The defending champions are enjoying a six - match unbeaten run in the league − five wins and one draw − whilst Nani and Wayne Rooney both ending their goal droughts at home to Wolves last time out could be
an ominous sign of things to come.
Not exact matches
He manages to successfully recreate the
ominous stillness
of the opening
of Once Upon a Time in the West, and the dialogue between the Bride and Bill is pretty well - written; we pick up on
things that are unsaid and why the characters don't say them, which is a
sign that we are at least somewhat invested in their situation.
Bleak as that may sound, not even this fatalistic progression (the
ominous sense, throughout, that
things are winding down to a bad end) prepares us for the dire coda, a
sign - off that outdoes the finales
of both Olivier Assayas's Demonlover and David Cronenberg's Videodrome, each
of which Bastards resembles, for pure, radioactive cynicism.
A dark warehouse entrance leads past Josh Smith's untitled stop
sign from 2012 and over a metal bridge to Pawel Althamer's
ominous Evil (2012), a scary, seated, gas - masked figure in a low - lit room; a separate room wallpapered with DESTE archive snapshots (a younger Massimiliano Gioni, lots
of Jeffrey Deitch) immediately lightens
things up.