The impact of negative affect
on autobiographical memory: the role of self - focused attention to moods
Not exact matches
Then, abruptly abandoning the
autobiographical narrative, Augustine embarks
on a series of theological and philosophical speculations about time,
memory, and the opening chapters of Genesis.
Instead of relying
on interviews with adults, as previous studies of childhood amnesia have done, the Emory researchers wanted to document early
autobiographical memory formation, as well as the age of forgetting these
memories.
As a result, our early years tend to be relatively overrepresented in our
autobiographical memory and,
on reflection, seem to have lasted longer.
The idea builds
on the work of renowned neuroscientist Endel Tulving, who pioneered the study of human episodic
memory — the recall of our
autobiographical past.
Much like his previous film
on American movies, Scorsese begins
on an
autobiographical note, the sense of nostalgic reminiscence foregrounded with
memories of family viewings of Roberto Rossellini's Paisan, before affording the movies in question a greater depth of analysis, of personal resonance.
These
autobiographical works draw
on the
memories that Neely carries with her, «hidden in plain sight,» of the experiences that have shaped her life.
Personal history is primary in works such as Radcliffe Bailey's Tricky 3 (2011), a multilayered piece that employs collage and explores both African American history and influences
on the artist, and Trenton Doyle Hancock's 548 First Street N.E. (2012), an
autobiographical portfolio based
on the artist's childhood
memories of his grandmother's house.
Interspersed with tiny bottles of whisky, rum and other spirits, rows of books, boxes full of clutter, scrunched up paper, and many other hidden gems, the artwork is a true
autobiographical reflection
on thoughts,
memories and drunken antics.
Her projects are often
autobiographical in nature, maintaining a focus
on womanhood,
memories and the development of society.
The
autobiographical dimension of the artist's work is revealed in pieces related to friendships,
memories and places; while the formal aspect is evident in paintings of grids and squares rendered in primary colors and in works based
on architectural planes.
Casting a wry and languid glance at appropriation, and picking up where the «Pictures» generation left off, Dildine's new paintings have a reckless yet controlled flair, which utilize
autobiographical family album photographs - including prom pictures, wedding pictures, baby's first step, vacation
memories, etc. - and turn sentiment and nostalgia
on its head.
Afro's works are often
autobiographical, drawing
on past
memories conjured up some time after the event in order to allow the instant to be recalled through his senses rather than as mental images.
The
autobiographical dimension of the artist's work is clear in her pieces related to friendships,
memories and places; while the formal aspect of her oeuvre is evident in her paintings of grids and squares rendered in primary colors and in works based
on architectural planes.
«Dildine's new paintings have a reckless yet controlled flair, which utilize
autobiographical family album photographs — including prom pictures, wedding pictures, baby's first step, vacation
memories, etc. — and turn sentiment and nostalgia
on its head.
He served as a National Institute of Mental Health Research Fellow at UCLA, studying family interactions with an emphasis
on how attachment experiences influence emotions, behavior,
autobiographical memory and narrative.
Dan Siegel served as a National Institute of Mental Health Research Fellow at UCLA, studying family interactions with an emphasis
on how attachment experiences influence emotions, behavior,
autobiographical memory and narrative.
In addition to mapping out your and other people's thoughts, beliefs, and knowledge, your left brain stores your «
autobiographical memory» ---- the story of your life based
on remembered past events including your mental maps of your own and other people's mental states at the time.