Sentences with phrase «on acrylic glass»

As an exhibition, Multiple Choice, Double Happiness it is visually simple, made really of only a few components: one work consists of aluminium bars and white - laced 3D - printed corner joints with some accompanying prints on acrylic glass.

Dysfunctional Setup, 2016, Walnut frame, cement plinth, engraved metal label, UV - print on acrylic glass, 140 x 46 x 9 cm, 55 1/8 x 18 1/8 x 3 1/2 ins

His photographs are lambda c - prints front mounted on acrylic glass and backed with 2 mm aluminum Dibond.

Her works for this show are printed on acrylic glass and cut into circles.

Not exact matches

Some pins are coated with enamel paint and clear acrylics, but the best are those fashioned with cloisonnè enamel — a powdered, colored glass that is mixed with water, brushed into tiny reservoirs on the pin face and fired in a furnace.

Place guards or acrylic glass sheets (such as Plexiglass) on banisters and railings if your child can fit through the rails.

Whereas these two products are recommended for plastic or acrylic surfaces only, the third product in the range — DF - PA Chill and DF - PA Blaze — is recommended for use on any smooth glass material.

His prototype, named Multi-toe, is made up of thin layers of silicone and clear acrylic on top of a rigid glass sheet.

Pressure - sensitive adhesives tend to flow out on materials having a high surface energy — for instance, metals, glass and plastics such as acrylic, polycarbonate and nylon.

Sources wallpaper Miles Redd for Schumacher «Tumbling Blocks» in color Greige (sold to the trade only) mini abacus lamps black + white boxes glass shadow boxes faux shagreen tray acrylic easel white vases, similar here black vase, similar here antique wood boxes coffee table books — Louis Vuitton, Swans, Legends of the Jet Society, Vera Wang on Weddings, 36 Hours, 125 Weekends in Europe

I've never been able to get the acrylic to stay on the glass very well, maybe I'll have to try the Martha Stewart acrylic.

I'm highly impressed with the acrylic glass finish of this print; it definitely gives a unique look compared to the other art on my walls.

Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry - mounted on Alu Reynobond, acrylic glass, oak frame

Images: Leslie Shows, Untitled (detail), 2011, Acrylic, Plexiglas, metal filings, crushed glass on aluminum, 48 × 82 inches, Courtesy the artist Seana Reilly, TippingPoint (detail), 2011, Graphite on Dibond, 36 × 48 inches, Courtesy the artist Elonda Billera, After Will Have Been Before (III), 2009, Bronzed Pillsbury Biscuits, 9 × 6 × 5 inches, Courtesy the artist, Photo: Janice Gomez

MARY CORSE, Untitled (White Inner Band, Beveled), 2011, glass microspheres in acrylic on canvas, 243.8 × 182.9 × 10.2 cm.

Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry — mounted on Alu Reynobond, acrylic glass, oak frame

ART SPACE 98 - «Gabriele T. Raacke: IN BETWEEN (acrylics on glass)» has an Opening Reception on Friday, June 2, 2017 from 5 to 7 p.m..

The exhibition at Lisson Gallery includes Untitled (White Multiband, Vertical Strokes)(2003), incorporating glass microspheres in acrylic on canvas; multiple works from the innovative White Band series; and recent paintings from the Black Band series; alongside the lightbox Untitled (Electric Light)(1968/2017), composed of argon and Plexiglas.

Acrylic squares and glass microspheres in acrylic on canvas, 72 x Acrylic squares and glass microspheres in acrylic on canvas, 72 x acrylic on canvas, 72 x 114 in.

The artwork of Edgar Heap of Birds includes multidisciplinary forms of public art messages, large - scale drawings, Neuf Series acrylic paintings, prints, works in glass, and monumental porcelain enamel on steel outdoor sculpture.

Marc Camille Chaimowicz Vienna Triptych, Leaning... and Surrounded by Chorus Girls and Sentinels, 1982 Glass, hand tinted photographs, acrylic on wood 14 panels (6 glass panels, 8 wooden panels), approx. 180 x 60 cm (71 x 24 in) each, spanning 6m (20 ft) linear wall Glass, hand tinted photographs, acrylic on wood 14 panels (6 glass panels, 8 wooden panels), approx. 180 x 60 cm (71 x 24 in) each, spanning 6m (20 ft) linear wall glass panels, 8 wooden panels), approx. 180 x 60 cm (71 x 24 in) each, spanning 6m (20 ft) linear wall space

Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series of glass sculptures and a sculpture consisting of 3D - printed parts, along with large - scale acrylic paintings created with custom - made tools and a new group of her coveted Weave paintings.

New Objectivity 2013 Acrylic on mirrored panel, pigment print on anodized aluminum, bronze, blackened steel, and plastic mannequin foot with hosiery in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 47 x 20 inches (203.2 x 119.4 x 50.8 cm) ARG # MEJ201Acrylic on mirrored panel, pigment print on anodized aluminum, bronze, blackened steel, and plastic mannequin foot with hosiery in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 47 x 20 inches (203.2 x 119.4 x 50.8 cm) ARG # MEJ201acrylic sheeting 80 x 47 x 20 inches (203.2 x 119.4 x 50.8 cm) ARG # MEJ2013 - 026

On the Concept of History 2013 Pigment prints on anodized aluminum, mixed media on canvas, acrylic on wood, bronze, blackened steel, conrete, broach, stainless steel, chrome painted acrylic hand sculpture, and stainless steel scrubber with broaches attached in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 80 x 20 inches (203.2 x 203.2 x 50.8 cm) ARG # MEJ2013 - 0On the Concept of History 2013 Pigment prints on anodized aluminum, mixed media on canvas, acrylic on wood, bronze, blackened steel, conrete, broach, stainless steel, chrome painted acrylic hand sculpture, and stainless steel scrubber with broaches attached in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 80 x 20 inches (203.2 x 203.2 x 50.8 cm) ARG # MEJ2013 - 0on anodized aluminum, mixed media on canvas, acrylic on wood, bronze, blackened steel, conrete, broach, stainless steel, chrome painted acrylic hand sculpture, and stainless steel scrubber with broaches attached in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 80 x 20 inches (203.2 x 203.2 x 50.8 cm) ARG # MEJ2013 - 0on canvas, acrylic on wood, bronze, blackened steel, conrete, broach, stainless steel, chrome painted acrylic hand sculpture, and stainless steel scrubber with broaches attached in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 80 x 20 inches (203.2 x 203.2 x 50.8 cm) ARG # MEJ2013 - 0on wood, bronze, blackened steel, conrete, broach, stainless steel, chrome painted acrylic hand sculpture, and stainless steel scrubber with broaches attached in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 80 x 20 inches (203.2 x 203.2 x 50.8 cm) ARG # MEJ2013 - 025

2013 Pigment prints on anodize aluminum, acrylic on wood, concrete, aluminum, bronze, and stainless steel in stainless steel and glass vitrine 97 1/2 x 72 x 48 in (247.65 x 182.88 x 121.92 cm) ARG # MEJ2013 - 022

Las Meninas (2Xist) 2013 Pigment prints on anodize aluminum, acrylic on wood, concrete, aluminum, bronze, and stainless steel in stainless steel and glass vitrine 97 1/2 x 72 x 48 in (247.65 x 182.88 x 121.92 cm) ARG # MEJ2013 - 022

The particular acrylic resin used as the material for Bocour's Magna paint, called «Acryloid F - 10,» maintained a transparency on par with the highest grade of optical glass.

2013 Acrylic on mirrored panel, pigment print on anodized aluminum, bronze, blackened steel, and plastic mannequin foot with hosiery in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 47 x 20 inches (203.2 x 119.4 x 50.8 cm) ARG # MEJ201Acrylic on mirrored panel, pigment print on anodized aluminum, bronze, blackened steel, and plastic mannequin foot with hosiery in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 47 x 20 inches (203.2 x 119.4 x 50.8 cm) ARG # MEJ201acrylic sheeting 80 x 47 x 20 inches (203.2 x 119.4 x 50.8 cm) ARG # MEJ2013 - 026

2013 Acrylic on wood, acrylic on plexi, and pigment print on anodized aluminum in stainless steel and glass vitrine 97 1/2 x 48 x 48 in (247.65 x 121.92 x 121.92 cm) ARG # MEJ201Acrylic on wood, acrylic on plexi, and pigment print on anodized aluminum in stainless steel and glass vitrine 97 1/2 x 48 x 48 in (247.65 x 121.92 x 121.92 cm) ARG # MEJ201acrylic on plexi, and pigment print on anodized aluminum in stainless steel and glass vitrine 97 1/2 x 48 x 48 in (247.65 x 121.92 x 121.92 cm) ARG # MEJ2013 - 024

Slant Branch Souvenir (Thinkin» on You), 2009, plywood, beams, 2 x 4s, fabric, blown glass, Depression - era glass, foam, paint, cardboard, acrylic rhinestones, sticks, dimensions variable.

In CHARLIE works are juxtaposed with paint layered and stretched on linen, lace, canvas and jersey, to assemblages and objects made of glass - and carbon fibers; gesso and clay, oil - and acrylic paint, carbon -, glass -, aramide -, or Dyneema fabric, crocheted, knitted, weaved and layered.

Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.

Gillian WEARING Jodie 2009 acrylic on masonite in custom frame, ink on paper, and photographs under glass 36 x 29 x 2 inches; 91.5 x 73.5 x 5 cm (closed) 36 x 57 7/8 x 1 inches; 91.4 x 147 x 2.5 cm (open)

Acrylic and graphite with found remnants, thread, hyde glue, glass, copper bbs, enamel, brass cotter pins, and found plastic on folder and antique parlour portrait.

Alasdair McLuckie Untitled Ballpoint pen and paper collage on paper, plastic frame, glass, ballpoint pen and acrylic on binder's board, white perspex (30 x 15 cm) 51 x 41 cm 2015

Left: Margaret Lee, This is How You Call It # 2, 2017, silver gelatin print and acrylic paint, 43 x 31 in; Center: Margaret Lee, Exhaust For Me, 2017, polished stainless steel, silver, chromed steel, glass, and papier mache; Right: Alicia McCarthy, Untitled, 2017, gouache, latex, and spray paint on wood, 96 x 96 in.

Anselm Reyle, Untitled, 2010 Mixed media on canvas, acrylic glass 72 (h) x 61 (w) x 18 (d) cm October 9 — November 10, 2010 Kukje Gallery is pleased to present Anselm Reyle in his first solo exhibition in Korea.

Acrylic, oil and oilstick on glass and wood with fabric and metal attachments, 83 1/4 x 33 ⅞ x 3in.

County Floaters 2015 red «Uline» barrel, trash can dolly, screws, «Ohio Bobcats» rain poncho, fake banana tree, fake foliage, leggings, rope, bungee, plastic, foam, epoxy, synthetic hair, baseball cap, birdseed cone in plastic netting, cigarette butt, wood, screws, spray paint, «Dragon Skin» platinum silicone, nuts, bolts, washers, casters, tin pig, burl section, towel, acrylic paint, dog toy, safety glasses case, panty hose, press - on nails, safety cone, saw dust, rope, clamps, hats, t - shirt, run - off barrier, ceramic potter, beaded stickers, ceramic cat, glow in the dark pigment, pigments, decorative paper flowers, decorative fishing net, earrings, wire, blue tape, key chains, key rings, wood chips, needles, scrunchie, fabric measuring tape, star fish, toddler shoes, children's skirt, children's jacket, sock, bandana, decorative balls, wicker lantern, over-the-door hooks, gaff tape, eyelashes Overall dimensions: H 81» x W 39» x D 95» (206 cm x 99 cm x 241 cm) ARG # FLTR2015 - 002

Terna has changed his medium from oil to acrylic over the years, mixing his pigments with polymer on a small glass palette in his studio.

Litho crayon, etching, lacquer, ink, glass, acrylic paint, and oil stick on aluminum, 98 3/4 x 127 x 18 in.

Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic glass 56-3/10 x 47-3/5 X 6-1/10 inches Anselm Reyle was born in Tübingen, Germany in 1970.

The use of the Diasec process of mounting the photographs on extra-shiny acrylic glass adds to their immaculate gloss.

LLYN FOULKES Deliverance 2007 Oil, acrylic, luan, carpet, clothing, cotton, water putty, wood, glass eyes, hair, photograph on wood frame panel 72 x 84 inches (182.9 x 213.4 cm) ARG # FOL2004 - 2007

Tradition 2013 Cast concrete, chrome fixture, shoes, painted wood, acrylic on denim, and pigment print on anodized aluminum in blackened stainless steel and glass vitrine Exterior: 100 x 72 x 48 in (254 x 182.9 x 121.9 cm) ARG # MEJ2013 - 016

Donna Huanca BLISS (REALITY CHECK), 2017 Mixed media installation including unique performance, sound piece, sand, plexi glass, wood, unique scent, oil, acrylic and pigment on plastic, latex, metal, horse hair, lead on a steel frame with aluminum fastenings Dimensions variable

Alan Johnston, Untitled (Bury 14), 2007 Acrylic paint, pencil, charcoal and beeswax on plywood Artist's frame, sandblasted perspex and glass, 24.2 x 18.2 cm

LEE BUL Sternbau No. 32, 2011 crystal, glass and acrylic beads on nickel - chrome wire, stainless steel and aluminum armature 66.93 x 36.22 x 34.25 inches 170 x 92 x 87 cm LM15334

Since the mid-1960s, Corse has developed an innovative technique that involves mixing acrylic paint with tiny glass beads commonly used in the white lines of lane dividers on highways and painting vertical bands onto the canvas.

LEE BUL After Bruno Taut (Negative Capability), 2008 crystal, glass and acrylic beads on stainless - steel armature, aluminum and copper mesh, PVC, steel and aluminum chains 108 x 116 x 84 inches 274.3 x 294.6 x 213.4 cm Collection of National Gallery of Canada, Ottawa LM11363