, Gerhard Richter: The Life
of Images, which opened this weekend at the Gallery
of Modern
Art in Brisbane.
With artists young and
old tackling
subject matter ranging from figurative landscapes to digital glitches to the eternity
of the circle, it is clear that the world
of abstraction is thriving in contemporary Chinese
art.
The auto parts included in Holen's exhibition may have been intended to pun on the name
of Autocenter, a ten - year -
old fixture among Berlin's independent
art spaces, but they did not treat it, as Knight might well have done, as a
subject for critique.
Work by academic
art stars like Bouguereau and Cabanel from the Paris Salon look like soft - core porn, and everybody knows that
old master
subjects like The Three Graces and The Judgement
Of Paris are mostly a front for putting the -LSB-.....]
In many ways, Edward is also the un-Robert Mapplethorpe, the famous
older brother who is the
subject of a recent HBO documentary and current retrospective at the Getty Center and the Los Angeles County Museum
of Art.
Among these are the pastoral landscape - themed Eden (1956), and Dawn after the Storm (1957, Museum
of Fine
Arts, Boston); re-imaginings
of Old Master paintings, such as Europa (1957); and nursery - rhyme
subjects, such as Mother Goose Melody (1959, Virginia Museum
of Fine
Arts).
Ryan McGinley, at 36 years
old, has been the
subject of numerous international monographic exhibitions over the past ten years, including solo museum shows at The Whitney Museum
of American
Art, the Kunsthalle in Vienna, MUSAC in Léon, Spain, and MoMA PS1 in Long Island City.
The 36 - year
old Cory Arcangel has been the
subject of numerous international monographic exhibitions at both galleries and major museums, including The Carnegie Museum
of Art in Pittsburgh, The Whitney Museum in New York, The Hamburger Bahnhof in Berlin, The Barbican in London and MoCA in Miami.
The most grown up
of all is 63 - year
old Lubaina Himid, a Zanzibar - born painter and academic who produces flat looking tableaux, collages, canvasses and pottery pieces, all
of which share the same central
subject: the representation
of black culture in
art history and the media.
He also hinted that the
old piece «is a classic
subject in
art history,» and divulged one other detail: it has fur and is «sort
of new in a serious but funny way.»
Siegel: In any case, the issue
of race also arises in the work
of older African - American artists like Norman Lewis and continues through that made in the 1970s by Faith Ringgold, who stated that, «Black
art must use its own color black to create its light,» to Kara Walker, whose
art deliberately and clearly takes up the
subject of «American Gothic.»
Of those artists, Alighiero Boetti has engaged the interest of the American art market for quite some time; the works of Michelangelo Pistoletto have experienced a spike in interest in the past couple of years; and one of the most amazing artists of the batch, 91 - year old Marisa Merz — who is currently making some of the greatest works of her career — was, finally, the subject of her first major museum show in the United States this year (at the Met Breuer and the Hammer
Of those artists, Alighiero Boetti has engaged the interest
of the American art market for quite some time; the works of Michelangelo Pistoletto have experienced a spike in interest in the past couple of years; and one of the most amazing artists of the batch, 91 - year old Marisa Merz — who is currently making some of the greatest works of her career — was, finally, the subject of her first major museum show in the United States this year (at the Met Breuer and the Hammer
of the American
art market for quite some time; the works
of Michelangelo Pistoletto have experienced a spike in interest in the past couple of years; and one of the most amazing artists of the batch, 91 - year old Marisa Merz — who is currently making some of the greatest works of her career — was, finally, the subject of her first major museum show in the United States this year (at the Met Breuer and the Hammer
of Michelangelo Pistoletto have experienced a spike in interest in the past couple
of years; and one of the most amazing artists of the batch, 91 - year old Marisa Merz — who is currently making some of the greatest works of her career — was, finally, the subject of her first major museum show in the United States this year (at the Met Breuer and the Hammer
of years; and one
of the most amazing artists of the batch, 91 - year old Marisa Merz — who is currently making some of the greatest works of her career — was, finally, the subject of her first major museum show in the United States this year (at the Met Breuer and the Hammer
of the most amazing artists
of the batch, 91 - year old Marisa Merz — who is currently making some of the greatest works of her career — was, finally, the subject of her first major museum show in the United States this year (at the Met Breuer and the Hammer
of the batch, 91 - year
old Marisa Merz — who is currently making some
of the greatest works of her career — was, finally, the subject of her first major museum show in the United States this year (at the Met Breuer and the Hammer
of the greatest works
of her career — was, finally, the subject of her first major museum show in the United States this year (at the Met Breuer and the Hammer
of her career — was, finally, the
subject of her first major museum show in the United States this year (at the Met Breuer and the Hammer
of her first major museum show in the United States this year (at the Met Breuer and the Hammer).
Coming up in the June issue
of ArtThrob: Emma Bedford reviews Dak /
Art 2000, a whole slew
of new overseas shows are listed, and 80 - year -
old Robert Hodgins is the
subject ofArtBio.
Using diverse materials, which range from oil paint to neon to driveway sealer, to depict a variety
of subject matter, Holmes brazenly undermines exclusionary high
art motifs, presenting instead a fresh, honest reduction
of form and process that unsparingly unveils the slapdash hand
of the 35 - year -
old Canadian artist.
Fusing centuries -
old art - making conventions and a multitude
of art historic influences — including impressionism, German expressionism, and twentieth - century social realist painting — with contemporary
subject matter, she depicts settings and themes as varied as bar scenes, motherhood, and the plight
of the artist.