Sentences with phrase «on dibond»

John Sparagana Dick Tracy Variation (empty speech) # 1 2015 Archival inkjet prints, sliced and mixed on paper, mounted on dibond 93 1/4 x 71 1/4 inches

Hamra Abbas Kaaba Pictures 6, 2013 archival pigment print on dibond Courtesy of the artist and PILOT, Istanbul

Proposal One (Structures) 2016 20 chromogenic color prints mounted on Dibond (each photo 20 x 30 inches) Edition of 3

Stan Douglas, Hastings Park, 16 July 1955, 2008, Digital C - print mounted on Dibond aluminum, 59 1/2 x 88 3/4 inches, 151.1 x 225.4 cm, DOUST0358, Courtesy the artist and David Zwirner, New York

Installation view of «Africans in America», from left to right: Odili Donald Odita, Highway, 2015, Acrylic latex on laminated panel 245 x 122 cm © Odili Donald Odita; Julie Mehretu, Epigraph, Damascus, 2016, 6 panels; Photogravure, sugar lift aquatint, spit bite aquatint, openbite Hahnemühle Bütten 350 gr.Paper each 217 x 87 cm; Frame total size 248 x 574 cm, Edition of 16, © Julie Mehretu; Stan Douglas, Capoeira, 1974, 2012, Digital C - print mounted on Dibond aluminum, Image: 142.2 x 213.4 cm, Framed: 149.9 x 221 x 6.4 cm, Edition of 5

Eileen Quinlan, Mind Craft, 2015, Digital chromogenic print mounted on dibond, 48 x 60 in.

Gerard Brown, After Robert Smithson (Language should find itself in the physical world...), 2015, Digital print on Dibond.

Pigment prints on Hahnemühle Photo Rag White 310g paper mounted on Dibond, paint, waxed oak frames and acrylic

Barry Underwood, Tesla, 2012, pigment print mounted on Dibond, 36 x 36 inches.

Chromogenic type C Print on Kodak Ultra Endura paper mounted on Dibond, waxed oak frame and museum glass

Silver bromide print on Ilford Warm Tone Semi Matt fibre paper and pigment print on Hahnemühle Photo Rag Bright White 310g paper mounted on Dibond, painted maple frame, waxed oak frame and acylic

Hank Willis Thomas, Operation Soap, 2017, screenprint on retroreflective vinyl mounted on Dibond in ambient light, 60 × 48 inches.

David Thomas, Monochromes in Time and Space: Hamburg Hauptbahnof, 2008 Enamel on photograph on Dibond, 52 x 69 cm March 27 — April 28, 2010

Elliott Puckette, «A Love Letter,» 2018, gesso, kaolin and ink on dibond, 72 x 180 inches, 182.9 x 457.2 cm.

Lamia Naji, Immaculé, 2011; six c - prints mounted on Dibond; 45 1/4 x 61 inches each.

Belvedere VI: Publications at The Mackinac Center for Public Policy, Midland, Michigan, 2013 archival pigment print mounted on Dibond and framed

Barricade No. 8, 2017 archival pigment print mounted on Dibond 32 x 26 inches, edition of 3 plus 1 AP Other works from General Song

Installation view of DINH Q. LÊ, Empire, 2017, digital print on Awagami bamboo paper mounted on dibond, laser cut acrylic and Saunders paper sculptures, 1,000 × 150 cm, at «Monuments and Memorials,» STPI — Creative Workshop & Gallery, Singapore, 2018.

Juan Manuel Echavarría, Silencio con tabaco, 2014, C - print mounted on dibond, 19 x 27 inches, 19.75 x 27.75 inches framed, Edition of 3, 2 APs

Rodrigo Valenzuela Already There, 2015 archival pigment print mounted on Dibond, 35 x 43 inches, edition of 3 plus 1 AP

Juan Manuel Echavarría, Silencio Inglés, 2014, C - print mounted on dibond, 19 x 27 inches, 19.75 x 27.75 inches framed, Edition of 3, 2 APs

Negative Space II, 2017 archival pigment print mounted on Dibond 91.4 x 137.2 cm 36 x 54 in Framed: 92 x 138 x 5 cm 36 1/4 x 54 1/3 x 2 in Edition 1/6 + 1AP DH / GTS 12/1

Belvedere II: Joseph P. Overton Memorial Library at The Mackinac Center for Public Policy, Midland, Michigan, 2013 archival pigment print mounted on Dibond and framed 45.72 x 60.96 cm 18 x 24 in Framed: 97.5 x 112.7 cm 38 1/2 x 44 1/3 in Edition 1/6 + 1AP DH / GTS 5/1

Juan Manuel Echavarría, Silencio comunal, 2014, C - print mounted on dibond, 19 x 27 inches, 19.75 x 27.75 inches framed, Edition of 3, 2 APs

Juan Manuel Echavarría, Silencio en pie, 2014, C - print mounted on dibond, 19 x 27 inches, 19.75 x 27.75 inches framed, Edition of 3, 2 APs

Isabelle Van Zeijl, Youth, 2016, Perspex face mounted C - print on dibond in tray frame, Edition of 7, 43.3 x 39.4 in.

Archival pigment print on Dibond.

Also in people: parts are wedges: and, to the parts they keep apart (After Sudek), 2014 cotton, graphite, spray enamel, watercolor, toner, vegetable oil, litho crayon on ball grained lithographic plate mounted on Dibond, 36 × 25.5 inches

Negative Space III, 2017 archival pigment print mounted on Dibond 61 x 91.4 cm 24 x 36 in Framed: 62 x 92.5 x 5 cm 24 1/2 x 36 1/2 x 2 in Edition 1/6 + 1AP DH / GTS 14/1

Juan Manuel Echavarría, Silencio nudo, 2014, C - print mounted on dibond, 19 x 27 inches, 19.75 x 27.75 inches framed, Edition of 3, 2 APs

Archival inkjet typographical chart mounted on dibond.

Hayal Pozanti's «Outer Order,» 2013, acrylic on dibond, 60 by 31 inches.

Four elongated photograms made by exposing photographic paper to moonlight are mounted on Dibond and hung on the walls in a symmetrical fashion that mimics both 19th - century stereoscopy and the receding lines of linear perspective.

Colleen Plumb (B. 1970) New Orleans Elephant, 2010 archival pigment print, mounted on Dibond, printed 2011 signed in ink and credited, titled and numbered» 3/4» on affixed artist's label (frame backing board) image: 36 x 36 in.

JOHN RAFMAN 69 Avenue Winston Churchill, Roquebrune - Cap - Martin, France, 2009 Archival pigment print mounted on dibond 40 x 64 inches (101.6 x 162.6 cm) Edition of 1 + 1 AP Courtesy of the artist and Zach Feuer Gallery, New York

JON RAFMAN 932 Loma Larga, Santa Catarina, NL, México, 2009 Archival pigment print mounted on dibond 40 x 64 inches (101.6 x 162.6 cm) Edition of 1 + 1 AP Courtesy of the artist and Zach Feuer Gallery, New York

46 Archival pigment prints mounted on Dibond, 13 × 19 inches each.

BRENNA MURPHY Daytime ~ Corridor Module, 2015 Archival pigment print mounted on Dibond 30 x 33 5/16 in.

JON RAFMAN Eshamy Loop, Whittier, United States, 2013 Archival pigment print mounted on dibond 40 x 64 inches (101.6 x 162.6 cm) Edition of 1 + 1 AP Courtesy of the artist and Zach Feuer Gallery, New York

Whereas the images on the dibond panels are derived from the painted façade of an apartment complex in Poland, the steel constructions refer to decorative attachments to the structure, such as balconies and gratings.

Lucy Kim, Under the Shade of Garbo's Gaze 1 (Sean and Susan), 2014, Oil paint, urethane resin, epoxy on dibond panel, 59 x 48 x 4 inches.

Watercolor on paper mounted on dibond.

Archival pigment print with uv laminate, mounted on dibond with white frame.

Lamda print on dibond, encrypted message in jpg, hash - based authentication, custom brilliant - cut glass, brackets; 551⁄8 × 393⁄8 inches.

Ink, watercolor, acrylic and pencil on Dibond aluminum with steel frame, 24.13 x 28.86 x 1.5 inches (61.3 x 73.3 x 4 cm).

Shirana Shahbazi [Maryam -01-199] from the series «Goftare Nik / Good Words», 1999 C - print on dibond 59.06 x 27.24 inches Edition 2/5 + 1 AP

Yellowing (South), 2015, Self - adhesive archival paper on museum board mounted on dibond, 40 x 60 inches, 41 x 61 inches framed, full view

Spelling three word: black, gray, white, 2015, Self - adhesive archival paper on museum board mounted on dibond, 40 x 60 inches, 41 x 61 inches framed, full view

VIII, 2015, archival inkjet print on Dibond, 29.5 x 34.5 inches

Yellowing (South) 2015, Self - adhesive archival paper on museum board mounted on dibond, 40 x 60 inches, 41 x 61 inches framed, detail