From: David Gaughran Date: Tuesday, May 15, 2018 at 3:52 AM To: Info Subject: Article
on Hybrid Publisher «standards» of IBPA
Not exact matches
Publisher Capcom announced
on Thursday that it is bringing «Monster Hunter Generations Ultimate» to the
hybrid console
on Aug. 28.
These range from companies that require little investment to publish
on the author's end, to
hybrid publishers, to a list of top literary agents for authors to pitch if they want to go the traditional publishing route.
Like «indie
publishers,» «traditional
publishers,» «ebooks,» «ebook indie publications,» «small presses» «small
publishers,» «independent
publishers,» «print
on demand,» «
hybrid authors» and whatever it is that Amazon does.
Many of them are
hybrid — they work with traditional
publishers on their current books, and they republish any books that have gone out of print as indie books.
«Thanks for all your great work [
on the IBPA
Hybrid Publisher Criteria]!
Too often, IBPA has noticed a bias against self - published authors, independent
publishers, and
hybrid presses when it comes to choosing titles or authors for book review consideration, book award contests, association memberships, and inclusion
on independent bookstore shelves.
Hybrid publishing points of interest: the difference between self - publishing and hybrid publishing, recommended companies to consider when pursuing hybrid publishing, various services provided by hybrid publishers, price point differences / royalty expectations, return on investment estimations, budgeting, and
Hybrid publishing points of interest: the difference between self - publishing and
hybrid publishing, recommended companies to consider when pursuing hybrid publishing, various services provided by hybrid publishers, price point differences / royalty expectations, return on investment estimations, budgeting, and
hybrid publishing, recommended companies to consider when pursuing
hybrid publishing, various services provided by hybrid publishers, price point differences / royalty expectations, return on investment estimations, budgeting, and
hybrid publishing, various services provided by
hybrid publishers, price point differences / royalty expectations, return on investment estimations, budgeting, and
hybrid publishers, price point differences / royalty expectations, return
on investment estimations, budgeting, and more.
She did become my confidante and mentor, and when the timing was right, I was thrilled that she jumped at the chance to present me to Lisa Hagan, literary agent, who signed me
on the spot (this was after I self - published my first three books, developed a large author platform, sexual abuse advocacy, signed with a (now - defunct)
hybrid publisher, wrote another book, directed an imprint, and have two works in progress and another series in the hopper).
Given that many authors now follow the
hybrid Reeses Approach, it is a good idea to include a clause in any agreement signed that explicitly states that those books which the author directly e-publishes
on their own instead of traditionally publishing through the agent and a
publisher who will produce physical copies are exempt.
I write and edit agent and
publisher query letters, book proposals, and synopses, and consult
on publishing options: traditional, self - publishing, or
hybrid.
Literary readers rely heavily
on reviews to make their reading choices, so I would encourage
hybrid / indie writers to try to secure reviews from respected review journals like Kirkus or
Publishers Weekly.
A
hybrid publisher that is confused by these questions or dismissive is probably not selling and marketing your book to retailers, and may rely only
on you and Amazon to spur sales.
The best
hybrid publishers are those that conduct some level of gatekeeping or curation (i.e., not everyone who knocks
on the door is accepted as an author), offer some value that authors would have a hard time securing
on their own (such as brick - and - mortar distribution), and pay better royalties than a traditional publishing deal.
However, it's still possible for a
hybrid publisher to have a sales team and sell to accounts even with just a print -
on - demand edition available.
Mark has posted a more detailed outline of how
hybrid publishers differ from vanity or subsidy
publishers on the BookWorks site Discussion Forums, where he will also answer member questions.
Here's what I think most people can agree
on:
Hybrid publishers combine aspects of traditional publishing and self - publishing.
To summarize: The best
hybrid publishers conduct some level of gatekeeping, offer value that the author would have a hard time securing
on her own, and should also pay better royalties than a traditional publishing deal.
Sign
on in support of IBPA's
Hybrid Publisher Criteria by filling out your full name, email, and organization below.
Just as the industry has embraced
hybrid authors and
hybrid publishers, companies like Paper Lantern Lit and its resulting publishing arm The Studio, co-founded by Lexa Hillyer and bestselling author Lauren Oliver, have emerged to work with these authors in a one -
on - one capacity.
BQB is Boutique of Quality Books — they're a
hybrid publisher (listed
on our Indie
Publishers page in the Winner Circle).
The features would include access to indie book stores, indie and
hybrid publishers, vetted book blog review sites, book clubs who are open to an author approach, and discounts
on a variety of goods and services.
I think being a
hybrid or not sort of depends a lot
on genre, but also
on what one's reach is without a
publisher.
Do not rely
on the
publisher's word that the contract is «
hybrid» or «fair» — and don't forget: a traditional publishing house will never expect the author to pay anything out of pocket (and none of the publishing costs, except for unreasonable changes demanded by the author after the proofs are approved).
IBPA's
Hybrid Publisher Criteria exists to support independent
publishers and authors, but also to urge an industry in flux to acknowledge that books ought to be judged
on their substance, not their business model.
IBPA's
Hybrid Publisher Criteria is housed
on IBPA's website at www.ibpa-online.org/hybridpublisher and freely available for any author or book industry professional to download.
Publisher's Weekly has an excellent in - depth article
on hybrid publishing.
If this is becoming the new norm,
publishers asking for more rights, paying smaller advances, taking forever to make a decision
on buying a manuscript, and delivering less marketing and promotion then expecting authors / agents to pick up the slack, I'm not sure how I'm going to keep convincing my
hybrid authors to stay the course with traditional
publishers when they are making more money self - publishing.
In preparation for his appearance in this CONTEC session, Howey gave an interview to Publishing Perspectives —
Hybrid Author Hugh Howey
on Self vs. Traditional Publishing — and he also contributed 10 Counterintuitive Tips for Self -
Publishers.
On this last point, the vested interest of
hybrid publishers relates to distribution.
I would negotiate
on print vs ebook though, eg a
hybrid «Hugh Howey» sort of deal where the
publisher kept print rights and I kept digital.
And as our
publisher clients know, the «new world order» for books will consist of some
hybrid between traditional and e-book publishing — consequently, publicizing books must also achieve a balance between traditional outlets and new forms of interaction available
on the Internet.
Today, as self - publishing, e-books, print
on demand,
hybrid publishing, and an ever - increasing number of other options make it possible for anyone to publish — or at least print — books, the precise definition of «independent
publisher» seems to have grown blurry to some — but not to us.
«The possibilities are endless,» Weiner said, noting that some textbook
publishers are experimenting with
hybrid models that combine e-book technology with print -
on - demand books, so that a
publisher only prints the portions of text or the number of textbooks that it needs.
So I'm a
hybrid author and it's working for me — I'm working
on another genera novel which will be offered to my
publisher and if they don't want it: - it's their loss and I'll publish it myself.
I keep thinking that after the initial conversation you have lined out, I would have a lot of questions about where an agent saw my book going and how they might help me navigate the question of whether I want to be a full -
on traditionally published author or a
hybrid, both because I don't want to get stuck with low royalties at a
publisher that isn't promoting my work and because I work very quickly and I'm not sure if one
publisher could keep up with me.
«Too often, IBPA has noticed a bias against self - published authors, independent
publishers, and
hybrid presses when it comes to choosing titles or authors for review consideration, book award contests, association memberships, and inclusion
on independent bookstore shelves,» said IBPA CEO Angela Bole.
Most
hybrid publishers will advertise a 50 % split
on both costs and royalties.
The problem is: many vanity
publishers have decided to surf
on the «
hybrid» wave and disguise themselves as such.
So let's imagine that a reputable
hybrid publisher goes through a rough spell, and is suddenly getting short
on cash.
The traditional
publisher takes a financial risk by investing in the
hybrid arm of the parent company, but authors take
on some of the financial risk as well.
Whether part of a larger publishing company or a stand - alone operation, the
hybrid publisher takes
on expenses such as production, marketing, and distribution to brick - and - mortar stores.
«Too often, IBPA has noticed a bias against self - published authors, independent
publishers, and
hybrid presses when it comes to choosing titles or authors for review consideration, book award contests, association memberships, and inclusion
on independent bookstore shelves.
«Reedsy scooped the Gold Award for creating a platform that looks set to powerfully impact
on both independent and traditional publishing by empowering writers,
publishers, editors and designers to build
hybrid careers and work together quickly and effortlessly through bespoke, user - friendly digital tools.»
If you're in Boston for the big show, the
publisher will also be demoing a trio of RPGs
on the show floor... the post-apocalyptic ELEX, the retro - inspired Battle Chasers: Nightwar, and RTS / RPG
hybrid SpellForce 3.
As 3rd party
publishers naturally will want to release their games
on the
hybrid Console if Nintendo manages to sell a lot of them.
In addition to releasing Skyrim
on Switch
on November 17th, the
publisher will port the recently rebooted Doom and the not - yet - released Wolfenstein II: The New Colossus to Nintendo's
hybrid console.
A common variation
on this option is a green - gold
hybrid option: though the journal is not open access and authors do not pay to be published there, an author can pay the
publisher an APC fee to obtain permission to self - archive a PDF copy of his published article in an institutional or other publicly - accessible repository.