Sentences with phrase «on abstraction for»

I also began writing a series of articles on abstraction for Art in America, where I started working as an editor in ’94 that looked at painters closer to my age: Jonathan Lasker, Fabian Marcaccio, Lydia Dona, Richmond Burton, Stanley Whitney, and Karin Davie.

Jones's work has been bordering on abstraction for years, with peeks and subtle figurative faces and body parts emerging from rainbow - fog psychedelia.

After largely focusing on abstraction for more than two decades, Opheim began a new body of work that, while actively drawing on years of hard - won experience with his chosen medium, is resolutely pictorial.

Opheim focused his energies on abstraction for more than two decades, but in 2010 his work took a radical shift.

Not exact matches

Mays's discussion leans heavily on the chapter concerning abstraction (SMW, chapter 10), for Whitehead's discussion there of the realm of eternal objects tends to lend support to Mays's interpretation.

But this insistence on Kantian morality, to my mind, shows a thinness regarding the foundation of ethics not only when it moves to an abstraction beyond settled emotive, historical and cultural practices, whether they be for better or worse.

Characterizing world consciousness as «a very high level abstraction which has affected the thought patterns of an individual or of a society» (p. 5), Regan goes on to show how for Whitehead the approximation to world consciousness and the development of religion are parallel.

There is a parallel here to Northrop's method, for Hartshorne also builds on the combination of necessary postulates in the realm of abstraction and the intuition into the presence and nature of divine power.

At our last lunch, on Lexington near 60th, not long before his final illness, he noted with disapproval the anorexic waitresses and expatiated engagingly on why the fashions of androgyny are part and parcel of the propensity for abstraction that is the fatal flaw of Western culture.

The passage of nature also contains properties which we notice in sense - awareness, and we then go on to form abstractions about these, which are perfectly legitimate for their purposes.

Whitehead experiments for a while with deliberations about the various theories of the world with regard to the degree to which they abstract from the world, and about adjusting a sequence of more or less abstract perspectives on the world, oriented at the level of abstraction attainable in the mathematized natural sciences.

The final chapter of this book gives Whitehead's reasons for thinking that social progress depends on a new educational system, one that will give equal importance to «appreciation of the concrete» and «facility with abstractions.

Neither his relational conception of space, which is basic for understanding his concept of extensive abstraction and which gave his theory of relativity its unique character, nor the problem of the bifurcation of nature, with its differentiation between the materialistic and personalistic outlook on the world, seem to be clearly in Whitehead's mind at this time.

For me, that offers one of the key perspectives on understanding societies, and it is a way of thinking about politics that shifts it away from the great theories and abstractions of political philosophers, who often can not speak with reference to everyday life.

Matternet co-founder Andreas Raptopoulos says the ultimate vision for his company is to build a delivery system that uses a network of drones (see «The drone is flying it to you now «-RRB-, with package delivery reaching the same level of abstraction as the delivery of email on smartphones.

In the southern city of Seville, where last year the glittering Expo took place against a backdrop of fountains, water was cut off for 12 hours a day until earlier this summer, when an emergency water abstraction works opened on the nearby Guadalquivir river.

Vannes, France, Europe About Blog Inspired by natural forms, Stéphanie Kilgast grows colorful organic sculptures on abstract backgrounds, celebrating the beauty of nature and opposing it with abstraction, often a metaphor for the brutal impact of human activities on Earth's biodiversity.

Reduced by Refn almost to the point of abstraction — it could have been called Notes on a Rehearsal for an Action Movie — Drive may do little to win over multiplex crowds who prefer the fast and furious to the moody and languorous, but it reconfirms Refn as one of the most exciting young directors around, and Albert Brooks (stealing the film as a small - time Jewish gangster with an aversion to loose ends) as a national treasure.

Opening with a series of abstractions that seem like Glazer sticking two fingers up at an audience expecting a sexed - up «Species» re-do, the next couple of hours parcel out some of the most spectacular, searing images I can remember on the big screen, with DoP Daniel Landin showing a Gordon Willis - like capability for photographing darkness, and one FX - aided image in particular proving especially haunting.

Meanwhile, for those who tend to agree with Immanuel Kant that social and emotional learning are best when based on abstractions and not bound up with the vagaries of faith, there are public district and charter schools.

This lesson covers the following: Water security and scarcity Water footprints Case study on water management in South Africa (Lesotho Highlands) Rain harvesting Over abstraction in India There are task sheets and work sheets throughout and I have provided notes for any case study materials.

On the other hand, findings have been presented at a level of abstraction that makes their implications for specific schools and school contexts less than obvious.

I enjoy music and music theory, high - level programming with abstractions (oh, man, things are so much better now that I don't have to mess with raw sockets and manual memory allocation) and helping newer developers get a better handle on the thought processes for development.

Vannes, France, Europe About Blog Inspired by natural forms, Stéphanie Kilgast grows colorful organic sculptures on abstract backgrounds, celebrating the beauty of nature and opposing it with abstraction, often a metaphor for the brutal impact of human activities on Earth's biodiversity.

A city that hasn't been featured too much in video games over the years (thank god it wasn't New York again), the developers went for an «abstraction» of their city rather than a full - on recreation.

That's because most loot items are abstractions, human beings on cards you slot into one of a couple squads for passive buffs to health, shields, or endurance.

Just call Abstraction Games and tell them to port it over to the PS4 and that they can put on their website that they did that and it will be something for them to do.

Heroes of Loot... is created by one guy, except for the music, which is done by Gavin Harrison... releases on iOS, Android, Ouya and PC + Mac simultaneously... has 2 - player coop mode added for Ouya and Android Greenthrottle controllers... will come to PS Vita with help from Abstraction games... supports host of controllers and the NVidia Shield... has been 9 months in development..

Created in collaboration between Tequila Works and Abstraction Games, Deadlight: Directors Cut will deliver the definitive Deadlight cinematic experience on June 21, 2016 for $ 19.99.

Mondrian — Abstraction in Beauty is currently available for Windows on Steam, IndieGameStand, and itch.io.

Developed & Published by: Abstraction Games, available on the Xbox store now for # 11.99.

Films are short compared to games, for one thing, but more importantly, editing helps a filmmaker focus the viewer's attention on important plot elements through abstraction.

Independent publisher Abstraction Games and developer Jaywalkers Interactive are pleased to announce that their exciting new physics - platformer, Kick & Fennick (winner of the Dutch Game Award for Best Entertainment Game Design — and Best Core Entertainment Game Nominee), is now available on Xbox One, Wii U, and PlayStation ® 4 computer entertainment system.

If I had to guess, It would be that Valve is working on a sort of abstraction software + api for handling cross-platform gaming.

For his latest project, Safer, he focuses on pure geometrical abstraction.

Neal writes: «Taking its title from Plato's dialogue on the soul's immortality, the exhibit «presents the practice of abstraction as a vehicle for the exploration of a world that exists apart from the physical one we inhabit.»

Asked about his paintings, in which gestural abstraction and imagery blend together, Berryhill remarks «There's something about the searching for the thing you don't know what it is, the invention part I like, so when I get something in a drawing, I like, to work on it until it feels like a thing.»

On the occasion of the only full - scale retrospective Porter's work has been given - the exhibition called Fairfield Porter (1907 - 1975): Realist Painter in an Age of Abstraction, which Kenworth Moffett organized at the Museum of Fine Arts in Bostonin1983 - I wrote that «For myself, though as a critic I had praised Porter's work on a number of occasions during thelast20yearsand though I knew it well, I found I was not really prepared for what I found in this exhibition..On the occasion of the only full - scale retrospective Porter's work has been given - the exhibition called Fairfield Porter (1907 - 1975): Realist Painter in an Age of Abstraction, which Kenworth Moffett organized at the Museum of Fine Arts in Bostonin1983 - I wrote that «For myself, though as a critic I had praised Porter's work on a number of occasions during thelast20yearsand though I knew it well, I found I was not really prepared for what I found in this exhibition.For myself, though as a critic I had praised Porter's work on a number of occasions during thelast20yearsand though I knew it well, I found I was not really prepared for what I found in this exhibition..on a number of occasions during thelast20yearsand though I knew it well, I found I was not really prepared for what I found in this exhibition.for what I found in this exhibition....

It is too diverse, too much a collection of competing voices to be pinned down precisely, in terms of what it could be said to stand for; however, by generalising wildly, it might be possible to say that it represents a point around which certain attitudes towards abstraction have coalesced: one being, that the attempt to build on the discoveries of Modernism is still worth making; and another, that any such attempt can not be reductive, only expansive, ruling nothing out in terms of form, colour and material.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

The presentation explores how the two artists, who shared their lives for nearly 25 years, in Paris, then in Vétheuil in the Seine valley, developed a studio practice and a distinctive body of work while sustaining a broad dialogue focusing on abstraction.

For her P.S. 1 project, Molly Larkey presents The Believers, a new series of sculptures that combine abstraction and figuration to comment on political and social ideologies.

Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.

The «Lines of Sight» retrospective of Carmen Herrera on the top floor of the Whitney Museum offers the chance for an exhilarating experience of consummate absorption in pure abstraction.

There has been a great deal of soul - searching on Abcrit recently, to do with wondering what usefulness it might have as a forum for discussions around abstraction.

Haynes is co-curator of an important Alma Thomas exhibition currently on view at the Studio Museum and is co-editing a comprehensive catalog about the artist known for her powerful use of color working in abstraction, which is expected to be published in November.

This will be after taking in Robins sculpture, and Gary Wraggs paintings in Deal.Great that there are two shows of British Abstract Painting and Sculpture on at the moment.With Bill Tucker at Pangolin and Sams cracking show of 60s colour in Liverpool, Abstraction is far from a dead issue.Indeed there is a symposium by Matthew Macauley at a northern university [to be confirmed] coming up, with requests for papers.Two very good painters rang me to say go and see the Picasso show at Tate Modern, which I did.It was stunning and there were probably eight or so masterpieces in one room from one year!Tony and Sheila Caros show in Peterborough and Graham Boyd at the Cut, Frank Bowling in Dublin and Scully in Newcastle, Mali Morris at Women can't Paint at Turps Banana, loads to see, enjoy, think about and stimulate new work.I hope there are all those hungry [artistically] young Abstract Painters and Sculptors out there keen to extend the genre.!

Traveled to Blum Helman Gallery, New York (July 13 — August 17); Murray State University, Murray, Kentucky (November — December); Grand Rapids Art Museum, Grand Rapids, Michigan (January 12 — February 25, 1990); University Art Gallery, University of North Texas, Denton (September — October 1990); Richard F. Brush Gallery, St. Lawrence University, Canton, New York (November — December 1990); and the University of Oklahoma Museum of Art, Norman (January 18 — March 3, 1991) Morceaux Choisis 1: Sélections des acquisitions du FRAC de Haute - Normandie 1983 — 1988, Fonds Régionale d'Art Contemporain de Haute - Normandie, Hôtel de Région, Rouen, France (May 9 — June 2) The Linear Image: American Master Works on Paper Since 1939, Marisa del Re Gallery, New York (April 25 — May 27) Emplois du Temps: Exposition de Peinture Contemporaine, Salle des Procureurs du Palais de Justice de Rouen, France (April 21 — May 2) Made in America, Virginia Beach Center for the Arts, Virginia Beach (April 5 — June 11) Methods in Abstraction, Gallery Urban, New York (March 3 — 25) Ronald Bladen the 1950s: Bluhm, Bolotowsky, Held, Mitchell, Youngerman, Washburn Gallery, New York (February 7 — March 12) Important Works on Paper, Meredith Long Gallery, Houston

The artist was known for her richly coloured compositions treading the line between figuration and abstraction, and has often been acknowledged for her influence on the work of her husband, the sculptor Anthony Caro, in what the couple themselves had -LSB-...]

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York