Not exact matches
This was a yearlong spat in
which Belafonte suggested that Bruce Springsteen is
blacker than Jay and Beyonce, a diss that Jay answered
on «Nickles And Dimes» from Magna Carta Holy Grail: «I'm just trying to find common
ground / before Mr. Belafonte come and chop a nigga down.»
I usually don't follow much of a ratio: I pour flour (s) in a big bowl, add whatever liquid I have around (non dairy milk, water, cold broth, maybe a little bit apple cider, or some beer too,
which gives lightness to the crêpes), some flax gel (1 Tbsp
ground flax seeds + 3 TBSP warm water), some salt or maybe a little sugar, sometimes spices like curcuma and
black pepper, or tandoori spice powder etc, stir until the consistency pleases me, adding more liquid if necessary, let it sit for a few hours
on my counter, and voilà.
I then put extra virgin olive oil
on all my vegetables
which I seasoned with garlic, onion, sea salt, and
ground black pepper to taste.
Enjoy any of El Sol products
which include: El Sol Carne Asada Seasoned Meat Tenderizer, El Sol Garlic, Salt and Pepper, El Sol Garlic Salt, El Sol Granulated Garlic, El Sol
Ground Black Pepper, and for delicious treats use El Sol Chile con Limon and El Sol Pico de Gallo Seasoning for fruit
on all your fruits and vegetables.
Our menu has included items such as locally sourced Niman Ranch flank steak with asparagus and fingerling potatoes and touches of ricotta and fried bone marrow paired with a glass of the Ruth Lewandowski 2012 Boaz (produced by Pago's own sommelier, Evan Lewandowski), or carrots presented five different ways as a tasting appetizer with a glass of the 2010 L'Hereu Cava, or the famous «Pago Burger» — a mix of
ground chuck, short rib and brisket in the succulent burger patty, topped high with artisanal bacon, Gruyere cheese, roasted mushrooms, pickled red onion and kale,
on a toasted brioche bun slathered with
black garlic aioli and Dijon vinaigrette —
which has been written about at length in the local and national press.
She settled
on ground decaf beans from Parlor Coffee,
which also supplies the café's joe, and salt - cured
black olives that she hand - pits and - chops before adding to the dough.
And in the era of climate change, those fleeing sea - level rise will be
on the lookout for a place to live
on higher
ground,
which is likely to push people of color and the poor out of neighborhoods that have historically been mostly
black or Caribbean.
The answers, I learned, lay in the
grinding poverty and entrenched corruption of India, the desperation of patients
on dialysis, and the transnational nature of the
black market transplant business —
which, though dominated by the kidney exchange, includes livers and hearts as well.
Nevertheless, over the Fall, confrontations continued to escalate, mostly a reign of terror
on the part of white vigilantes, including an incident in
which black students had to wrestle a white adult wielding a shotgun to the
ground.
Black Panther collected yet another
ground - breaking accolade last night when it became the film
which ended Saudi Arabia's ban
on cinemas.
Black Panther, which finds Killmonger plotting to arm black revolutionaries the world over (and, implicitly, to strike back at the kind of sanctioned terrorizers who put Oscar Grant in the ground), replaces the civil - rights metaphor of the X-Men comics with the real horrors inflicted on real pe
Black Panther,
which finds Killmonger plotting to arm
black revolutionaries the world over (and, implicitly, to strike back at the kind of sanctioned terrorizers who put Oscar Grant in the ground), replaces the civil - rights metaphor of the X-Men comics with the real horrors inflicted on real pe
black revolutionaries the world over (and, implicitly, to strike back at the kind of sanctioned terrorizers who put Oscar Grant in the
ground), replaces the civil - rights metaphor of the X-Men comics with the real horrors inflicted
on real people.
A number of films touching
on controversial subjects during the past year also made the cut including The Hunting Ground, about campus rape; 3 1/2 Minutes, 10 Bullets, about the shooting of an unarmed black teenager by a white man in Florida; Going Clear: Scientology And The Prison Of Belief, an in - depth look at the Church of Scientology; Winter On Fire: Ukraine's Fight For Freedom, which chronicles the unrest in the Eastern European country; and He Named Me Malala, about the young girl who survived being shot in the head by the Taliban for being outspoken about her country's education syste
on controversial subjects during the past year also made the cut including The Hunting
Ground, about campus rape; 3 1/2 Minutes, 10 Bullets, about the shooting of an unarmed
black teenager by a white man in Florida; Going Clear: Scientology And The Prison Of Belief, an in - depth look at the Church of Scientology; Winter
On Fire: Ukraine's Fight For Freedom, which chronicles the unrest in the Eastern European country; and He Named Me Malala, about the young girl who survived being shot in the head by the Taliban for being outspoken about her country's education syste
On Fire: Ukraine's Fight For Freedom,
which chronicles the unrest in the Eastern European country; and He Named Me Malala, about the young girl who survived being shot in the head by the Taliban for being outspoken about her country's education system.
Moreover, the IGI folks concluded that Eaton historically has had «a very expense - conscious management,»
which meant «we tended to avoid putting (our) people
on the
ground (in developing countries) until we were active and in the
black.»
A unique Suzuki Grand Vitara was spotted with test plates in Sao Paulo, Brazil, featuring a higher
ground clearance,
black plastic bumpers and larger rugged tires,
which suggest that Suzuki is planning
on introducing an off - road friendly version of its flagship SUV.
Back at the NCM Bash, a Laguna Blue Corvette Stingray was shown with the Gray colored
Ground Effects kit
which gave the car a nice contrast as well and we think the gray would also go nicely
on a
Black Corvette.
Those who want to own an edgy BMW that looks intimidating
on the road can choose the new Shadow Sport package,
which includes
blacked out tail - and headlights, wheels, trim
on the wheels, grille, and a spoiler that is closer to the
ground.
The guest rooms are minimalistic in design, and offer comfortable, relaxing surroundings in
which to completely unwind at the end of the day.The property consists of 10 studios rooms and 6 semi-basements rooms - promo, located in Perissa Santorini, 5 minutes from the famous
Black Sandy Beach.All the studio rooms are fully equipped with: Kitchenette, Refrigerator, Safe deposit, Air conditioning, TV, Private bathroom, Hairdryer, Towels - Linen, BalconyThe semi-basements rooms - promo
on the lower
ground floor (no balcony) that are equipped with: Refrigerator, Safe deposit, Air conditioning, Private bathroom, Hairdryer, Window
Instead,
Black Ops 4 will be «100 % boots
on the
ground,» with a focus
on what developers called «guns up» gameplay,
which ensures that your gun is ready to shoot in most situations in - game.
Fans have speculated the image could depict a move similar to NetherRealm Studios» gunslinger, Erron
Black, from the Mortal Kombat X video game, in
which the character launches opponents into the air before training guns
on them with his back to the
ground.
Revisiting manifestations of the
black square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capita
black square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's
Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capita
Black Square
on a White
Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the
black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capita
black square,
which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitalism.
One of the earliest
on view is the freely painted «Ex-Nihilo» (1958), still
grounded in Abstract Expressionism, in
which an amorphous center of blues, yellows, pinks and violets is irregularly rimmed in turn by white, scalloped
black, white and finally a tipsy surround of gray.
The final wall is devoted to pieces from Ippolito's «Regatta Series» (1984 - 89) in
which the watery color planes suggest abstract but recognizable elements like pennants, sails and boats, and
black wave forms blend into blue
ground in «Land's End» (1986), with the full blast of wind
on sails being felt in the horizontal diptych «Windward» (1987).
«Moody Blues for Jack Whitten» has a dark charcoal
ground with moments of purple and a concentration of
black spherical mark making
on the lower half of the canvas
which is otherwise overwhelmed with blue striations that course rhythmically in various directions.
Defacement again came into productive play with Wool's Untitled (2007), spray - painted
on linen and rubbed raw with turpentine, and Guston's North (1961 — 2),
which used a similar method of scribbles of
black paint bleeding into a white
ground to produce dense passages of grey.
From the psychedelically primordial My Forsaken Love, in
which biomorphs traverse a
black - fringed molten - pink
ground, to the strata - like composition of Standing
on the Riverbank of My Hometown I Shed Tears, a canvas filled with sedimentary layers of cell - like dots, eyes and extravagantly decorated lashes, the paintings generate new motifs and arrangements of forms while continuing a lifelong preoccupation with the mysteries of the physical and metaphysical, the tangible and ineffable - the space where seeing and feeling intersect.
In this way, the culture of blackness no longer remains a category, acknowledged only during
Black History Month or in special exhibitions, but becomes instead the
ground from
which perception itself unfolds - thereby setting
on its ear the view
which privileges a white point of view.
Zaatari's two - part contribution to dOCUMENTA (13) similarly challenges the expectations audiences may bring by casting his latest works
on archives not in the context of politics, history and memory but rather as a love story for two men played by three actors, in the
black and white, 16 mm silent film The End of Time (2012), and as a mentor — apprentice drama in Time Capsule (2012), an extended performance for
which the artist buried a concrete - encased collection of small monochromatic paintings — a tribute to an unnamed photographer said to be losing his sight — in a hole in the
ground that was dug next to the Fulda River in the Karlsaue Park, with four spokes of rebar marking the spot.
The impeccable styling and attention to the textures of nature and architecture Ojin Odutola has introduced to her work gives a new depth to her drawings,
which had previously tended to have one or two figures
on a vacuously white or
black ground.
The works will range from wraithlike sculptural works like
Ground Control (2008), a
black helium balloon that moves around slowly and freely in one of the gallery spaces, to video works like Dream Machine (2006), in
which the three primary colors alternate frame by frame at 24 frames per second, producing a jarring, disorienting effect
on the viewer.
The largest of the pennants,
which hung down from the second floor into the museum's lobby, was emblazoned with the name of a fictional town, «Griffin, KS.,» in big white letters
on a
black ground.
The experience was a bit bewildering at first, since the studio is a laboratory where the artist has more than a dozen «experiments» going simultaneously: a giant firefly contraption takes up a swing - set zone; materials for an upcoming performance are laid out
on every surface of the seating and sofa zone; fish tanks surround a computer zone and provide the staging
ground for an oceanic corral project; dozens of human arm forms, cast in a
Black Power salute and cast in gold, are lined up along a wall, in preparation for a huge installation in Washington, D.C. this fall; a 3 - D printer is
on pause as it creates Lilliputian figures for who - knows - what; and everywhere are various staging grounds of plastic models
which will eventually be sprayed in gold and mounted
on pins, to create Kaino's now - signature six - foot - tall, glittering gold pin drawings that suggest atomized worlds.
The «
Black Square» on white ground, that «zero point of painting» for which he is so named, Ellen Gallagher takes this up in the wisest and most sophisticated way in the show with her suite of four black paint
Black Square»
on white
ground, that «zero point of painting» for
which he is so named, Ellen Gallagher takes this up in the wisest and most sophisticated way in the show with her suite of four
black paint
black paintings.
It is a work in situ — for Tours Tram — three
black and white stripes vertically,
which will join the same horizontal marking
on the
ground, both at right angles to the doors» opening.
A 3 - by -4-foot abstraction composed of
black vertical bands and solid
black ovoids
on a white
ground, it translated to canvas for the first time the motifs of Motherwell's most famous series, «Elegy to the Spanish Republic,» to
which he added sporadically for many years.
In «Spray» (1959), this can be seen in the way in
which a slightly flat - sided
black oval with a gray penumbra hovers,
on a rich brown
ground, over a wild yellow burst.
Shown
on the
ground floor of the gallery is Graham's multi-piece work «
Black Tapestry»,
which comprises 25 darkly painted over copies of Carole King's legendary record album «Tapestry», with
which she celebrated her breakthrough in Rock and Pop Music in 1971.
An intriguing and enormous capital letter I, in
black on a white
ground, covers most of the north side of the art deco Baltic Flower Mills, renovated and converted in 2002 into the Baltic Centre for Contemporary Art,
which is celebrating its 10th anniversary this month.
To be sure, this painting (and its counterpart from the following year, Nazi War Cave # 2,
which reverses the
black ground and white foreground) is engaging
on many levels.
Besides A Woman, the early work includes various versions of Kusama's Infinity Net paintings, for
which she scraped away at white paint slathered
on a dark
ground to fashion lozenges of
black or grey, a precursor to her more mechanically perfect polka dot.
The exhibition included thirty - five abstract paintings by Kazimir Malevich, among them the famous
black square
on a white
ground (Russian Museum, St Petersburg)
which headed the list of his works in the catalogue.
The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University of Hawaii at Manoa, one of Smith's most open and regular pieces to date,
which consists of a two - section, 9 - by - 9 grid in
black concrete, one half thin slabs at
ground level, the other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather than material form, at the Osaka World's Fair, a new version of
which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components of Smoke (
which was made for the Corcoran's «Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related monumental sculptures
on platforms (Arch and Dial); and a flat 81 - block grid proposed for downtown Minneapolis.
Careful layering of fragmented Cimmerian shades, comic book text, digitally manipulated imagery, and realist depictions of European saints
on pitch
black ground meld into dynamic scenarios
which recall the cover of an absurdist graphic novel where it is not entirely clear who the villains or the heroes are and what exactly they are fighting for.
The latest focal point was a United Nations Environment Program report
on black carbon and ozone (
which, besides being a powerful greenhouse gas is a beneficial shield against radiation high in the atmosphere but a noxious pollutant near the
ground).
By seriously addressing
black carbon, methane,
ground - level ozone, and HFCs — we can add «time
on the clock» in
which (hopefully) our Scientists can figure out what's happening.
Black eye, contusions but luckily nothing more —
which could have happened if a friend hadn't dragged him away as he was laying
on the
ground unconscious having some guy kick him.