Sentences with phrase «on a film like black»

48) What's it like going into hair and makeup on a film like Black Panther, where the department is led by black stylists?

Not exact matches

Earth Angel has worked on the sets of commercials, televisions series, and 13 feature films — including movies like Black Panther, The Post, The Amazing Spider - Man 2, and Ghostbusters.
not really making the news, the atmosphere on last wednesday was really strange, silent, step by step to normal football, but you can't throw away your thoughts immediately, I just got a glimpse of Enkes personality during a film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite of Hannover of course, people will be enthousiastic again, but there is the idea of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind of appeal for everyone to reflect the important things of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but of course the world will not change, things are returning to the old soon, but nonetheless for me this tragedy is a kind of human wake - up call, at least a call and then you continue
Perched broodingly on a satin strewn bed, clutching the new CATHERINE bag in luxurious black softbox leather and leopard print pony, Zimmerman channels French film noir heroines, wearing vixen - like FLORA a buttery soft suede, black open - toe lattice - style boot.
Time and again, American audiences have responded to films with black leads like Hidden Figures, Get Out, and Girls Trip, all of them turning huge profits on smaller budgets.
It's like when I watched the Clerks DVD last week; after I viewed a film, multiple outtakes, and a trailer that were all black and white, I saw the music video included on the DVD.
He went on to starring and supporting roles the independent films BLACK CLOUD and BLIND DATING with Chris Pine for director James Keach; and larger studio films like STOMP THE YARD 2: HOMECOMING, and the hit film JUMPING THE BROOM.
You could almost imagine the two films, or at least their heroes, figuring in the kind of good - natured, racial - stereotype humor that used to be a staple of stand - up comedy (and was memorably parodied on «The Simpsons»): «white guys abolish slavery like this» (pass constitutional amendment); «but black guys, they abolish slavery like this» (blow up plantation).
I liked this change because during that scene, one of the fishes seem to actually jump out from beyond the black border on the bottom and into the film itself.
mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction
Calling Brolin «Thanos» is a funny little barb, but when Domino asks if it's derivative for Wilson to call his super-group X-Force, it's hard to know if she just means of the X-Men, especially since the crossed - arm gesture he's making feels more like it's ripped off from Black Panther's Wakandan salute — a reference somebody on the film surely could have, and should have acknowledged.
On social media, every time I try to defend why I like Fantastic Four, somehow I am reduced to favor it simply because Michael B Jordan is Johnny Storm and that somehow a Black superhero is why I blindly believe this film was enjoyable to watch.
And in a twist on the sorts of freewheeling montages in which Billy Crystal once specialised, a droll film montage showed what various Oscar hopefuls might have looked like with black performers added to the mix.
But Marvel, like most major studios with hundreds of millions of dollars on the line, is not known for calling an audible just prior to production of arguably the most massive tentpole film in their roster, any more than it's going to green - light a Black Widow film until well after Jennifer Lawrence has made one of her own.
The following short excerpt from this supplement is particularly remarkable for being in color (much of the footage is in black and white, like the film itself), which lends an entirely new perspective on some classic images.
Not a traditional soundtrack — only three of the 14 songs on the record actually appear in the film — but rather an «inspired by» type of situation, the album joins other number - one charting companion albums of film - adjacent music such as, um, somewhat less - inspired collections like Men In Black: The Album and The Hunger Games: Songs From District 12 And Beyond.
The film most like it from that year is David Fincher's Fight Club, in that both aspire to be plangent black satires but ultimately end on flaccid off - notes: the one with the idea of an organized posse of anarchists destroying our financial infrastructure, the other with a homophobic Republican gunning down gay Best Actor winner Kevin Spacey in his last role as accidental Christ before he took on the crown and sandals permanently and on purpose.
Not long after, Marvel announced films like Black Panther and Captain Marvel and directors like Ryan Coogler (Creed) and Taika Waititi (What We Do in the Shadows) after only having had white men be the major focus on either side of the camera.
Forman took full advantage of this by creating a series of films, beginning with «Black Peter» (1964), which commented on the lives of ordinary people with a filmmaking that combined a documentary - like style (including the use of improvisation and non-professional actors) with a biting and deeply anti-establishment sense of humor.
Based on the 12th novel in James Patterson's long - running series, the studio is clearly hoping that «Alex Cross» can reboot the film franchise that stalled out after 2001's «Along Came a Spider,» but surely there was a better option to play Cross than a man whose biggest claim to fame is dressing up like a fat black woman.
Using interviews with his siblings, college friends, «SNL» castmates (most notably Adam Sandler and David Spade) and other co-stars, the film tracks Farley's life from his childhood in Madison, Wisconsin, to his time performing at Second City in Chicago, to his quick rise to fame on «SNL» and in Hollywood with movies like «Tommy Boy» and «Black Sheep.»
... It looks like we'll soon get another peek at Marvel's first film of 2018, with the BBFC classifying a new trailer for Black Panther, which is expected to arrive around the same time as Thor: Ragnarok's UK theatrical opening on October 24th.
My language is purposefully overripe — as Black Swan, like most of Aronofsky's films, is always on the verge of erupting into full - blown hysteria.
Could this film — and others, like Fruitvale Station — signal a shift in how Hollywood tells the stories of Blacks on film?
Sony's hard at work on a spinoff for their»90s sci - fi comedy film series Men in Black, but now it's looking a little more like a reunion for the stars of Thor: Ragnarok.
He has worked on films like «Hannibal», «Pirates of the Caribbean The Curse of the Black Pearl» to TV shows like «Soutland» and «Hannah Montana».
The black hole at the centre of the film has the potential to be, like Kazimir Malevich's Black Square painting, a true space of the sublime, a void where the unpresentable is presented on scblack hole at the centre of the film has the potential to be, like Kazimir Malevich's Black Square painting, a true space of the sublime, a void where the unpresentable is presented on scBlack Square painting, a true space of the sublime, a void where the unpresentable is presented on screen.
For a fan of classic cinema, there is nothing quite like seeing a black and white film presented beautifully in High Definition, and My Darling Clementine looks splendid on Blu - Ray from The Criterion Collection.
Here's the full list of 142 films that featured on our contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just like this image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Blike this image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The BLike Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The BLike Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Best!
Tony Black revisits Avengers: Age of Ultron one year on to see how it holds up... One of my main outlets is podcasting, and recently I asked online if anyone would like to do a speculative episode of my film show in which we «fix» a broken movie, discussing why it failed and how we -LSB-...]
On the surface, The D Train looks like the archetypal Jack Black film as in previous outings like School Of Rock, he plays a small - town lummox who lies, cheats and alienates everybody around him but writer - directors Andrew Mogel and Jarrad Paul smartly play on the actors manic misanthrope persona to deliver something surprisingly subversivOn the surface, The D Train looks like the archetypal Jack Black film as in previous outings like School Of Rock, he plays a small - town lummox who lies, cheats and alienates everybody around him but writer - directors Andrew Mogel and Jarrad Paul smartly play on the actors manic misanthrope persona to deliver something surprisingly subversivon the actors manic misanthrope persona to deliver something surprisingly subversive.
The grand hope I have, though, is that films with black leads and black casts can be bad without our feeling like something fateful requires that an audience carry it on their shoulders until it becomes something beyond what it is.
Among the dead were several Avengers and most of the Guardians of the Galaxy, but given that quite a few actors still have pictures on their Marvel Studios contracts, and sequels are lined up for casualties like Black Panther and Spider - Man, in true comic book fashion, fans have begun theorizing how these deaths will be undone come the next film.
Shot on the streets of New York, like so many of his major works including The Driller Killer, Ms. 45 and Bad Lieutenant — and beautifully filmed in black and white, The Addiction sees the filmmaker on his own terms and at his very best: raw, shocking, intense, intelligent, masterful.
On the movie's own merits, it's clear that Paramount took a film that plays like a worse version of last year's Life or a bad Black Mirror episode and dumped it onto a willing taker, in this case, Netflix.
AV Club deep screen capture to reveal how well constructed shots in Divergent do nt make for a good film BuzzFeed great essay on the current relevancy of Before Sunrise (1995) and instant nostalgia Heat Vision Tyrese Gibson obsessed with playing Green Lantern in a film that's at least 5 years away based on a character already ruined by the movies Decider 10 essential movies about nuns from our beloved Black Narcissus to less impressive but famous offerings like Doubt
Everyone is based on something in Marvel lore, be it iconic comic book storylines or films and TV; Charlie Cox's Daredevil from the Netflix series is a playable character, as are Vulture, Killmonger, Hela, and «Gladiator» Hulk and Thor from movies like Spider - Man: Homecoming, Black Panther, and Thor: Ragnarok.
The idea is that box office success for a movie centered on a nonwhite superhero and cast could inspire Marvel to produce and create more movies like Black Panther in the future (the studio's previous 17 films have all featured white men as the superhero leads).
With that kind of setup, Black Panther 2 easily lean on the troubles of succession the ladies of Wakanda will face, while pushing T'Challa to the sidelines, possibly to appear in the next Avengers films, or other crossover films (like his first appearance in Captain America: Civil War).
Though some of «Iron Man 3» borders on wacky, Shane Black is careful to never lose the plot, and when the film drifts toward «Spider - Man 3» - like excess, Black knows when to pull back.
The 70s exploitation - film spoof Black Dynamite sounds like a fun idea on paper, and it starts to look like a can't - miss proposition when you see the theatrical trailer, which showcases the technical qualities of this loving pastiche.
An entertaining yet pervasively superficial documentary, I Am Chris Farley charts the eponymous comedian's early years through to his work on Saturday Night Live and in movies like Tommy Boy and Black Sheep - with the film's myriad of clips augmented by a series of interviews with Farley's peers and family members.
In addition to Walking Dead, Bernicker also worked on films like Logan, Get Out, The Hunger Games: Catching Fire and the upcoming Black Panther film.
Riddick easily puts the series back on track, with its much - needed R - rating and cheesy one - liners, but a majority of the film feels like rehashed segments lifted directly from Pitch Black, without much creativity.
This was a best picture like no other — a lyrical yet unflinching coming - of - age story focused on a poor, black, gay young man, complete with a hopeful ending unusual for a gay - themed Oscar film.
Not many films take a positive look on the black neighbourhoods in America and try to make it look like a real community, other than maybe a Spike Lee film, which is something that this movie does well.
The achievements of actors like Berry, Washington, and Poitier — as well as Chiwetel Ejiofor, Lupita Nyong» o, Barkhad Abdi, Jennifer Hudson, and films like 12 Years a Slave — may inform the diversity discussion's focus on black actors and filmmakers, but the reason is also much broader.
Shot in grainy black - and - white, this new film will likely earn even fewer fans but it's an even more accomplished work, frighteningly intuitive and alive in numerous layers, even when it looks like nothing's going on.
In a new interview with Film Comment, Polish cinematographer Slawomir Idziak discusses his collaborations with Krzysztof Kieślowski and his transition to working on Hollywood films like Gattaca and Black Hawk Down.
The Filipino writer - director Lav Diaz is the definition of a «not for every taste» filmmaker: His movies are stark, long (like, four - plus hours long), and patience - testing, filmed mostly on black - and - white digital video in static master shots.
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