Sentences with phrase «on goldsmiths»

Bruno Verner is currently carrying out his PHD research in Visual Cultures on Goldsmiths University.

Is an independent curator who graduated from Zürich University of the Arts, and is currently studying on the Goldsmiths» MFA Curating programme.

During the years 1987 — 1990, the teaching staff on the Goldsmiths BA Fine Art included Jon Thompson, Richard Wentworth, Michael Craig - Martin, Ian Jeffrey, Helen Chadwick, Mark Wallinger, Judith Cowan and Glen Baxter.

The new gallery design by Assemble — a London - based architecture collective — will incorporate the black steel water tanks originally used for the Laurie Grove baths, directly opposite the Ben Pimlott Building on Goldsmiths» campus.

Not exact matches

«I like Wallace, but his goldsmith work is par for the course,» and «Argyle's gonna tee - up that taxation meeting with the Burgh Commissioners on Tuesday» were common turns of phrase until the 1721 publication of The Rules of Golf by Sean Connery.

The situation changed when the goldsmiths figured out that they could make use of this development by issuing more warehouse receipts for gold than they actually had on deposit.

The first method came into being when the goldsmiths noticed that the deposit slips they issued for gold on deposit with them began to circulate as money substitutes.

At Goldsmiths, University of London, on 26 October 2012, a jubilee celebration was held to honour Abbott's 25 years in parliament, with a series of contributions by Linton Kwesi Johnson, Kadija Sesay, Tunday Akintan and others.

This article is based on a paper he gave during a 2013 conference at Goldsmiths, University of London

«Not only are there applications for healthy people to better realize their potential, but EEG - neurofeedback work has been extended to pathology, as in the case of children with attentional disabilities and [transcranial magnetic stimulation] for depression,» notes psychologist John Gruzelier of Goldsmiths College in London, who has been working on training musicians to control their own brain waves, thereby improving performance.

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beautiful watch looks really good on and really stands out very easy to set time etc was good that when you bought online to be collected at goldsmiths they removed a couple of links to make it fit perfectly.

It arrived within 2 days of ordering it on - line and I picked it up at Goldsmiths.

The Literary Platform is collaborating with Goldsmiths University on a CREATe work package entitled:

Man Booker - shortlisted novels by Howard Jacobson and Ali Smith appear on the 2014 shortlist for the Goldsmiths Prize.

Chinese tin miners, Arab goldsmiths, and durian farmers once lived in the 100 - year - old villas at Temple Tree at Bon Ton Resort, on Malaysia's Langkawi Island.

Building on lessons learned throughout my professional and academic history, from a focus in world literature (I was named the 2009 Outstanding Graduate in English and Comparative Literature at San Diego State University), to high - level Technical support for global teams at Apple in Cupertino, to my experiences filming, writing about, and sharing our world as a travel blogger with «The Radical Dreamer», I'm currently studying to build transformative game experiences at one of the United Kingdom's top universities for digital humanities with the MA Independent Games and Playable Experience Design program at Goldsmiths, University of London.

She was a studio participant on the Whitney Independent Study Program 2013 — 14 and graduated from with an MFA in Art Writing from Goldsmiths, University of London, in 2013.

I draw on the panel with delicate copper wire, by heating, stretching and embedding on the panel; make marks by tapping with my father's goldsmith tools.

As a tutor at Goldsmiths College from 1974 - 88 and 1994 - 2000, he had a significant influence on two generations of young British artists.

Since graduating from Goldsmiths college in south - east London in 1993, McQueen has focused almost relentlessly on the possibilities of film as a cinematic counterpart to sculpture and painting.

From 1973 to 1988 and 1994 to 2000, he taught at Goldsmiths College in London where he was a powerful influence on a group of students who later became known as the Young British Artists (YBAs), including Gary Hume, Sarah Lucas, and Damien Hirst.

She holds an MA in Visual Cultures from Goldsmiths College and is currently a PhD candidate at TrAIN (University of the Arts) researching exhibition histories with a focus on Brazilian art.

Hirst began work on the «Medicine Cabinets» whilst in his second year at Goldsmiths with «Sinner» (1988).

Schwabsky has contributed to books and catalogs on artists such as Henri Matisse, Alighiero Boetti, Jessica Stockholder and Gillian Wearing, and has taught at the School of Visual Arts, Pratt Institute, New York University, Goldsmiths College (University of London) and Yale University.

Before setting out Scott left his recent paintings for safe keeping with Bernard Hailstone who had taken a lease on 2 The Paragon in Blackheath, London, letting out the spare rooms to painters and sculptors at Goldsmiths» College.

Hirst moved to London in the mid-1980s, and for a time worked on building sites, before being accepted to Goldsmiths in 1986.

Such callow connoisseurship is a bit like preferring one's fruit unripe and undersized - especially today, as the twice - annual shopping raids on art schools from Yale to Goldsmiths bring in dwindling returns.

Exhibited as part of Summer Collection» 97, curated by students on the MA Fine Arts Administration and Curatorship course at Goldsmiths College.

Among the marvels was a seventeenth - century nautilus shell, cleverly transformed by a German goldsmith to resemble a snail, with the painted silver figure of a Moor — perhaps a personification of Africa — whimsically riding on top (Fig. 4).

As part of the sixth annual Testing Ground for Art and Education season at Zabludowicz Collection, A Sense of Things is a curatorial collaboration between students on the MFA Curating courses at Goldsmiths College, and this year, for the first time, The Cass, London Metropolitan University.

He has a Ph.D. from Middlesex University, UK, where he lectured for many years, and remains a visiting lecturer on curating at De Appel — Curatorial Program and at Goldsmiths College, London.

His degree show, on graduating from Goldsmiths, got him instant critical attention, and his work was bought by Charles Saatchi.

Educated in art at Goldsmiths College in the early eighties he later went on to study at Greenwich University and Central Saint Martins Art College London.

This year's exhibition includes painting, installation, sculpture, video and works on paper by artists from Central St Martins, City & Guilds, Goldsmiths, the Slade, Royal Academy Schools and Wimbledon.

Marina Vishmidt is a writer and lecturer in Culture Industry at Goldsmiths, University of London, where she convenes a course on theories and practices of creativity, labour and precariousness.

Featured artists Marina Abramović, Bas Jan Ader, Francis Alÿs, Eduardo Basualdo, Chris Burden, Sophie Calle, Paolo Canevari, Chim ↑ Pom, José Dávila, Jeremy Deller, Juan delGado, Marcel Duchamp, Tim Etchells, Harun Farocki, Peter Fischli and David Weiss, Simon Faithfull, Félix González - Torres, Eva Hesse, Jeppe Hein, Thomas Heatherwick, Carsten Höller, Peter Kennard, Yves Klein, Kris Martin, Linda Matalon, Robert Morris, Yoko Ono, ORLAN, Heather Phillipson, Ruth Proctor, Gerhard Richter, Santiago Sierra, Gregor Schneider, JMW Turner, Lucy Wood, Ai Weiwei, Lucy Wood, Artur Żmijewski Turner Contemporary is working in collaboration with the Organizing Disaster research project at Goldsmiths College, London and with independent curator Francesca Laura Cavallo on aspects of the exhibition and associated public programme.

He taught on the visual arts course at Goldsmiths between 1995 and 2001 and at the National Film and Television School since 2003.

sb / eighteen, 2018, consists of gesso and 875 found iron, copper and brass tools, conventionally used by goldsmiths in the application of their craft, carefully assembled on a wall with a pristine white surface.

When Renton was approached for the job, at a time when he was «thinking of having leather patches sewn on his elbows» and settling into his tenure at Goldsmiths, alma mater to Damien Hirst and the Sensation group of young British artists, he thought they had the wrong man.

Constantly seeking new territories for expression, the Goldsmiths University alumnus weaves fictional and real - life narratives together in order to shed new light on personal and collective identities, whilst calling upon the viewer as an active participant.

The following year Wearing went to the Chelsea School of Art and then on to Goldsmiths eventually becoming part of the YBA movement.

Kirsty is currently a lecturer on the MA Curating Course at Goldsmiths.

The week will also feature a selection of art donated by former students of Goldsmiths, University of London to benefit the building of a new gallery to be offered during our Day sale on 12 February.

Prior to this she completed an MA in Cultural Studies at Leeds University with a dissertation on visual strategies of social resistance, and an MFA in Art Writing at Goldsmiths, University of London.

One of which was his earliest spot painting on board (1986), originally shown at his first solo show whilst in his second year at Goldsmiths, «Constructions and Sculptures» (1988).

She studied at the Slade School of Fine Art, University College London (BA Hons, Sculpture and Media 1991 - 94) and at Goldsmiths College, University of London (MA Fine Art 1999 - 2001), where she now works as a lecturer on MA Fine Art (0.2).

Michael Stubbs, still a student on the MA course at Goldsmiths», paints knowing parodies of high modernism, using the elevated language of late twentieth - century abstraction — Robert Ryman, Jasper Johns — to make pictures that look, oddly, like overdecorated wedding cakes.

As part of the fifth annual Testing Ground for Art and Education season at Zabludowicz Collection, Disappearing Into One is a curatorial collaboration between students on the MFA Curating courses at Goldsmiths College, and this year, for the first time, Chelsea College of Art.

It will also include Testing Ground Time Scale, a weekend of exhibitions and events curated by students on the Royal College of Art's MA curating and Goldsmiths College's MfA Curating.