Sentences with phrase «on documenta»

His work was included on Documenta 12 in 2007 and the São Paulo Bienal in 2006, and the touring exhibitions Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday Life (2012 - 14) and Africa Remix (2004 - 7), among others.
These include featured drawings and films shown on dOCUMENTA (13) in 2012, which formed part of Chiurai's series titled Conflict Resolution.
Harvest of Thorns will also feature drawings and films shown on dOCUMENTA (13) in 2012, which formed part of Chiurai's series titled Conflict Resolution.
Henriette Gallus, who worked on Documenta 13 as a press officer, is the head of communications for this edition.
She is joined in the press office by Annie - Claire Geisinger, and Fivos Sakalis, who has worked in communications at the DESTE Foundation and Gagosian Athens Curators Katerina Tselou and Andrea Linnenkohl, who worked on both Documenta 12 and 13, will assist Szymczyk.
My introduction to Szeemann's work and ethos was in the late 1990s, when I worked in the studio of the artists Claes Oldenburg and Coosje van Bruggen, who had met while working on Documenta V as commissioned artist and assistant curator, respectively.

Not exact matches

Her work, which was the subject of a survey at the Museum of Modern Art in 2012, was most recently on view in last year's Documenta, in Kassel, Germany.
Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT
He has gone on to exhibit extensively around the world, including exhibitions at the Guggenheim Museum, New York, documenta 13 in 2012 and at the 54th Venice Biennale in 2011.
Muholi's Faces and Phases series, which exhibited at Documenta 13, is on view at the Goethe - Institute in Johannesburg, South Africa through January 31, 2013.
Very early on, at the time of his participation in documenta 7 in 1982, Gross formulated his original approach.
Through presentations from artists and curators who participated in or visited dOCUMENTA (13), the evening will look at projects and reflect on their relationionship to social practice right now.
He was notably commissioned by Okwui Enwezor at Documenta 11 in 2002 to create his most recognised work «Gallantry and Criminal Conversation'that launched him on to an international stage.
J.J. Charlesworth's UK election special with a brief history of artists who have tried to work out which way the wind is blowing; Maria Lind goes in search of where things are really happening at Documenta 14 in Athens; Heather Phillipson considers interspecies empathy while watching Fevered Sleep's most recent performance; Jonathan T.D. Neil on the banal, the extreme, and the high commercial theatre of the art market.
Khalili's work has been internationally exhibited, including The Tempest Society, her latest project on view as part of documenta 14, both in Athens and Kassel.
click here to download PDF by Stephanie Cristello On April 8, 2017, in Athens, my first encounter of documenta 14 was marked by the translation of Arseny Avraamov's Symphony of Sirens (1919 — 1923).
In addition to participating in an international array of group exhibitions including the Venice Biennale (1997, 1980, 1976), the Whitney Museum of American Art Biennial (1995, 1977), and Documenta, Kassel, Germany (1972), Martin has been the recipient of multiple honors including the Lifetime Achievement Award on behalf of the Women's Caucus for Art of the College Art Association (2005); the Governor's Award for Excellence and Achievement in the Arts given by Governor Gary Johnson, Santa Fe, New Mexico (1998); the National Medal of Arts awarded by President Clinton and the National Endowment for the Arts (1998); the Distinguished Artist Award for Lifetime Achievement by the College Art Association (1998); the Golden Lion for Contribution to Contemporary Art at the Venice Biennale (1997); the Oskar Kokoschka Prize awarded by the Austrian government (1992); the Alexej von Jawlensky Prize awarded by the city of Wiesbaden, Germany (1991); and election to the American Academy and Institute of Arts and Letters, New York (1989).
He has written on contemporary aesthetics, art, film and television for The Journal of Aesthetics and Culture, Screen, Monu, Frieze, and various collections and catalogues, and has given talks for Documenta and Frieze Art Fair.
1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)
For the 14th Istanbul Biennial, in keeping with her Documenta strategy of hiring agents to advise on the show — she will draft the exhibition with help from various artists, curators and others: «seeking the artistic advice of Cevdet Erek, the intellectual rigor of Griselda Pollock, the sensitivity of Pierre Huyghe, the curatorial imagination of Chus Martinez, the mindfulness of Marcos Lutyens, the acute gaze of Füsun Onur, the political philosophies of Anna Boghiguian, the youthful enthusiasm of Arlette Quynh - Anh Tran, the wise uncertainties of William Kentridge and manifold qualities and agencies to come as the process develops».
Artists from Istanbul represented in Double Crescent are Hale Tenger, whose edgy assemblage works, addressing issues of gender and identity, have been exhibited at the biennials in Saõ Paolo, Johannesburg and Istanbul; Ali Kazma, whose powerful videos of people at their occupations have been shown at the Istanbul Biennial; Ayşe Erkmen, whose witty architectural interventions have been featured at Art Basel, the Hamburger Bahnhof and the Sharjah Biennial; Gülsün Karamustafa, a multimedia artist whose research - based installations on subjects such as nomads and refugees have been shown at Documenta, the Salzburger Kunstverein and the Walker Art Center and Nazım Ünal Yılmaz whose large - scale figurative paintings have been exhibited at the Kunsthaus Stade in Germany and Contemporary Istanbul.
Simultaneously, the work launched in Kassel on June 10 and remained on display for the respective 100 - day duration of documenta 14.
Juxtaposing installation photographs, catalog essays, and contemporary press accounts, this book documents and analyzes twenty - five exhibitions from 1962 through 2002: Dylaby, New Realists, Primary Structures, Arte Povera + Azioni Povere, January 5 - 31, 1969, When Attitudes Become Form, 557,087, Information, Sonsbeek 71, Documenta 5, The Bulldozer Exhibition, The Times Square Show, A New Spirit in Painting, Les Immatériaux, Chambres d'Amis, Second Havana Biennial, Freeze, China / Avant - Garde, Magiciens de la Terre, Places with a Past, 1993 Whitney Biennial, Traffic, Cities on the Move, 24th Sao Paulo Biennial, and Documenta 11.
Most recently, New Commissions artists have gone on to be included in the Whitney Biennial, documenta, Istanbul Biennial, and the Venice Biennale, among others, as well as in exhibitions at major institutions in New York abroad, such as MoMA, the New Museum, and the Tate Modern.
Plus: Documenta 14 director responds to far - right politician's comments on Kassel obelisk Charlottesville to shroud Confederate statues and shortlisted plans for Clandon Park restoration revealed
The Institute for Contemporary Art, Boston will present Nalini Malani: In Search of Vanished Blood, featuring Malani's large - scale video / shadow play that premiered in dOCUMENTA 13 and at Galerie Lelong New York in 2013, as well as a selection of works on paper.
She participated in numerous major exhibitions, representing Israel twice at the Venice Biennale (1997, 2011) and on her own in Documenta X (1997).
Documenta 14 managed to break apart the large - scale exhibition and insisted on a radically differentiated viewing experience which defied consensus.
Theaster Gates's 12 Ballads for the Huguenot House (2012) is on view as part of dOCUMENTA (13) until 16 September.
In 1968, she went to Documenta, an international art show in Germany, and was bowled over by the freshness and originality of the work on display by a new generation of artists seeking to come to terms with their nation's past.
There, the family learned to adapt a form of sacral painting that they once did on sand, rocks, and their bodies to canvas, and Tjapaltjarri became a star when his sensational canvases — abstract to Western eyes, but actually relating ancestral myths — made their way into dOCUMENTA in 2012.
Also given prominent spaces are Channa Horowitz, who died last year, with large - scale, intricately constructed ink drawings on mylar that are reminiscent of Hanne Darboven's numeric abstractions, and leporellos — painted accordion - folding books — by Etel Adnan, the Lebanese - American writer and artist who participated in dOCUMENTA 13 and has an exhibition at the Arab Museum of Modern Art (aka Mathaf) in Doha coming up later in March.
Working independently from the Hi Red Center group, Takamatsu went on to represent Japan at the 1968 Venice Biennale and to exhibit at the 1969 Biennale de Paris and at Documenta 6 in Kassel, West Germany, in 1977.
A video of Song's installation Doing Nothing Garden, a centerpiece of last summer's Documenta 13 in Kassel, Germany, will also be on view.
Art in General artists have gone on to be included in the Whitney Biennial, Documenta, Istanbul Biennial, and the Venice Biennale, among others, as well as in exhibitions at major institutions in New York abroad, such as MoMA, the New Museum, Tate Modern, and many more.
The gallery at 510 West 25th Street will center on a new installation by the artist that expands on his project for Documenta 13.
She served on the curatorial teams for documenta 12 (2007) and documenta 13 (2012).
Experimental and sceptical, perhaps their most famous work is Index 01, exhibited at dOCUMENTA 5, Kassel, Germany (1972), a catalogue of their writings in eight filing cabinets presented on four plinths at eye level.
On display are his famous «Raum 19» (Room 19, 1968/2006), «Batterie» (Battery, 2005), and «Zu Hilfe, zu Hilfe, sonst bin ich verloren» (documenta 8, Kassel, 2987).
He was notably commissioned by Okwui Enwezor At Documenta 10 in 2002 to create his most recognised work Gallantry and Criminal Conversation that launched him on an international stage.
An artist book, published by Hatje Cantz to accompany the Documenta installation, will also be on view.
Marina Fokidis, Head of documenta 14 Artistic Office, Athens moderated Johan Grimonprez and Andrew Feinstein in a discussion on Democracy and War: If You Won't Let Us Dream, We Won't Let You Sleep for Society of the End of Necropolitics documenta 14 in Athens, GR 25 October 2016 7 — 10p
During my studio visit with dOCUMENTA (13)'s curator, Carolyn Christov - Bakargiev, we talked about Paul Klee's drawing Angelus Novus and Walter Benjamin's essay «On The Concept of History.»
The work, first exhibited at Documenta 8, is part of the Laments series, a set of texts often displayed on both LED signs and stone sarcophagi that revolves around themes of sorrow, pain, power, and destruction.
Zoe Leonard's work has enjoyed little exposure on the continent since her memorable installation at the last Documenta.
This month, fans will have the chance to see his impressively oppressive handiwork at On Stellar Ray's first group show of the year, «Rotrixagatze,» albeit at a scale suited for the Lower East Side and not, say, dOCUMENTA.
Gordon Hookey: Solidarity, 2017, acrylic paint on concrete, Athens School of Fine Arts (ASFA), © Gordon Hookey / VG Bild - Kunst, Bonn 2017, documenta 14, photo: Stithies Mamalakis
Almost all of his drawings are created once a sculpture is completed — for example, the artwork titled Drawings after Circuit (1972) is based on an installation Serra prepared for documenta in Kassel, Germany.
Playing on the notion of soles / souls, Martin Kippenberger made these physical footsteps for documenta X shortly before he died.
Carolyn Christov - Bakargiev, the Arte Povera scholar and Director of Documenta 13 in 2012, has cited the influence of Arte Povera on the contemporary art selected for this monumental international show.
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