Sentences with phrase «on suprematism»

Therefore, as Malevich made clear in his essays on Suprematism, «form equals feeling.»

The colorful canvases draw heavily on Suprematism, Russian Constructivism, and, to a lesser extent, Bauhaus or de Stijl.

Not exact matches

On Wikipedia you can find good and extended biography facts of the Russian painter, and a description of the meaning and facts of Suprematism.

Also featured in the exhibition will be a series of paintings based on memorabilia from the American punk scene of the 1970 - 80s and other works that use early Modernism as a starting point to address topics such as fascism, sex and boredom, which the artist likens to «Suprematism on poppers.»

Kazimir Malevich, From Cubsim and Futurism to Suprematism, The New Painterly Realism, 1915 On 17th December 1915, the Russo - Polish artist Kazimir Malevich opened an exhibition of his new «Suprematist» paintings in the Dobychina Art Bureau in the recently renamed city of Petrograd.

As expected, his artistic influences are based on avant - garde Russian and constructivist painters, Malevitch's Suprematism and color expression by the New York school of expressive abstraction.

Although the four exhibiting artists concentrate on Abstract Art, they refer to distinct art forms such as Futurism, Suprematism, and Op - Art.

Nina Katchadourian's five - part portfolio Window Seat Suprematism (2014) is based on photographs of airplane wings she took over the course of numerous commercial airline flights; in this work she documents her peripatetic lifestyle while also channeling the pared - down compositions of the Russian avant - garde.

Eventually, however, he returned to representational painting, although his Suprematism still left a deep mark on the future of art both in the Soviet Union and beyond.

In 1967 he began his collaboration with Studio Marconi in Milan, focusing on creating works that were a new interpretation of historical avant - gardes, such as Abstractionism, Suprematism, Constructivism and Neoplasticism.

He laid the core concepts of Suprematism in the pamphlet «From Cubism and Futurism to Suprematism», published in 1915 on the occasion of the avant - garde exhibition in Saint Petersburg, where the now iconic «Black Suprematic Rectangle», or the «Black Square» as it's now known, was first exhibited.

His first one - man show, «Kazimir Malevich: His Path from Impressionism to Suprematism», opened in Moscow on 25 March 1920.

Founded on Utopian ideals, by the nihilist Kasimir Malevich (1878 - 1935), Suprematism expressed limitless confidence in the ability of engineers to create a new Soviet world.

MODERN ART Pre-Raphaelites (1848 on) Impressionistm (1870s on) Neo-Impressionism (1870s) Newlyn School (1880s) Art Nouveau (Late 19th C) Symbolism (Late 19th C) Post Impressionism (c. 1880s) Les Fauves (1898 - 1908) Expressionist Art (1900 on) Die Brucke (1905 - 11) Der Blaue Reiter (1911 - 14) Ashcan School (1892 - 1919) Cubism (1908 - 1920) Orphism (1912 - 16) Purism (1920s) Precisionism (1920s on) Collage (1912 on) Futurism (1909 - 1914) Rayonism (1910 - 20) Suprematism (1913 - 1920s) Constructivism (1917 - 21) Vorticism (1913 - 15) Dada Movement (1916 - 1924) De Stijl (1917 - 31) Bauhaus School (1919 - 1933) Neo-Plasticism (1920 - 40) Art Deco (1920s, 30s) Ecole de Paris (1900 on) Neue Sachlichkeit (1920s) Surrealism (1924 on) Magic Realism (1920s) Entartete Kunst (1930s) Social Realism (1920s, 30s) Socialist Realism (1929 on) St Ives School (1930s on) Neo-Romanticism: from 1930s Organic Abstraction (1940 - 65) Existential Art (1940s, 50s) Abstract Expressionism (c.1944 - 64) Art Informel (c.1946 - 60) Tachisme (1940s, 50s) Arte Nucleare (1951 - 60) Kitchen Sink Art (mid-1950s) Assemblage (1953 on) Neo-Dada (1950s on) Op - Art (Optical Art)(1960s) Pop Art (1958 - 72) New Realism (1960s) Post-Painterly Abstraction (1960s) Feminist Art (1960s on)

Sotheby's also saw several staggering results at its Impressionist and Modern Art Evening Sale on 24, at which Kazimir Malevich's Suprematism, 18th construction sold for $ 33,842,820.

From 1915 Malevich embarked on a completely abstract style to which he gave the name Suprematism, based on pure geometrical elements in relationships suggesting floating, falling, ascending and so on.

• Suprematism (c.1913 - 18) Founded by Kasimir Malevich, the first great pioneer of non-objective art based exclusively on geometric abstraction.

For this solo exhibition at Mercer Union, London, Ontario artist Gerard Päs draws on both his early childhood experiences of being handicapped and his interest in the early 20th century art movements — De Stijl, Neo-Plasticism, Suprematism and Constructivism.

His work alludes to the recurrence of already historicized theories and aesthetics since Suprematism; respectively, Sánchez develops his own visual language anchored on Constructivist dialects around form and surface.

• Kasimir Malevich (1878 - 1935) Suprematism (1915, Stedelijk Museum) Suprematist Composition: White on White (1918, MoMA, New York)

It reproduces a 2004 — 05 manifesto on abstract painting by Rebecca Morris that Owens certainly seems to have taken to heart: «Never stop looking at macramé, ceramics, supergraphics, and Suprematism,» it reads.

One can divide painting abstracted into two groups: - on the one hand the geometric abstraction characterized at the beginning by the suprematism of Malévitch in Russia and the constructivism of Piet Mondrian in Holland, - and on the other hand, the abstracted expressionnism in which form and color are often posed arbitrarily while expressing the unconscious feelings and emotions of the painter.

• Suprematism (Supremus No. 58)(1916) Krasnodar Museum of Art • The Knife Grinder (1912) Yale University Art Gallery • Head of a Peasant (1912) Stedelijk Museum, Amsterdam • Black Square on White Ground (1913, State Russian Museum, St Petersburg) • Black Circle (1913) State Russian Museum, St Petersburg • Yellow, Orange and Green (1914) Stedelijk Museum, Amsterdam • Suprematism Composition: Red Square and Black Square (1915) MoMA, NYC • Suprematism (1915) Stedelijk Museum, Amsterdam • White on White (1918) MoMA, New York

With a historical connection to Suprematism, Hawtin's «Torqued» series consists of monochromatic, acrylic paintings on irregularly shaped canvases.