Sentences with phrase «on public narrative»

Not exact matches

He kept rejecting the public narrative that he was special and he kept saying on camera that he was just a person.

Here's a letter to the board of Biglari Holdings re: executive compensation [Noise Free Investing] & then more thoughts on Biglari's compensation agreement [My Investing Notebook] Where things stand in the market [Bespoke Investment Group] A list of stocks Nasdaq is canceling trades in from yesterday's madness [Business Insider] The best interest rate chart in the world [Trader's Narrative] A great macro overview from Barry Ritholtz [The Big Picture] A look at John Paulson's possible ownership of Bear Stearns CDOs [Zero Hedge] John Mauldin on the future of public debt [Advisor Perspectives] Top buys & sells from Morningstar's ultimate stock pickers [Morningstar] The truth about «Sell in May & Go Away» [WSJ] An interview with hedge fund manager Hugh Hendry [Investment Week] Bill Ackman: Let's have a public registry for stock opinion [Barron's] Hedge fund Harbinger hires ex-Orange chief for wireless plan [Dealbook] & Deutsche Telekom has been in talks with Harbinger [FT] Hedge funds begin to restructure fee system [FT]

What is less clear to me is why complementarians like Keller insist that that 1 Timothy 2:12 is a part of biblical womanhood, but Acts 2 is not; why the presence of twelve male disciples implies restrictions on female leadership, but the presence of the apostle Junia is inconsequential; why the Greco - Roman household codes represent God's ideal familial structure for husbands and wives, but not for slaves and masters; why the apostle Paul's instructions to Timothy about Ephesian women teaching in the church are universally applicable, but his instructions to Corinthian women regarding head coverings are culturally conditioned (even though Paul uses the same line of argumentation — appealing the creation narrative — to support both); why the poetry of Proverbs 31 is often applied prescriptively and other poetry is not; why Abraham, Isaac, and Jacob represent the supremecy of male leadership while Deborah and Huldah and Miriam are mere exceptions to the rule; why «wives submit to your husbands» carries more weight than «submit one to another»; why the laws of the Old Testament are treated as irrelevant in one moment, but important enough to display in public courthouses and schools the next; why a feminist reading of the text represents a capitulation to culture but a reading that turns an ancient Near Eastern text into an apologetic for the post-Industrial Revolution nuclear family is not; why the curse of Genesis 3 has the final word on gender relationships rather than the new creation that began at the resurrection.

Most of us have photos of ourselves that are ridiculous or terrible or in compromising situations but by fixing a victim in the mind of the public as a menace, they change the narrative on a subconscious level.

Since the shooting, people on social media have been quick to share stories suggesting that there were multiple shooters, that the shooter had ties to terrorist groups, that authorities are purposely hiding information to manipulate the narrative for political purposes or, even absurdly, that this shooting was some sort of «false flag» operation orchestrated by shadow groups to fool the public.

I also suspect that his emphasis on handling the matter privately, in the context of Mr. Hurts having just gone public with it, could move the needle towards Tua even more, but perhaps that's wishful thinking or dubious narrative - building.

By going against the mainstream narrative and taking unpopular viewpoints, bettors have been able to capitalize on market inefficiencies and exploit public perception.

I can only hope that this attempt is taken more seriously than the largely muted and clearly unsuccessful protests of late last season... although the plane writing escapade brought some much - needed attention to the matter, it failed to resonate with fence - sitters and those who had just recently fell off the Wenger truck... without a big enough showing of support the whole endeavor appeared relatively weak and poorly organized, especially to the major media outlets, whose involvement could have significantly changed what was to follow... but I get it, few wanted to turn on their club, let alone make a public display of their discord... problem is, they are preying on that vulnerability, in fact, their counting on you to keep your thoughts to yourself... who are you to tell these fat cats how to steal your money... they have worked long and hard to pull the wool over your eyes... they even went so far as to pay enormous sums of cash to your once beloved professor to be their corporate spokesmodel so that the whole thing would be more palatable... eventually the club made it appear as if this was simply a relatively small fringe group of highly radicalized supporters, which allowed the pro-Wenger element inside the club hierarchy to claim victory following the FA Cup win... unfortunately what has happened to this club can't be solved by FA Cups or a few players coming in, the very culture of this club needs to be changed and that starts at the top... in order to change the unhealthy and dysfunctional narrative that has absorbed this club we need to remove everyone who presently occupies a position of power... only then can we get back to the business of playing championship caliber football, which should always be the number one priority of this organization... on an important side note, one of the most devastating mistakes made in the final days of this hectic and poorly planned transfer window didn't have to do with the big name players like Sanchez or Lemar, but the fact that they failed to secure Jadon Sancho, who might even start for Dortmund this season... I think they might seriously regret this oversight... instead of spending so much time, energy and manpower pretending that they were desperately trying to make big moves, they once again lost the plot due to their all too familiar tunnel vision

By going against the mainstream narrative and taking unpopular viewpoints, we have been able to capitalize on market inefficiencies and exploit public perception.

In my current work with the Centre on Migration, Policy, and Society (COMPAS), I focus on the ways that British newspapers talk about migration issues and relate these narratives to public perceptions and migration policy changes.

McCaskill was seen as perhaps the most endangered of the Senate Democrats running for re-election this year (Gillibrand has made a point of conducting her «Off the Sidelines» campaign to elect more women to public office, a narrative that her own GOP opponent, Wendy Long, has gleefully sought to turn on its ear).

Quid showed that while the media narrative was focused on corporate control and Washington corruption, people were talking about fairness, diversity of public voices and what it means to be American.

On the other side, there is no «Plan B» and the narrative «we are reforming the EU as we go along» is not convincing the public or the markets.

This was a catastrophic error as it has meant that the Tory narrative on the factors underlying the crisis — too much spending on a bloated public sector - has crystalized in the public consciousness and will be very hard to shift.

During her unsuccessful run for mayor, her ironclad control of the Council was a persistent undercurrent in the public narrative, even if much of it was based on sources unwilling to speak on the record.

«The decision on tuition fees in autumn 2010, which represented a high profile «broken promise», exemplified this, and with memories of the Rose Garden moment still fresh in the collective memory, this narrative embedded in the public mind.

While acknowledging that he faces an uphill struggle, Hawkins listed a number of things that will impact on his viability: one, that he be included in a series of debates (a critical factor for Ventura); second, that the public employee unions whose members have been under assault by Cuomo provide him with support; and third, that the media give him equal coverage and status in the narrative of the campaign.

Her glance was piercing, her voice penetrative, and the audience was enraptured reflecting on her words empowered by a strong narrative which conveyed a sense of absolute authority — so much like an ideal Public Advocate should be doing.

But its very welcome, it will cause worry and concern in the PLP and this will feed into the public narrative of a government in serious trouble and decline If this type of Conservative poll lead continues with the Labour party continuing to drop under the 30 % barrier, I would expect it to have a similar destabilising effect on the Labour party comparable to the run up to the Conference season last year when we were facing an Autumn election with Labour riding high in the polls.

«The mainstream media — in print and online — did little to report on health risks to the general population or to challenge the narratives of public officials and their experts,» Pascale said.

Just the week before the AAAS Annual Meeting, the New York Public Library along with the Schomburg Center for Research in Black Culture held a Black Lives Matter Wikipedia Edit - a-Thon, which sought to improve the narrative of black history and culture on the site, according to Huffington Post Black Voices.

She is currently writing a narrative non-fiction book for the lay public on STD and HIV prevention entitled «CLAP: The Science of Sex and its Least Intended Consequences».

Years of experience in the entertainment, fashion, film and tv world as on - camera talent combined with a decade of exploring energy healing traditions to include Shamanic Healing, Reiki, Voice Dialogue and Yoga helped Kahshanna sink her narrative, branding and media chops into her boutique media hub Kissing Lions Public Relations.

If you can overcome issues associated with the hand - held camerawork, Public Enemies is solid in both its storytelling and the way in which the narrative is represented on screen.

Occasionally, it veers into fantasy, with hand - drawn illustrations on top of the film stock when the narrative slides toward musical numbers, often comical covers of songs like the Talking Heads» «Psycho Killer» and Iggy Pop's «The Passenger» staged on public transit.

And out on the street, the camera gets up close as rookie and veteran officers alike face an increasingly hostile public where dueling narratives surround each use of force.

In addition to the fellowships and publishing the quarterly magazine Nieman Reports, the Nieman Foundation is also the home of the Nieman Program on Narrative Journalism and the Nieman Watchdog Journalism Project to encourage reporters and editors to monitor and hold accountable those who exert power in all aspects of public life.

Leadership development was where I wanted to continue my work, whether it was exploring Lecturer Lisa Lahey and Professor Robert Kegan's work on Immunity to Change, [Harvard Kennedy School] Lecturer Marshall Ganz's Public Narrative Framework, or Robin Ely and Senior Lecturer Karen Mapp's work on race and identity.

Brown, who rejects the narrative that he is «too smart» for basketball, will visit the Askwith Forums on Thursday, March 1, to speak with Associate Professor Jal Mehta about education, race, and institutionalized sport, and how athletes can use their public voices to advocate for change.

Woven into this highly personal narrative about a boy's journey from silent sidekick to hero are themes that translate to public education: the challenges of finding the right school or instructional method to meet a student's individual needs; the impact of social stigmas on expectations and performance, particularly for «discarded students» in low - income neighborhoods, and the need for a culture of high expectations to counter those negative societal assumptions; the importance of tireless, focused, caring teachers who do whatever it takes to help students succeed; and the ability for all children — regardless of learning challenges or race or income level — to learn.

Wendy Lecker puts her finger on two things of great importance: first, certain of the power brokers in public education in Connecticut are determined to increase the number of privately managed charter schools, and they are using every opportunity that presents itself — from the Sheff settlement to the Turnaround option in Obama's Race to the Top — to pursue just this goal; and second, a key factor in the advance of school privatization is «the corporate education «reform» industry's narrative... that our public education system is failing.»

Pinkston, who serves on the Metro Nashville Public School board, tells a compelling narrative about good intentions gone awry and the actors who have rushed into the wreckage to exploit what they could.

These included: (a) personal narratives about social issues, (b) peer critique, and (c) student reflections on presenting their art to the public.

The current era of corporate education reform began with the 1983 publication of the Reagan administration's report A Nation at Risk: The Imperative for Education Reform, prepared by a committee of prominent professors, politicians, teachers, and business executives.5 Not only did the report attack many of the equity - minded federal education reforms that preceded it, A Nation at Risk also manufactured a narrative of public education in crisis, steeped in the language of Cold War military paranoia: «If an unfriendly foreign power had attempted to impose on America the mediocre educational performance that exists today, we might well have viewed it as an act of war,» the authors wrote.

The front of her website politely requests that you choose your own adventure: click left for the home page of Sayantani DasGupta, MD, a physician - scholar with a background in pediatrics and public health who now teaches in Columbia University's master's program in Narrative Medicine — a program that focuses on the role storytelling plays in medicine in healing.

Developmental editing on these projects may address issues like sustaining the original characters but creating new challenges in their private and public lives, points of view, and life cycles, as well as the usual core elements — story, relationships, pacing, narrative structure.

He is a published novelist and an award - winning documentary filmmaker and served as a consulting editor at National Public Radio in Washington, D.C., teaching narrative techniques to reporters, producers and editors on the Science Desk.

Because the media and the public thrive on sensationalized pit bull narratives, its imperative that pit bull owners become breed advocates and model responsible ownership practices in their communities.

The main story doesn't really focus on the tournament at all with the central crux of the narrative being a battle of public opinion between Heihachi's Mishima Zaibatsu and Kazuya's G Corporation.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Window Dressing, first created in 2007 for the street - level windows of the Racine Art Museum, Racine, Wisconsin, then re-installed in 2014 for New York University's Broadway Window gallery, celebrates the artistry and labor of the window dresser, while reframing her narratives on fashion and display within the public realm.

Peter Doig, whose practice over the past twenty years has drawn heavily on the language of cinema, layers the personal and public, figurative and abstract, visual and conceptual in works that resonate with narrative potential.

The art of Rodin is powerfully torn between tradition and modernity, responding to the flow and speed of a new kind of world while holding on to the gesture, portrayal and narrative that enable sculpture to make haunting public statements.

His paintings pivot on narrative scenes: vivid menageries depicting well - dressed public figures and anthropomorphic animals in an acerbic critique of political systems and disingenuous agendas.

An eponymous new show, opening tomorrow at Boston's Institute of Contemporary Art, represents the first full North American survey of his practice, exploring Raad's focus on investigations into distinctions between fact and fiction, especially in relation to «the veracity of archives and photographic documents in the public realm [and] the role of memory and narrative within discourses of conflict».

Arnold asserts Golia's emphasis on myth - making and narrative - building as one possible solution to the seemingly secondary consideration of the public in the presentation of Chalet Dallas.

The efforts to link these figures seems less based on factual assertions as to their actual historical dynamics, and more of an appropriation of the mythologies and public narratives from each, as a kind of ready - made lore ripe for nearly miraculous synchronicities and coincidences (various timelines and actions line up to an uncanny extent).

This idea of casting a narrative shadow over the work extends to other elements of the show, including a newspaper that strings together loose visual associations relating to the sculpture, as well as materials instructing docents, preparators, and even interns on how to present the work to the museum public.

This exhibition marks a culmination of his acclaimed sculptural approach and the first time a comprehensive body of work by Schanck will be on public view and features 15 works with independent, stand - alone narratives woven into an otherworldly landscape.

Look in my face... is a computer - generated montage of tens of thousands of images and sounds drawn from public archives, and is intended as a reflection on shared cultural narratives and memories.