Sentences with phrase «on architectural objects»

Shedding light on persuasive, performative and often duplicitous identities, as well as on architectural objects and history, the work explores the relationship between man and monument as they coexist in the landscape as representations of one another.

Not exact matches

Pardo's focus on multiple meanings, purposes and contexts invites constant re-evaluation of objects, images and architectural space.
These images are drawn from his imagination as well as a range of other sources and also manifest themselves across large paintings on paper, used domestic objects such as batteries, mops and Underground Travelcard receipts, and expansive wall painting installations involving the surrounding architectural elements.
Lehmann Maupin 536 W. 22nd St., (212) 255-2923 Through June 13 Mary Corse (b. 1945) was one of the few women involved in the 1960s - and - on Southern California art movement called «Light & Space,» which typically featured ultra-minimal architectural environments instead of more conventional art objects such as paintings and sculptures.
Hiorns grew crystals on a cardboard architectural maquette, testing the object's status and significance, to create this work which is estimated at # 6,000 - 8,000.
A reflection on the relationships between people, objects, and inhabited structures, Glory Home features work with an architectural focus.
Their more expansive compositions allow the viewer to ponder architectural elements or the unusual collections of objects that she has rendered — a blue plastic doll imported from Ghana, an arched doorway and television set, an assortment of framed photographs, an empty balcony, oil lanterns on a tabletop — which serve to represent absence and quietude in her otherwise densely textured works.
Offering a Extraordinary Selection of Antiques, Mid-century Modern, Asian, Silver, Folk Art, African, Garden & Architectural Elements, Americana, Fine Art, Art Deco, Ceramics, Lighting, Jewelry, Contemporary Design & unusual Furniture Decorative Objects from Antiquity to Present Day with a emphasis on quality.
Her current work focuses on interpretations of architectural forms, and other manmade objects.
For this commission, on view through Aug. 19, the artist developed a multi-channel sound installation of compositions that subtly examine the material history of the two sites and their acoustic qualities, using everyday objects and acoustic environments unique to each site, and drawing on his practices of focused listening and architectural acoustics.
An exhibition of Chris Wilkinson's sketchbooks is on display in the exhibition Thinking through drawing, which showcases drawings, watercolours and a selection of architectural objects, is on display in the Tennant Gallery until 14 February 2016.
Based on studies for her large - scale sculptures, they address perspective and turn an architectural object into an extension of the fictional places Iglesias constructs.
Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.
Including sound, sculptural and text - based works that have existed as early prototypes or sketches but never produced on the architectural scale for which they were initially intended, Gillick's choreography of spaces, objects and ideas poetically addresses themes of time, as history and duration, and the visual and spatial codes of the social.
Alexa Meade is a Los Angeles based artist that paints on the surfaces of live human subjects, found objects, and architectural spaces in a way that optically compresses 3D space into a 2D plane when photographed.
Marking a departure from iconic mid-century modernist architectural forebears (Mies van der Rohe and Le Corbusier) and the Minimalist sculptors who followed shortly thereafter (Donald Judd and Carl Andre), when Gillick works in three dimensions, his objects tend to be industrially fabricated in materials such as steel, aluminum, and Plexiglas and to take the shape of autonomous platforms, shelves, cubes, and architectural interventions on the wall, floor, or ceiling.
This precarity exposes vulnerability in otherwise sturdy objects, resulting in dynamic, architectural constructions tottering on the brink of total dissolution.
Since discovering the potential of working with pencil and architectural stencils on paper, Despont has adopted an intuitive process in which she allows her drawings to develop as she creates them, resulting in an almost devotional object comprised of dense colors and shapes.
This sculpture, which functions as part table, part trashcan, was based on architectural drawings that were created to produce the object life - size.
Her work references both the transformative effects of photography as well as the sculptural relationship of objects to the body, alternating between an association with objects that are intimate, wearable or ornamental and an idea of scale that verges on the architectural or monumental.
For the exhibition, the walls will be returned to the museum, creating an architectural lining on which to present a connective system of discreet works — paintings, objects, and textiles - compounded in an address of translation, scale, and nested opposition.
Underlining and highlighting the transition from the past to the present, the complex identity of which it is important to conserve, it has been decided to graft the exhibition in its totality — walls, floors, installations and art objects, including their relative positions — onto the historical architectural and environmental structure of Ca» Corner della Regina, thereby inserting — on a full - size scale — the modern rooms of the Kunsthalle, delimited by white wall surfaces, into the ancient frescoed and decorated halls of the Venetian palazzo.
Throughout her work, she trains her gaze on the architectural spaces in which we live and the objects that surround us.
Based on studies for her large - scale sculptures, they address perspective and turn an architectural object into an extension of the fictional places Iglesias constructs.
The Ileana Tounta Contemporary Art Center presents on the gallery's first floor the group show entitled «The Architectural Object» curated by Katerina Nikou.
Mary Corse (b. 1945) was one of the few women involved in the 1960s - and - on Southern California art movement called «Light & Space,» which typically featured ultra-minimal architectural environments instead of more conventional art objects such as paintings and sculptures.
Matt Greene's for her / lost it / way decapitated which is made of paintings propped on an architectural wood frame along with found objects, such as axes, melds these opposing mediums to theatrically striking almost ominous results.
The large object that stands on three legs is architectural in scale and construction and anticipates the ideas inherent in the Portal Series.
In a work inspired by Wolfgang Laib's piece of the same title (Rice House, 2014), three metal objects sit on a light olive - yellow block: a long house, an eight ball and an architectural structure formed by a sphere, a cube, a pyramid and disks.
The curators with the ten architectural teams for Venice Takeaway, in the main gallery space housing the Research Emporium which presents the films, objects, photography and writing from the teams on their trips around the globe in search of new ideas to change British architecture.
In conjunction with accompanying video work, and leaning heavily on Bauhaus conceptualist Oskar Schlemmer's Triadic Ballet, López engaged choreographer and dancer Lee Serle in a performance that takes over several architectural spaces and objects.
In Steel 10 (2017), he focuses on relationships between objects, architectural forms and human beings.
Painted fabric over plaster and wood, Nikravan's architectural jigsaw puzzles don't make sense; the objects feel alien, as if one is looking at the backside of a sculpture or through a window — some sit awkwardly on top of plexiglass plinths reminiscent of TV consoles others are pinned on the wall their looping forms unsatisfactorily interrupted.
While at Hans Sumpf, Bitters created architectural murals, tiles, bird houses, planters and sculptural objects — designs that would earn him recognition later on as a pioneer of the organic modernist craft movement.
Alluding to iconic mid-century modernist architectural forebears, such as Mies van der Rohe and Le Corbusier, and the Minimalist sculptors who followed shortly thereafter, such as Donald Judd and Carl Andre, Gillick's three - dimensional objects tend to be industrially fabricated in materials such as steel, aluminum, and Plexiglas and to take the shape of autonomous platforms, shelves, cubes, and architectural interventions on walls, floors, or ceilings.
With industrial coloring and packaging, Part seems vaguely functional, an object fluctuating constantly between its own installation and de-installation, like commercial units dissasembled and packed for shipment, or for disposal, or prefab architectural modules caught in mid-construction, on the sublime verge of realization.
The Noguchi Museum's Archives on the life and work of Isamu Noguchi are comprised of Noguchi's manuscripts, correspondence, exhibitions and project records, sketchbooks, architectural drawings and plans, as well as objects and artifacts that Noguchi collected during his travels throughout his lifetime.
Architectural in scale, these installation - based objects both literalized the sublimity of abstract expressionism and returned painting to its archaic roots as an intervention in, or on, a particular space, be it a cave or a church or an exterior wall.
She mixes new and old alike — architectural elements, natural objects gathered on family hikes, photos, and things with sparkle.
Elmwood Kitchens: millwork Caesarstone: counter top, pure white Dinuovo Granite & Marble Inc: counter fabrication and install Strassburger: windows Metrie: interior doors & trim GE: washer & dryer Taps / Rubinet: brass faucet Taps / Blanco: stainless steel sink The Door Store: vintage carriage house door, cabinet hardware, brass brackets Vintage Fine Objects: faux bois chair Sarah Richardson for Kravet: fabric for chair (granby chambray, 32997 - 15), accent pillow (geo floral grotto, geofloral - 15) Wayfair: sophia 1 light mini pendant (SKU NHG3815), affinity linens 10 piece towel set (SKU APIN1020) Ikea: rug West Elm: blue vase Barwood: flooring (# 1 common white oak) Canadian Tire: baskets Emtek: door hardware and hinges Robinson Residential: architectural services Benjamin Moore: wall paint (2137 - 70 - white wisp), millwork / cabinetry (2136 - 60 - harbour haze) Dulux: trim and baseboards (30GY 88/014 - white on white)
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