Sentences with phrase «on abstract painting at»

The catalogue raisonné (an art historian's bible, detailing each work's provenance, exhibition history, and scholarly apparatus) is being published by the French publishing house Cahiers d'Art and has been edited by Yve - Alain Bois, an authority on abstract painting at Princeton's Institute for Advanced Study.

Not exact matches

Sara's collection of introspective paintings and abstract drawings will be featured at Lorimar Winery's Old Town Tasting Room during the month of January with a special «Meet the Artist» reception on January 22nd from 6 pm to 9 pm.

By pairing the first - an abstract painting whose flat forms are schematic and derived from markings observed on a soccer field with the second - a silkscreened canvas depicting a nearly identical painting photographed at an angle, Uglow creates a visual experience charged with the potential of both abstraction and representation.

Art fairs are often associated with abstract painting (much of it looking the same), stunt pieces (almost instantly forgettable), and neon sculptures (brightly and, in many cases, annoying), but, at this year's Armory Show in New York, some galleries had on offer works that explicitly addressed the political situation in the United States.

To recap: Marguerite Hoffman sued David Martinez in 2010 after a big red painting by the abstract expressionist artist Mark Rothko turned up on an auction block not long after she sold the piece to Martinez at a discount of $ 17.6 million (he eventually got $ 31.4 million for it at auction).

At the Indiscipline of Painting exhibition at the Mead Gallery some of the abstract paintings on show question the relationship between abstraction and representatioAt the Indiscipline of Painting exhibition at the Mead Gallery some of the abstract paintings on show question the relationship between abstraction and representatioat the Mead Gallery some of the abstract paintings on show question the relationship between abstraction and representation.

Gerhard Richter's who celebrates his eighty - fifth birthday on February 9, is presenting twenty - six recent abstract paintings, shown for the first time at the Museum Ludwig in Cologne.

And Lewis's «Alabama II» (1969) deploys a small, barely visible line of marching stick figures on a searing expanse of sunset pink, hinting at the struggle for civil rights while still insisting on being read as an abstract painting.

Contributed by Sharon Butler / In «Of Earth and Sky,» on view at Susan Eley Fine Art, Rachelle Krieger presents a new series of elegant abstract paintings in which winding brushstrokes float throughout tightly - cropped square spaces.

The yellow wall behind her and the other two at this gathering, where the woman in the middle is pouring tea for the gentleman on the right, is decorated with generic abstract paintings.

NEW YORK — Opening June 26, paintings by Philip Hanson and Rebecca Shore will be on view at David Nolan Gallery as part of a group exhibition of abstract paintings.

Contributed by Sharon Butler / What you can't see clearly in online images of Carrie Moyer's new paintings, on view at Mary Boone (in conjunction with DC Moore) through April 21, is the remarkable fusion of flat, opaque abstract form with a masterful illusion of three - dimensionality.

More recently, multiple paintings and works on paper by Lewis, the late abstract painter whose first museum retrospective debuted last fall at the Pennsylvania Academy of the Fine Arts (and opens June 4 at the Amon Carter Museum of American Art in Fort Worth, Texas), have appeared regularly and covered the April catalog.

I was made aware of this helpful piece of writing by renowned photographer Carl Chiarenza, whose work is included in a small group exhibit of abstract paintings and photographs currently on view at Main Street Arts Gallery.

Each painting is based on, «abstracted from», photographs taken by the artist at that specific location and then digitally manipulated.

I think the thought depends on being at a greater distance from the early 20th century, that while Reinhardt and everyone else could not imagine abstraction (whatever he may have said to the contrary) other than as a struggle to find what an abstract as opposed to a representational painting really might be and do, is no longer the case.

Los Angeles painter Patrick Wilson presents a magnificent new body of his brilliantly constructed, abstract acrylic on canvas paintings in his highly anticipated third solo exhibition Slow Motion Action Painting at Marx & Zavattero, June 2 - July 14, 2012.

Currently the official story of avant - garde abstract painting and sculpture in America that is on view at the Whitney Museum, denies works of scores of artists that demonstrate that American painters and sculptors by the late sixties went beyond minimalism creating a new expressionism.

Hopefully this burst of intimately scaled creativity by Joanne Greenbaum — as 1612, her first iteration of small - size abstract paintings at D'Amelio Terras (on exhibit through November 12th)-- is just the beginning.

Adamah by artist Patrick Adams is an orange, purple, and blue contemporary abstract expressionist landscape made with oil paint on panel that measures 36 x 80 and is priced at $ 12,50...

Tags: abstract, chelsea, kathryn markel fine arts, Lorene anderson, painting Posted in Collecting Art, Exhibition, NYC Comments Off on Lorene Anderson's Swirl and Roil at Kathryn Markel Fine Arts

Sultan II by artist Jennifer JL Jones is a yellow, brown, green with white and hints of gray contemporary abstract mixed media painting on wood that measures 50 x 50 and is priced at...

Even dedicated fans of his work have inevitably faltered at one or another of his forking paths over the past twenty years, while Bradley, on the other hand, shifts gears without pause: from starkly minimalist to gestural abstract paintings with stops in between, from discomfiting assemblage sculptures to boldly graphic silkscreens, and from jagged, sometimes comic drawings to obdurate geometric sculptures.

RED EARTH by artist Patrick Adams is a contemporary red and blue abstract / landscape expressionist oil paint on panel that measures 48 x 64 and is priced at $ 8,500.

The reinstallation triumphs despite the loss of a pivotal long - term loan of a major, privately owned Jackson Pollock painting, The Blue Unconscious (1946), which was on view at the MFAH from 2007 until the recent Henry Ossawa Tanner survey, which the abstract expressionist collection was temporarily removed to accommodate.

Sydney Ball, Zianexis, 2009 Acrylic on canvas, 152 x 168 cm March 4 - 21, 2010 The following extract is taken from «Sydney Ball: prophet of abstraction» by Wendy Walker, Sydney Ball: The Colour Paintings 1963 — 2007, p21 The emergence at the end of the 1990s of an insistent form in Ball's paintings — reminiscent of shapes in early drawings of rock formations from his landscape works — gave rise to the asymmetrical, ragged - edged motifs in the abstract Paintings 1963 — 2007, p21 The emergence at the end of the 1990s of an insistent form in Ball's paintings — reminiscent of shapes in early drawings of rock formations from his landscape works — gave rise to the asymmetrical, ragged - edged motifs in the abstract paintings — reminiscent of shapes in early drawings of rock formations from his landscape works — gave rise to the asymmetrical, ragged - edged motifs in the abstract -LSB-...]

Torkwase Dyson's abstract wall painting «Strange Fruit (Dignity in Hand)» (2015) brings the question of violence and the black body to the forefront in a title inspired by one of Billie Holiday's signature songs, which describes the «strange fruit» of lynching victims hung from trees («blood on the leaves and blood at the root»).

At one point as I tried to get more information about a floor sculpture that resampled broken glass, and a set of blue paintings with some subtle white abstract elements on them, the gallery director couldn't even tell me about the work.

In 1974, in reference to a New York gallery show by Judy Rifka, Jeremy Gilbert - Rolfe wrote that the artist addressed «the question most crucial to painting in general at the present time: the question as to how far the — currently compromised — abstract «depth» of pictorial space can be newly considered — retrieved — through attention to the material basis of the conventions on which that experience of «depth» relies.»

The biggest compliment one can give the abstract paintings of Bill Scott, on display at Hollis Taggart Galleries, is that they'll spur fellow painters to run to their studios and get down to business.

While continuing this dialogue with the history of aesthetics, Paintings represents a shift in McElheny's work towards a focus on the history of painting, and proposes that there is ongoing potential to be found in the utopian and revolutionary desires that gave rise to abstract painting at the beginning of the twentieth century.

At once an abstract painting (or two), a figure, a squeegeed monoprint on fabric, a found object, a memory, a sculpture, this work has numerous points of entry.

Architectural subjects, including paintings of the weathered barns and buildings on the Stieglitz property that blend the descriptive and the abstract, emerged as a theme, as did a number of panoramic landscape paintings and bold, color ‑ filled abstractions that often visually related to the subjects she was working on at the time.

In the late 1940s, she began teaching at the California School of Fine Arts, where she met Clyfford Still, whose abstract expressionist paintings had an important influence on her approach to sculpture, and she began to allow more room for the accidental and the spontaneous.

It was also in New York that Thompson quickly arrived at his mature style, taking Dody Müller's advice to heart by reworking the compositions of European Masters such as Piero della Francesca, Nicolas Poussin, and Jacopo Tintoretto into simplified, abstracted forms painted in threatening and seductive tones that were hot and violent or deep and dark — seizing on the dynamism of these classical scenes and often transforming them into contemporary allegorical nightmares.

Among the second group of abstract paintings at Firestone are works such as «Thunderbird» (1970), where a geometric cluster of blue lines, each about the width of standard masking tape, floats on a vibrant, flat red field.

Studies fine art at Sheffield College of Art, where emphasis is on figurative painting — no awareness of abstract art.

The works on view at the exhibition evokes conversations between abstract forms and a variety of human or animal protagonists, as locations strike up to have a conversation with the people, recognizable images chat with paint smears while looping gestures address spectators within his imageries.

He emerged at a time when abstract expressionism was in decline, while pop art, color field painting, and minimalism were on the rise.

From March 9 through April 15 Pamela Jorden's work is included in «Carry the Bend,» a group show at Brennan and Griffin focusing on the lineage of gesture within the realm of abstract painting.

'» At a time when abstraction remained on the fringes of the art world, the group aimed to «foster public appreciation of [abstract] painting and sculpture,» and grant «each artist an opportunity for developing his own work by becoming familiar with the efforts of others.»

In the decades up until his death in 2015 at the age of 92, the East End - based artist continued to paint huge ebullient abstracts with ever more vigour, the results a fixture on the walls of the RA's Summer Exhibition.

Striking for their hot, vivid, deep colors, pierced and jagged forms, and pulsating energy, these wax - resist paintings on paper, done at the height of abstract expressionism's ascendancy, captivated Jackson Pollock and Lee Krasner and inspired Jean Dubuffet to write his only monographic study on Ossorio.

She went on to study art at Berkeley, where she won a fellowship that prompted a trip to Europe and her first important series, a group of abstract paintings that fused her interests in Abstract Expressionism, Italian architecture, and prehistoric art.

Tags: abstract art, abstraction, annette benda fox, elizabeth gourlay, fox gallery nyc, geometric art, nyc, painting Posted in Exhibition, NYC Comments Off on Selected works by Elizabeth Gourlay (2013 - 2015) at the Fox Gallery NYC

In the 1960s Inokuma began to paint works based on imagined aerial views of cities, reducing three dimensional topography to two dimensional patterns which at once suggest the energy and visual complexity of the urban fabric yet remain completely abstract.

At Sotheby's last week there was the unusual sight of Old Master dealer Johnny van Haeften bidding on an abstract painting.

Willem de Kooning's abstract painting Untitled XXV, 1977, broke a world record at auction when the painting sold for $ 66.3 million at Christie's evening sale of Post-War and Contemporary Art on November 15, 2016 in New York.

On Wednesday, Phillips held a day sale of 178 lots of 20th - century and contemporary art, and conspicuous by their absence were the «process - based» abstract paintings that had been the subject of lucrative resales at Phillips in the boom year of 2014.

The artist Louise Fishman, primarily known for her large - scale abstract paintings, is the subject of two forthcoming exhibitions: «Louise Fishman: A Retrospective,» a fifty - year survey show at the Neuberger Museum of Art at SUNY Purchase, opening on April 3, 2016, and running through July 31, 2016; and «Paper Louise Tiny Fishman Rock,» an idiosyncratic presentation -LSB-...]