This exhibition includes contemporary works of art focusing
on architectural forms and structures, specifically concentrating on the skyscraper.
«Hers is a career in which she is constantly reinventing herself, and yet she remains very focused
on architectural forms,» Hoptman says.
For the fourth installation at Vancouver Art Gallery Offsite, renowned sculptor Elspeth Pratt draws
on architectural forms as inspiration to investigate how built environments define public space.
Dennis recreates the city on a massive scale, using a unique photographic process, with a strong emphasis
on architectural forms.
Not exact matches
Minimal,
architectural forms, and its emphasis
on rich textures refining the silhouettes make the most seemingly simple pieces unique and outstanding.
Not only does that reading explain the fervent use of voice - over, never more present here, recounting and musing
on each experience with that hushed, inimitable whisper, but it also explains the unique aesthetic of Malick's films: his desire to capture fragmented but ideal
forms of corporeal, natural and
architectural beauty, rendered so by Emmanuel Lubezki's superlative cinematography and some elliptical, compelling editing.
The Naval Architecture occupation covers positions managing, supervising, leading, and / or performing professional
architectural, engineering, and scientific work relating to: the
form, strength, stability, performance, and operational characteristics of marine structures and waterborne vessels; and all types of naval crafts and ships operating
on, below, and just above the sea surface.
The New Republican style School Hall (1912)
forms part of the museum which is a cultural, historical and
architectural commentary
on the heritage of Oudtshoorn.
The rocks
on the side of the canyon have half finished Buddha statues,
architectural forms and other things calved out of them.
Throughout this Anguillan resort, opened in 2009
on this the Caribbean island of Anguilla, modern
architectural forms interplay with the natural environment, while sophisticated, contemporary interiors by designer Kelly Wearstler add rich textural contrasts to a laid - back, beachy feel.
[4] Specifically, this took the
form of an interactive work titled s.laag, which serves as a game - level replica of the World's Fair held in Brussels in 1958; primarily the player - character takes
on the role of a bass clarinet to navigate through various mini-games and around
architectural icons.
So, for me, there can be no confusion
on this point, Abstract sculpture does not need any longer the support of the human body or any body or plant or
architectural form or engineering phenomenon or anything else to play a supporting role and share in what is to come.
Prior to moving to our new building at 38 St. Marks Place in 2017, exhibitions and public programs are focused
on temporary structures — including publishing formats, social experiments and
architectural forms — set against the fast - mutating landscape of downtown Manhattan.
Built from a renovated warehouse by local designer Margi Glavovic Nothard, the Girls» Club facility boasts stunning
architectural elements including re-purposed industrial materials, back - lit resin panels that
form an illuminated exterior facade, rotating inner walls that offer flexibility of design and a critically acclaimed collection of over 700 works
on art.
Prior to moving to our new building at 38 St. Marks Place, exhibitions and public programs are focused
on temporary structures — including publishing formats, social experiments and
architectural forms — set against the fast - mutating landscape of downtown Manhattan.
Project Space Festival Day 10: Raumerweiterungshalle The Raumerweiterungshalle, or «spatial extension container», is a portable
architectural form designed in the 1960s and 1970s in the DDR — a building in eight pieces that can telescope in
on itself.
Having worked with with constructed, geometric and
architectural forms from the late 1950s onwards, William Tucker had already begun to turn towards figuration when a visit to Italy in 1981 had a revelatory impact
on his work.
During this period of transition to a new long - term location in 2017, exhibitions and public programs are focused
on temporary structures — including publishing formats, social experiments and
architectural forms — set against the fast - mutating landscape of downtown Manhattan.
Also
on view is a group of bronze sculptures from Nagle's Hands On series (1991), which use the cup as a formal vehicle rather than a utilitarian tool, employing slight variations in structure and texture to create abstract geometric and architectural form
on view is a group of bronze sculptures from Nagle's Hands
On series (1991), which use the cup as a formal vehicle rather than a utilitarian tool, employing slight variations in structure and texture to create abstract geometric and architectural form
On series (1991), which use the cup as a formal vehicle rather than a utilitarian tool, employing slight variations in structure and texture to create abstract geometric and
architectural forms.
His mature
architectural works are stripped down, simplified
forms that convey universal meaning; the paintings often capture the effect of light
on color.
Working with drawing, video, sculpture, and installations, Hüner's practice focuses
on constructed narratives and eclectic assemblages which explore the subjects of utopia, archaeology, ideas of progress, and the future through reimagining spatial and
architectural entities and organic and artificial
forms.
His table - size constructions, based
on architectural, art historical and cinematic sources are made of simple materials, pared down to essential
forms, and frequently emptied of extraneous detail.
Casebere's table - size constructions, based
on architectural, art historical and cinematic sources are made of simple materials, pared down to essential
forms, and frequently emptied of extraneous detail.
Borrowing from her past experiences in the engineering, physics and
architectural fields she focuses her creative process
on the manipulation of materials and
form to produce a rupture in the connection between the experiential act of perception and the logic of knowledge.
Art received the International Art Critics Association (AICA - USA)'s 2010 Second Place award for «Best Project in a Public Space» for the organization's exhibition of Antony Gormley: Event Horizon, which featured 31 sculptures of the human
form placed in and around Madison Square Park and
on the rooftops of
architectural treasures throughout New York City's Flatiron District and environs.
Recent work interweaves ruins,
architectural ornaments and botanical
forms, focusing the subjects
on loss, extinction and the beautiful tenacity of nature.
Mauro Giaconi creates sculptures, installations, and drawings based
on abstracted
architectural forms such as as pipes, structures, columns, and tools.
Her current work focuses
on interpretations of
architectural forms, and other manmade objects.
At the Schinkel Pavillon (until July 29), «The Empty House» is a show dedicated to artworks Louise Bourgeois created in the last two decades of her life in which the artist focused
on the
architectural and associative possibilities of the sack, hollowed or filled, as a
form relating both to cells and to the female body.
Executed in oil
on canvas from a digital image, the paintings incorporate layer upon layer of fine lines of colour to create
architectural - like
forms, suggestive of a dense, abstracted cityscapes.
During this period of transition to a new long - term location in 2017, exhibitions and public programs will be focused
on temporary structures — including publishing formats, social experiments and
architectural forms — set against the fast - mutating landscape of downtown Manhattan.
Opening February 1, 2014 with a reception for the artists February 6th
On display will be new work by Tahiti Pehrson who continues to pursue the notions of connectivity, repetition, and complex
architectural forms in the natural world.
Two Studies for Tenayuca (ca. 1938), for instance, show Albers riffing
on what looks almost like a three - axis
architectural drawing of some sculptural
form.
In his vertical poems, Andre experimented with
form and the disruption of language by taking words from their common
architectural orientation (horizontal lines that read left to right) and re-ordering them to create a new system of reading; the words are stacked
on top of each other as individual particles, but still construct a readable sentence.
If I had to describe the
architectural design in terms of American painting, I'd say it's a mash up of Charles Demuth or Elsie Drigg's Precisionism (
on view
on the eighth floor) and the expressive, clunky
form of Arthur Dove or Marsden Hartley.
Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art
form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact
on various
architectural planes.Sonnier's
architectural neon installations in public spaces have earned him wide acclaim in an international context.
From 2008 to 2010 Silverman collaborated with Nader Tehrani
on «Boolean Valley», a conceptual, installation piece that traveled from the San Jose Museum of Art to MOCA Los Angeles, to the Nasher Sculpture Center, in which they made a cone - shaped
form on the wheel, slip cast it 200 times, then cut each cone horizontally in two and laid out the resulting 400 pieces as a complicated, topographic, landscape installation that responded to each of the
architectural spaces within which is was installed.
This Maine - born artist now works in Brooklyn, where he creates foreboding abstract works based
on an
architectural language of
forms.
Over a period of several years, Sir Anthony Caro has been working
on a major series of sculptures and
architectural features to
form part of the restoration of a chapel at Bourbourg in Northern France, about 12 miles east of Calais.
When grouped as individuals the tentacles take
on interesting
architectural forms with great potential for large scale sculptures
Khedoori's works frequently focus
on distant
architectural forms, hovering the lines between representation, commonplace images, and abstraction.
It's in this phenomenological condition for the possibility of things where meaning takes
on new
forms and where the viewer is engaged in more precarious and unpredictable encounters with sculptural and
architectural constructions.
With these marginalised urban zones, my choices were based
on real
architectural elements, omnipresent in their richness and their diversity, which
form part of the particular psycho - geography of the space and of the non-space — a
form that contains a physical, psychological and conceptual infrastructure that in turn constitutes these urban worlds.
These textile patterns, sourced from early - 20th century women artists such as Sonia Delaunay or Barbara Stepanova, take
on architectural scale and
form the backdrop for interiors and table - top tableaux.
The American artist Dan Graham (born 1942 in Urbana, Illinois) is known for his
architectural sculptures in the
form of complex glas pavilions based
on simple geometrical
forms and made of metal and two - way mirror glas.
Moussavi is a columnist for the
Architectural Review magazine and has published three books, The Function of Ornament, The Function of
Forms, and The Function of Style based
on her research and teaching at Harvard.
BOOKSEHLF «David Adjaye:
Form, Heft, Material,» was published recently to coincide with a major exhibition exploring David Adjaye's
architectural designs that was organized by the Haus der Kunst in Berlin and
on view at the Art Institute of Chicago.
In this book «The Projective Cast» (1995) completed shortly before his death, the architect, teacher and historian Robin Evans, explores the idea of the relationship between geometry and architecture, drawing
on mathematics, engineering, art history, and aesthetics to uncover processes in the imagining and realizing of
architectural form.
In this exhibition she has largely moved
on from the landscape based inspirations that have preoccupied her in the past to develop a language of
forms using an
architectural vocabulary.
JENNIFER WILLIAMS documents, deconstructs, and recomposes organic and idiosyncratic
architectural transformations evident
on a macro and micro level, giving
form to dissonance within an environment.