Sentences with phrase «on a stretcher by»

He said the location was inaccessible by car but that police and paramedics removed Garcia on a stretcher by...

Not exact matches

Ronaldo was taken off on stretchers after just 25 minutes and was replaced by Besiktas winger Ricardo Quaresma.

Replays showed that he did make contact with Ederson's face with his boot, forcing the City shot - stopper off on a stretcher as he was replaced by Claudio Bravo.

The 21 - year - old was taken off on a stretcher after injuring his ankle in what looked to be an innocuous challenge before his momentum took him into the dugout where he was immediately looked at by the Spurs medical staff.

How to do a Table Stretcher: Sit on the ground with your legs straight in front of you place your hands by your sides flat on the ground.

2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY

Then pencil scribbles on the stretcher, usually by... Continue reading →

Inscribed on the stretcher» «GIFT» 1962», «Top» with an arrow, and «KENNETH NOLAND»; and on the back of the canvas» «Clement's Gift» 1962 Kenneth Noland» Acrylic on canvas, 72 x 72 (183 x 183) Presented by the artist through the American Federation of Arts 1966 Prov: Clement Greenberg, New York (gift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, repr.)

Inspired by the current artworld appetite for process - based abstraction and the related trend of collectors buying such works to flip them quickly for a profit, Lund appropriated imagery from paintings by other emerging artists and installed a GPS tracking device on the stretcher bar of each painting so that he could track the whereabouts of each painting on his website (flip-city.net).

For a take on shaped canvas, although a canvas shaped not by a stretcher, but by bare hands and its own weight, one might turn instead to Al Loving.

Also available is the unique Green Stretcher shown in the series, sold together with AP # 1/1 enamel on wooden stretcher, 130 by 80 cm (approx 51 3/16 by 31Stretcher shown in the series, sold together with AP # 1/1 enamel on wooden stretcher, 130 by 80 cm (approx 51 3/16 by 31stretcher, 130 by 80 cm (approx 51 3/16 by 31 1/2 in.)

In Delphi (1965) the artist is both present and absent, partially concealed by a stretcher, the same stretcher which now supports the canvas on which the photograph is printed.

Monochromatic and painted on canvas, Jennifer Boysen's most recent works are distinguished primarily by the originality of the structures that serve as their stretchers, objects that she has either found or made, and that present a certain variety in terms of shapes, dimensions, and materials — wood, copper, steel, aluminium.

Although seemingly straightforward in appearance, many of the works on view — for example, Julian Dashper's cut painting stretcher Untitled (2002), Vincent Como's Sumi ink cube 4.5 Cubic Inches (Volume of the Inside of My Head), and Victoria Munro's cast porcelain painting OR, THE WHALE — are not what they appear to be at first glance and require closer inspection by the viewer.

Another good Lichtenstein is Lot 14, «Stretcher Frame with Vertical Bars,» an oil and magna on canvas that measures 36 by 68 inches.

Oil and collage on canvas in artist's frame 7 7/8 x 7 7/8 inches Signed, titled & dated in pen on the stretcher «Richard Pettibone 1967 Jasper Johns The Disappearance 1961» Inscribed verso by the artist in green felt tip pen «J # 54»

His allegiance to the stretched canvas was so unlike anything else shown in France at that time — an era dominated, in terms of avant - garde painting, by the Supports / Surfaces dogma of the loose canvas (la toile libre, literally the «free» canvas, freed from the stretcher)-- that he exerted a powerful fascination on younger painters even though they could barely figure out his work.

She focuses on breaking preconceived ideas of painting by targeting the essential structural component of the canvas: the stretcher.

In Deflated Cruz dispenses with the stretcher altogether by simply folding a monochrome canvas painted in yellow into a parallelogram and hanging it on the wall.

He often removes them entirely from the stretcher and displays them in a draped fashion or wraps them on top of frames in the case of the record - setting beveled edge work, which was purchased by a private American collector.

On the first floor of the gallery, there is a selection of Relics: each of these canvases or object vitrines has been composed by an assemblage of relics of Nitsch's actions, tools such as cotton cloths, stretchers and shirts that have been stained by blood or splattered by paint are exhibited as the tangible remains of the artists performances.

11, No. 6 Capps, Kristen, «No Longer Presidents but Prophets», Washington City Paper, March 22 Butler, Sharon «Medium Unspecificity Prevails», Two Coats of Paint, Feb. 27 Peña, Art, «Making [in] Dallas», New American Painting, Feb. 22nd Kimball, Whitney, «This Week's Must - See Art Events», The L Magazine, Feb. 18th McQuaid, Cate, «PAINT THINGS is off the wall», The Boston Globe, Feb. 7th Garza, Evan and Dina Deitsch, «PAINT THINGS, Beyond the Stretcher», January 25 (Exhibition catalog) 2012 «Katie Bell by John O'Connor», Artists on Artists, BOMB, Number 121, Fall 2012 «Primary», City Paper, Baltimore, Aug. 16 Art F City, «We're Going to Open Studios», Art F City, April 25 Labarre, Suzanne, «Katie Bell, An Artist who Paints with Torn Apart Houses», Fast Company 2011 Brennan, Valerie, «Katie Bell» Studio Critical, October 17 Miranda, Lynnette, «Living Arrangements at PLUG Projects», Make Space, Sept. 15 Garza, Evan, «Small Crowd: RISD MFA Painting Grads at Mixed Greens», New American Painting Blog, June 28 Garza, Evan, «New Insight: Top MFA Students on View at NEXT», New American Paintings Blog, April 29 Bergstein, Mary, «RISD MFA Painting 2011 ″, (catalog), June Hamada, Jeff, «Katie Bell», Booooooom!

By the time I was in graduate school, I began dealing with the problem of image / object where I took the canvas off the stretcher, folded it into zigzag shapes, painted on both sides, and they became sort of like feminized versions of Robert Morris's felt pieces.

This volume presents his most recent abstract pieces — most of them painted on canvas covering shaped stretchers — alongside an essay by critic and curator Vincent Pécoil.

T03191 Oil on canvas, 914 x 911 mm (36 x 35 7/8 in) Inscribed by the artist in pencil on back «CHANCE, ORDER, CHANGE 12 (RED, GREEN, BLUE, MAUVE) 1980 Kenneth Martin» on upper stretcher Purchased from the Waddington Galleries, London (Grant - in Aid) 1980 Exhibited: Kenneth Martin: Late Paintings, Serpentine Gallery, London, June - August 1985 (not in catalogue) Forty Years of Modern Art, Tate Gallery, London, February - April 1986 (no number, reproduced in colour) Kenneth und Mary Martin, Josef Albers Museum, Bottrop, March - April 1989 (60) Literature: Tate Gallery Acquisitions 1980 - 2, London 1984, p.176 - 7, reproduced The series of Chance, Order, Change compositions to which Chance, Order, Change 12 (Four Colours) 1980 and the closely related Chance, Order, Change 6 (Black) 1978 - 9 (Tate T03190) belong was begun by Kenneth Martin in 1976 and continued until his death in 1984.

Acosta's presentation at MCASD is his first solo exhibition in a museum on the West Coast and will feature a series of the artist's Pentagonal Monochromes (Tambourines), which are composed of canvas stretched over handmade stretcher bars, edged by jingles made from flattened bottle caps.

Acosta's presentation at MCASD is his first solo exhibition in a museum on the West Coast, and will feature a series of the artist's Pentagonal Monochromes (Tambourines), which are composed of canvas stretched over handmade stretcher bars, surrounded by a ring of jingles made from flattened bottle caps.

So I started working smaller again, and on stretchers that had a thinner profile, and I found that I got a better object / painting correlation that was maybe analogous to a flat screen TV, or some of these other tricked out tech things that we are all surrounded by.

After breaking the stretchers of her canvases as a student, she became intrigued by the idea of «liberating» a canvas from its boundaries, allowing it to take on a third dimension.

Partially inspired by women hanging laundry on clotheslines he observed from the window of his Washington studio, Gilliam abandoned the frame and stretcher, and began to drape and suspend large areas of paint stained canvas.

In Creede I and Creede II, both 1961, Stella's signature bands replicate the shape created by the canvas on its stretcher while emphasizing its flatness.

A solo show by Gianni Politi organised by Galleria Lorcan O'Neill (Rome), a re-presentation of the works the artist produced for his first solo show at the gallery, which included three types of work: abstract paintings made using scraps of canvas with acrylic, oil and household paint; small portraits on canvas; and bronze stretchers of varying sizes realized with multi-coloured patinas, marble and painted wood inserts.

Helen Frankenthaler, Soul of the Albino Signed; signed, titled and dated 7/58 St. Jean de Luz on the stretcher Oil on canvas primed with gesso 42 by 41 in.

Canvas can be easily re-stretched on a thick stretcher by any framer, with further framing then optional.

In 1968, as a means to escape these limitations, Griffa relinquished the stretcher by laying the raw canvas on the floor so as to effectively absorb the applied color while yielding direct contact between body and surface.

Accolades and Achievements Stryker Medical — 2010: # 3 in nation for Patient Care with a PTQ of 956.73 % and # 4 in sales growth with increase of 3,776.89 % — 2008: Grew territory by 35 % in face of 20 % territory loss in 2007, invited to President's Breakfast for quota achievers, # 2 in NW Region for quota with 126 % PTQ on stretchers and 117.3 % on beds — 2007: # 3 in all of Stryker Medical for PTQ at 547 %

The white marble top supported by two X-form eagle headed legs ending in paw feet and joined by a fluted stretcher, on casters.