Sentences with phrase «on architectural drawings»

Her specialist interests include Lombard Renaissance architecture in Milan and Cremona, and in 2011 she took part in the research project on the architectural drawings of the Cathedral of Milan.

This sculpture, which functions as part table, part trashcan, was based on architectural drawings that were created to produce the object life - size.

When we sold our home, we passed on architectural drawings depicting a New England style face lift and an addition over the garage.

Not exact matches

Drawing on an architectural analogy, he said, «The unity of a Gothic cathedral is not the static unity of a classical temple but a unity born of the dynamic tension of diverse forces which impel the architecture upward, pointing to heaven.»

Claiming that Pre - med / Pre-nursing qualifies you to comment on cutting versus tearing is like saying that taking a cabinetry class qualifies you to draw up architectural blueprints.

Parts of the statement read, «This exhibition will focus on the Visual arts specifically; the traditional fine arts such as drawing, painting, photography, sculpture; architectural, environmental, and industrial arts such as urban, interior, product, and landscape designs.

The actor is so obsessed with interior design that he launched his own furniture collection, telling Architectural Digest, «I'm drawn to furniture design as complete architecture on a minor scale.

How about a movie whose visuals, architectural and costume design, and orchestral score draw heavily on cultural influences seldom seen on Western screens?

Instead, they look like creative businesses on deadline — like advertising agencies pulling together a big campaign, architectural firms drawing up blueprints, or software companies developing new programs,» writes Justin Reich, Ed.D.» 12.

The past practice of microfilming architectural drawings has given way to archiving electronic versions (PDF) on a standard compact disc, or CD.

Gallery - based hypercomics are shown to draw on approaches originally established within digital formats to meet the challenges of architectural mediality.

His extensive industry experience draws on Pacific Store Designs» full suite of services, including design, fixtures sales, custom cabinetry, vented animal enclosures, general contracting, architectural services, professional installations, merchandising assistance and training.

Rebecca Roke writes about architecture and design, drawing on her architectural background and extensive experience editing and researching in that field.

Motoko Dobashi creates fantastical, labyrinthine architectural wall drawings, and works on paper that fuse once distinct traditions, mythologies and genres suggesting unforeseeable futures fecund with possibility.

Splendid to come across Serra's hand - drawn list of «actions» illustrating his famed dictum that «drawing is a verb», as well as a scheme for Yale University by the disruptive architect Paul Rudolph, although the architectural department must have passed on his free - wheeling projects because it reveals nothing of such of his tsunami inversions as the legendary room that invited you to sit, read and eat on furniture overlaid with shag carpeting.

These images are drawn from his imagination as well as a range of other sources and also manifest themselves across large paintings on paper, used domestic objects such as batteries, mops and Underground Travelcard receipts, and expansive wall painting installations involving the surrounding architectural elements.

The grand, architectural charisma of Richard Serra's sculptures, Lucio Fontana's slashed, scintillating reflections on the highrise skylines of New York, and even Yves Klein's celebrated 1961 series of Fire Paintings, made using an industrial blowtorch, all drew on Burri's innovations.

The exhibit's title, Geometry's Garden, refers not only to Andrade's longstanding interests in mathematics and precision drawing, but also to how her work shifted in the 1980s to become expansive reveries on mosaic - like, architectural schematics, or alternatively, the sky and infinite space.

Alongside these dramatic architectural interventions, the exhibition includes drawings made with India ink on reflective gold - chromed panels from Fernández's most recent series, Golden.

The Primitives Series, first seen at the Venice Architectural Biennial in 2010, draw on the facade of ruined landscapes; with rocks piling up and falling apart to create a series of unique yet similar chairs and tables.

In the triple portrait of leading members of the Royal Academy of Arts in 1777 by J.F. Rigaud, Sir William Chambers is distinguished from Joseph Wilton and Sir Joshua Reynolds by having his left hand resting on a pair of compasses on top of an architectural drawing while in his right hand is a right - angle square.

Working with drawing, video, sculpture, and installations, Hüner's practice focuses on constructed narratives and eclectic assemblages which explore the subjects of utopia, archaeology, ideas of progress, and the future through reimagining spatial and architectural entities and organic and artificial forms.

The models draw on architectural, art historical and cinematic sources.

A recent exhibition of the artist's work at the University of South Florida Contemporary Art Museum included architectural models, paper sculptures, light boxes, altered photographs and cut - tape drawings done on rubber cutting mats.

«Accessed through a small door on Delancey Street, the work draws visitors into a parallel universe by way of a series of deeply believable and disquieting architectural spaces, confusing the real with the fictionally derelict.

New in ART21 New York Close Up, artist Louise Despont uses architectural stencils to create intricate pencil - on - paper drawings in her home and studio in Fort Greene, Brooklyn.

Louise's curatorial practice draws on architectural influences, using a cross-disciplinary approach to create propositions for new patterns of exchange.

Drawing on the traditions of Abstract Expressionism, he creates strongly articulated pieces: canvases on heavy stretchers, abutting panels and architectural constructions that project themselves into the viewer's space.

This exhibition presents a selection of Fake's meticulously rendered gouache and ink architectural drawings, which focus on facade and ornamentation as a way to understand our bodies, selves, and the importance of the spaces we inhabit.

These works — on view in New Orleans for the first time — span a range of media including collage, drawing, architectural models, animation and short film, and collaborations with other artists on such materials as album covers and children's books.

Students will participate in studio critiques, seminars and / or workshops that draw on what makes education at The Cooper Union unique, with its strong emphasis on critical and conceptual thinking, design, making and a close reading of architectural texts.

Mauro Giaconi creates sculptures, installations, and drawings based on abstracted architectural forms such as as pipes, structures, columns, and tools.

Tagged as: Carlos Rosales - Silva, catherine christer henrix, Chris Bors, damon mccarthy, dying on stage, Elizabeth Tubergen, Eric Timothy Carlson, Erik Gonzalez, Fake Industries Architectural Agonism, Garden Party / Arts, garis & hahn, goethe institute, Henry Flynt, james dean, James franco, Jennifer Sanchez, jennifer sirey, Jew York, Katarina Burin, Ken Price, Kyle Chayka, Martos Gallery, Neil Goldberg, no place like you, Oliver Laric, On Stellar Rays, Paul McCarthy, Semir Alschausky, shamus clisset, the drawing center, Thomas Brinkmaon stage, Elizabeth Tubergen, Eric Timothy Carlson, Erik Gonzalez, Fake Industries Architectural Agonism, Garden Party / Arts, garis & hahn, goethe institute, Henry Flynt, james dean, James franco, Jennifer Sanchez, jennifer sirey, Jew York, Katarina Burin, Ken Price, Kyle Chayka, Martos Gallery, Neil Goldberg, no place like you, Oliver Laric, On Stellar Rays, Paul McCarthy, Semir Alschausky, shamus clisset, the drawing center, Thomas BrinkmaOn Stellar Rays, Paul McCarthy, Semir Alschausky, shamus clisset, the drawing center, Thomas Brinkmann

For this commission, on view through Aug. 19, the artist developed a multi-channel sound installation of compositions that subtly examine the material history of the two sites and their acoustic qualities, using everyday objects and acoustic environments unique to each site, and drawing on his practices of focused listening and architectural acoustics.

She is responsible for large scale prints, drawings and paintings that are based on heavy layering in order to create images from patterns and architectural photographs — although the end result does not give away what Mehretu used to start creating.

For the fourth installation at Vancouver Art Gallery Offsite, renowned sculptor Elspeth Pratt draws on architectural forms as inspiration to investigate how built environments define public space.

But such a reading fails to account for the richness, depth, and, yes, even sincerity of the German artist's oeuvre, which includes not only paintings (on weird, unorthodox grounds such as aluminum and lead), but also stark wall drawings, darkly fascinating photographs, and cerebral architectural experiments influenced by his idol, Blinky Palermo.

The works by Ms. Lee, who is 49 years old and based in Seoul, include 11 drawings on paper and canvas, as well as a few architectural models and sculptures, created from 2008 to this year.

Drawing inspiration from the Earthworks movement, which saw artists such as Walter De Maria, Michael Heizer, and Robert Smithson making site - specific works from the natural landscape, Art on the Beach provided a temporary public venue for site - specific installations that were sculptural, architectural, and theatrical.

For this exhibition, Moyer has produced a series of vibrant, large - scale paintings, a dramatic, architectural sculpture, and drawings in oil on paper.

The wall drawings and paintings of Gary Simmons, which typically use text or architectural drafts as their subject, take on received notions of gender, race, class, and other socially determined markers of identity.

Drawing on her formal training as a dancer and choreographer, Mertz creates installations, performances, and other site - specific works that expose or reimagine architectural and environmental spaces.

For her first exhibition with Sean Kelly gallery and her first solo show in New York since 2014, Sam Moyer has realized a vibrant series of large - scale paintings as well as an architectural sculpture, and a range of drawings with oil on paper.

The first comprehensive exhibition exploring the architectural sculptures and drawings of Allied Works Architecture debuts at the Denver Art Museum on January 24, 2016.

Lovely architectural photos from Kira Lynn Harris also verge into abstraction, as do Julie Mehretu and her faded landscape paintings, which can recall Gary Simmons and his memories drawn right on the wall.

Two Studies for Tenayuca (ca. 1938), for instance, show Albers riffing on what looks almost like a three - axis architectural drawing of some sculptural form.

An exhibition of Chris Wilkinson's sketchbooks is on display in the exhibition Thinking through drawing, which showcases drawings, watercolours and a selection of architectural objects, is on display in the Tennant Gallery until 14 February 2016.

Her wide - ranging interests, which include drawing, research on materials, textiles design, and craftsmanship — are constantly influencing her architectural work, and help pushing it to the limit.

From the outset his art was based on space and a constructivist organisation, which led to works of great formal rigour, where drawing, painting and sculpture were integrated into a spatial dimension that was architectural in scope.

Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.