Sentences with phrase «on plexiglas»

Ink on Plexiglas, 150 x 150 cm.

Plaid, 2013; acrylic on Plexiglas.

Jim Nutt, Miss T. Garmint (she pants a lot), 1967, Acrylic on Plexiglas; enamel on wood frame, 72 x 48 inches.

[Image: Sara Greenberger Rafferty, Untitled, 2014, acrylic polymer and inkjet print on acetate on Plexiglas, and hardware, Irregular: 26 1/2 x 39 x 1/2 inches.]

Sara Cwynar, Girl From Contact Sheet 2 (Darkroom Manual), 2014, Chromogenic print mounted on Plexiglas, 30 x 24 in.

John Cage (American, 1912 - 1992), Not Wanting to Say Anything About Marcel, 1969, Silkscreens on Plexiglas in wooden bases and a lithograph, Norton Simon Museum, Gift of Mrs. Judith Thomas, 1970.

Sara Cwynar, Gold — NYT April 22, 1979 (Alphabet Stickers), 2013, Chromogenic print mounted on Plexiglas, 30 x 40 in.

Sara Cwynar, Vases (Encyclopedia Pictures), 2014, Chromogenic print mounted on Plexiglas, 30 x 24 in.

32 / 41 — Simon Denny, Analogue / Digital Transmission Switchover: London, 2012, Samsung 40 ″ D8000 SMART 3D LED TV, digital prints on plexiglas, rubber, wood, aluminium, steel

Sara Cwynar, Islamic Dome (Plastic Cups), 2014, Chromogenic print mounted on Plexiglas, 30 x 24 in.

Sara Cwynar, Corinthian Column (Plastic Cups), 2014, Chromogenic print mounted on Plexiglas, 30 x 24 in.

Sara Cwynar, Color Column 1, 2014, Chromogenic print mounted on Plexiglas, 30 x 24 in.

Sara Cwynar, Toucan In Nature (Post It Notes), 2013, Chromogenic print mounted on Plexiglas, 30 x 40 in.

Sara Cwynar, Man From Contact Sheet (Darkroom Manual), 2014, Chromogenic print mounted on Plexiglas, 30 x 24 in.

Sara Cwynar, Lens (Darkroom Manual), 2014, Chromogenic print mounted on Plexiglas, 30 x 24 in.

Sara Cwynar, Color Bars (Darkroom Manual), 2013, Chromogenic print mounted on Plexiglas, 30 x 24 in.

Butcher tables, bones, crab shells, mollusk shells, stone, axe, roots, leaves, bottles, soil, seeds, ashes, water, le nouveau masque (oil on Plexiglas and wood, 2016).

Sara Cwynar, Display Stand No. 66 WIRE H. 20 1/2» W. 24» D. 11 3/4 ``, 2014, Chromogenic print mounted on Plexiglas, 30 x 36 in.

Acrylic on Plexiglas panel and frame, 41 1/8 x 31 1/8 x 2 in (104.5 x 79 x 5 cm).

Acrylic on Plexiglas panel and frame, 27 3/4 x 23 3/4 in (70.5 x 60.3 cm).

The artists explore elements of the unknown through their preferred media, ranging from Rafferty's high contrast black and white prints on Plexiglas to Whiting Tennis» plywood creations.

Water based acrylic and oil based enamel on Plexiglas.

At the combined ADAA booth of Van Doren Waxter and 11R, Sterne will be shown in a more contemporary context; works from her series of spray - painted abstractions will be exhibited alongside new paintings on Plexiglas by Mika Tajima, who uses a similar technique to very different effect.

Reflective Vinyl on Plexiglas with Swarovski crystals.

Chromogenic color print mounted on plexiglas, 51 × 38 inches.

Typically, his paintings are executed directly on Plexiglas, giving additional depth and luminosity to the work.

Alicia McCarthy works on her exhibit, a large piece on Plexiglas, in the San Francisco Museum of Modern Art.

Stamatelos places his subject matter into fields of color that he creates through multiple layers of colored ink stains, dripped on Plexiglas.

Lightboxes, inkjet prints on Plexiglas.

An untitled image, made of acrylic polymer and inkjet prints on acetate on Plexiglas, by Sara Greenberger Rafferty.

The work is cerebral and austere, even when Gaines systemically adds vivid color painted on a Plexiglas overlay.

She creates abstract compositions on Plexiglas plates using markers and string.

Untitled, 2015, Acrylic polymer and inkjet print on acetate and paper on Plexiglas and hardware, 24h x 39w in.

He began work on the Plexiglas series the following year.

BITS (Inside 1)[courtesy Wakefield Poole], 2015 Inkjet image transfer on Plexiglas 12 1/2» x 16 1/2» Edition of 1, with 1 AP Framed Courtesy of the Artist Gabriel Martinez (American, b. 1967) lives and works Philadel

Charles Gaines, NIGHT / CRIMES: Aquila, 1995, Gelatin silver print on paper, screenprint on Plexiglas.

Untitled, 2012 c - prints fac - mounted on plexiglas, plinth c - prints each 50,8 x 40,6 cm & Untitled, 2012 c - prints in artist frame each 50,8 x 40,6 cm installation view Galerie Buchholz, Köln 2012

«Analogue / Digital Transmission Switchover: Germany», 2012 Samsung 40UD 6500 3D Television, Samsung remote control, metal, prints on plexiglas, rubber eyeballs, rubber mask, webcam 68 x 120 x 10 cm

I display them on Plexiglas cubes.

Sara Greenberger Rafferty, Wolford Shapewear and Various Objects, 2016, Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware, Irregular: 36 x 24 x 1/2 inches (91.4 x 61 x 1.3 cm)

Sara Greenberger Rafferty, Y2K Moschino Dress, 2016, Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware, Irregular: 76 1/2 x 40 x 1/2 inches (194.3 x 101.6 x 1.3 cm)

Sara Greenberger Rafferty, Yearly Theme with Stockings, 2016, Acrylic polymer, inkjet prints, and nylon on acetate on Plexiglas, and hardware, Irregular: 24 x 20 x 1/2 inches (61 x 50.8 x 1.3 cm)

Sara Greenberger Rafferty, On Aggression, On Aggression, 2016, Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware, Irregular: 24 x 41 1/2 x 1/2 inches (61 x 105.4 x 1.3 cm)

Untitled, 2014, acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware, Irregular: 72 x 40 1/2 x 1/2 inches

Sara Greenberger Rafferty, Grid, 2016, Acrylic polymer, inkjet prints, and paper on acetate on Plexiglas, and hardware, Irregular: 70 1/2 x 24 x 1/2 inches (179.1 x 61 x 1.3 cm)

(Left to right): Carl Walters, Whale, 1927, glazed ceramic, private collection, courtesy of Conner - Rosenkranz, NY (photo Mark Ostrander); Sara Greenberger Rafferty, Jokes on You (detail), 2016, acrylic polymer and inkjet prints on acetate on plexiglas, and hardware; courtesy of the artist and Rachel Uffner Gallery (photo by JSP Photography).

At times poetic, humorous, sinister, and idealistic, Ono's early text - based works anticipated the objects that she presented throughout the decade, including Grapefruit (1964), her influential book of instructions; Apple (1966), a solitary piece of fruit placed on a Plexiglas pedestal; and Half - A-Room (1967), an installation of bisected domestic objects.

Rythm Mastr, 1999 — present Lightboxes, inkjet prints on Plexiglas.

Sara Greenberger Rafferty, «Red Cans,» 2013, acrylic polymer and inkjet prints on acetate on Plexiglas and hardware, irregular, approx: 50 x 40 x 1/2 inches, 127 x 101.6 x 1.3 cm

Sara Greenberger Rafferty, «White Urinal,» 2013, acrylic polymer and inkjet prints on acetate on Plexiglas and hardware, irregular, approx: 42 x 35 x 1/2 inches, 106.7 x 88.9 x 1.3 cm