Sentences with phrase «on acetate»

Greenberger Rafferty presents flat sculptural wall pieces — many of them identified as «acrylic polymer and inkjet prints on acetate on Plexiglas» — trapping the images between several layers of mediation.

Sara Greenberger Rafferty, «Untitled,» 2014, acrylic polymer and inkjet print on acetate on Plexiglas and hardware, Irregular: 78 x 40 x 1/2 inches (198.1 x 101.6 x 1.3 cm)

Acrylic polymer and inkjet print on acetate mounted to Plexiglass.

Lawrence Abu Hamdan, Saydnaya (ray traces)(detail), 2017, inkjet prints on acetate sheets on overhead projectors.

Sara Greenberger Rafferty, Gloves and Journal Script, 2016, Acrylic polymer, inkjet prints, and paper on acetate on Plexiglas, and hardware, Irregular: 24 x 21 1/4 x 1/2 inches (61 x 54 x 1.3 cm)

Children create a delicate, pared - down model of an imaginary city, which they then decorate with vegetal structures drawn on acetate sheets.

Margie Neuhaus, Synthesis, 2007; Acrylic on acetate, vinyl, wire, rubber and acrylic rods; Dimensions variable.

After she painted on the acetate with acrylic polymers, it was mounted onto colored plexiglass, a process that results in irregularly textured, sometimes slightly bubbly surfaces.

For her second solo outing at the gallery, Rafferty will exhibit photographic portraits as well as larger scale works on acetate and Plexiglas.

Sara Greenberger Rafferty, «Kite,» 2013, water - soluble wax pastel, acrylic polymer, inkjet prints, collage on acetate, Plexiglas and hardware, 40 x 29 x 1/2 inches, 101.6 x 73.7 x 1.3 cm

The photograph was made in 1975 and is one of the first iterations from her series of Video Drawings (1974 — ongoing) in which Pindell photographed drawings on acetate in front of her television screen.

«I'd have all my PowerPoint slides printed on acetate overheads so you could put them on the old projectors in the classroom, and they would shine up on the chalkboard.»

Together, these stacked cells generated between 0.5 and 0.6 volts — enough, the researchers say, to enable hydrogen production in the microbial fuel cell, in which bacteria feed on acetate compounds.

A modern interpretation of a classic rectangle design, Bedford is a unisex style, featuring sought after Retro details of soft silicon nose pads on its acetate frame and vintage pin - rivet hinges.

India Caduveo (Mbaya), Coleccion Boggiani No. 18, Caduveo Indian (Mbaya), Boggiani Collection No. 18, 2016, stretched silkscreen, digital sketch on acetate, 10 prints, Screen: 39 1⁄4 x 39 1⁄4 x 1 3⁄4 inches (99.7 x 99.7 x 4.4 cm) variable installation

Susan Sinek has extensive series of small paintings of mixed media on canvas, but also on acetate.

The image on the acetate has certain transparent areas; whatever is underneath those areas will be visible.

Sara Greenberger Rafferty, Yearly Theme with Stockings, 2016, Acrylic polymer, inkjet prints, and nylon on acetate on Plexiglas, and hardware, Irregular: 24 x 20 x 1/2 inches (61 x 50.8 x 1.3 cm)

GENERAL IDEA Miss General Idea Glove Pattern (Form Follows Fetish) 1975 Diazotype on acetate, craft paper, ed.

Wish Eye / Wish You, 2009/11 Cut - and - pasted transfers on Acetate, Dartek, and Cellophane, with Mylar balloons, postcards, greeting cards, and caution ribbon 70» x 40» x 4» Rejiggers series

3 Decorate each lollipop with a crystallized mint leaf and place on an acetate sheet.

Sara Greenberger Rafferty, Pink Tights I, 2017, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 29 x 23 inches, (73.7 x 58.4 cm)

Sara Greenberger Rafferty, FM FM 1990, 2016, 2016, Acrylic polymer, inkjet prints, and paper on acetate on Plexiglas, and hardware, Irregular: 35 x 24 x 1/2 inches, (88.9 x 61 x 1.3 cm)

Acrylic polymer and inkjet print on acetate on Plexiglass, and hardware.

The work is the 2005 painting The Eye of Go, and thinking with it involves looking right back to the 1990s and an extraordinary sequence of paintings on acetate that are only now being exhibited for the first time, and forward to paintings and a series of river stone sculptures that Orozco has started making since the conversation around this exhibition began.

Elaine de Kooning - Unused preparatory drawing from In Memory of My Feelings, Ink on acetate, 13 7/8 x 11 in, 1967, MoMA Collection,

In addition to her works on acetate, which will stretch down a gallery wall at MASS MoCA and onto platforms on the floor, Jemison will present a selection of photographs along with an excerpt from her ongoing novella printed in vinyl on the wall.

Sara Greenberger Rafferty, «Tie,» 2013, acrylic polymer and inkjet prints, collage on acetate, Plexiglas and hardware, irregular, approx: 33 x 23 x 1/2 inches, 83.8 x 58.4 x 1.3 cm

Sara Greenberger Rafferty, Top and Bottom, 2016, Acrylic polymer, inkjet prints, and paper on acetate on Plexiglas, and hardware, Irregular: 40 x 56 x 1/2 inches, (101.6 x 142.2 x 1.3 cm)

Main image: Lawrence Abu Hamdan, Saydnaya (ray traces)(detail), 2017, inkjet prints on acetate sheets on overhead projectors.

Synthesis, 2007, acrylic on acetate, vinyl, wire, rubber and acrylic rods, dimensions variable.

Archival pigment print on acetate or vinyl as a wall treatment / mural.

Sara Greenberger Rafferty, Dress, 2016, Acrylic polymer and inkject prints on acetate on Plexiglas, and hardware, 50 x 18 x 1/2 inches (127 x 45.7 x 1.3 cm)

The artist will create a new series of drawings printed on acetate that will be layered and projected by an overhead projector and then obscured in sections by various materials in order to alter the drawings and explore how they change through this process.

Acrylic polymer and inkjet on acetate, Plexiglass and hardware.

2017, 100 x 120 x 13», watercolor on Yupo and paper; wood; cut paper; handmade paper; spray paint on mylar; cut paper on acetate; plexiglass; shaped mirror

Olivier Castel Looking for Palermo (Palermo lights), 108 Charing Cross road, 2005, 2014 inkjet print on acetate, retro - reflective vinyl, acrylic 50 x 70 cm

Sara Greenberger Rafferty, Untitled, 2014, acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware, 26 1/2 x 39 x 1/2 inches (67.3 x 99.1 x 1.3 cm)

Sara Greenberger Rafferty, «Curtain,» 2014, leather, inkjet print on acetate, clear thread and hardware, 96 x 24 inches (243.8 x 61 cm)

Sara Greenberger Rafferty, «Blue Noose,» 2012 - 2013, acrylic polymer, watercolor, and inkjet print on acetate, Plexiglas and hardware, 39 x 37 1/2 x 1/2 inches (99.1 x 95.3 x 1.3 cm)

Sara Greenberger Rafferty, «Untitled,» 2014, acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware, Irregular: 77 x 40 x 1/2 inches (195.6 x 101.6 x 1.3 cm)

In the life sized Fig pieces, the performing body's vulnerability to the gaze is both emphasized through the water damage the images incur, and made more palatable by their sleek printing on acetate.

Sara Greenberger Rafferty, «Untitled,» 2014, acrylic polymer, and inkjet prints on acetate on Plexiglas and hardware, Irreular: 60 x 57 1/2 x 1/2 inches (152.4 x 146.1 x 1.3 cm)

Sara Greenberger Rafferty, Dress, 2016, Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware, 50 x 18 x 1/2 inches (127 x 45.7 x 1.3 cm)

The piece comprises layers of inkjet prints on acetate — a door with an «Audience Entrance» sign and what could be seen as pulled blinds or lined notebook paper — as well as paint and solvents.

Sara Greenberger Rafferty, «Blue Cans,» 2013, acrylic polymer and inkjet prints on acetate on Plexiglas and hardware, irregular, approx: 50 x 40 x 1/2 inches, 127 x 101.6 x 1.3 cm

Sara Greenberger Rafferty, Curtain, 2014, polysilk, leather, inkjet print on acetate, clear thread, and hardware, 96 x 24 inches (243.8 x 61 cm)