Sentences with phrase «on artist»

It's easy to envision a more tightly edited take on this artist, one that would make him look more ordinarily Great.

David Salle looks at Louise Bourgeois's graphic work at MoMA and reads Robert Storr's monograph on the artist in the New York Review of Books.

The music has always had an important influence on the artist's work, and he explained his preoccupation with this particular record in his notes:

A new strip by Rui Tenreiro draws on the artist's experience of Stockholm's class divide; and in the latest instalment of A Curator Writes, I. Kurator boycotts Art Basel and finds a new lease of life at an Austrian spa

Signed and dated «Imogen Cunningham 1953» in pencil on the mount, identified on the artist's label «PHOTOGRAPH BY Imogen More...

Lucy Byatt of Hospitalfield Arts, who curated the exhibition, first worked with Fagen on the artist's acclaimed public art project in Royston, Glasgow, which was the genesis of ROSE, Fagen's multiple published by The Multiple Store in 2013.

At best, the installation is a serious misfire, as some preliminary canvassing on the artist's part might have revealed.

Mr. Andrew has also published extensively on the artist and his contemporaries and is currently editing the catalogue raisonné of paintings by Jack Tworkov.

A monograph on the artist was published by Phaidon in 2001.

As with Philip Guston, another model for his late self - portraits, the joke is simultaneously on you, on art, and on the artist himself.

Click here to read a profile on the artist and the exhibited work written for Hamptons Art Hub.

It's a mutually beneficial endeavor that draws crowds to the museum, puts some focus on the artist, and hopefully fosters appreciation of the arts among visitors and inspires them to further explore their city's art scene.

At some point, tit - eyed ducks, fake deer asses, imitation dog cocks, Degas's dancers and other stand - ins got drafted into Jackson's army, each performing some act of painting on the artist's behalf.

The Wolfsonian — Florida International University Describing Labor Describing Labor draws on artist Esther Shalev - Gerz's research into depictions of work and working figures from the late nineteenth through the mid-twentieth century.

Drawing on the ARTIST ROOMS collection, this exhibition provides viewers with the opportunity to see a substantial body of Katz's work.

Panelists include: Caitlin Jones, Executive Director of the Western Front Society in Vancouver, British Columbia; Angie Keefer, co-founder of The Serving Library; and Ronni Kimm, co-editor of Dispatches and Directions: On Artist - run Organizations in Los Angeles and former Director of ART2102 in Los Angeles.

In 2014 her monograph essay on potter Edmund de Waal was published by Phaidon and this year an essay on stained glass artist Tom Denny will be published as part of a monograph on the artist.

This is the first time Turner Contemporary and Creative Foundation, the organisation that runs Folkestone Triennial, have collaborated on an artist commission.

While Gil works in a variety of formats, from small to immersive, this exhibition focuses on the artist's large works.

Also view paintings by Dan Namingha in our inventory, along with a great video on the artist by PBS New Mexico:

It provides a definitive monograph on the artist's works on paper and include original texts by Höch, translated for the first time into English.

Please join us at the Joan Mitchell Center in New Orleans for a presentation by Brooke Anderson on artist Martín Ramírez.

Bois has written widely on modern and contemporary art, and his 2005 essay on Sandback's work has remained one of the most influential pieces of scholarship on the artist to date.

Notable monographs on the artist's work include Diane Arbus (1972); Magazine Work (1984); Untitled (1995); Diane Arbus Revelations (2003); Diane Arbus: A Chronology (2011), and In the Beginning (2016).

Alex Bacon visited Larry Bell in his Venice Beach studio to reflect on the artist's long and influential career, which is currently being celebrated in an exhibition of work from the 1960s at Hauser & Wirth's uptown space at 32 East 69th Street.

Catalog essays include a main essay written by April Kingsley, a study on midwest Abstract Expressionism by John Corbett and Jim Dempsey and a case study on artist Melville Price by Tom McCormick.

The publication focuses on the artist's ballet works, and their proposals and realizations in the artist's words.

Also, artists» employees or interns may occupy the studio if they are working on the artist's project with permission from Queens Museum staff.

The exhibition coincides with the publication a major new monograph on the artist by the esteemed art historian Alexander Nemerov.

This new body of work builds on the artist's elemental vocabulary — the bricks, the clouds, the drilled holes, mounds and terrain.

The publication will contain rare archival documentation and new scholarship on the artist by contributors that include Tiffany Bell and will be available in spring 2010.

«It was hard to get a handle on this artist and how to categorize certain types of work by him,» Mr. Allan said.

A monograph on the artist and his work, recently published by Rizzoli, provides an intense exploration of the intriguing and complex life of this important painter.»

(The music resembles the kind characteristically used on the sound tracks of art documentaries, which might well be a wry joke on the artist's part.)

These new paintings are based on the artist's series of hundreds of computer - generated drawings created in homage to the exchange between artist and poet Brion Gysin (1916 — 1986) and writer William S. Burroughs (1914 — 1997) surrounding Gysin's «dream machine,» a device built by Ian Somerville in the late 1950s that uses oscillating light frequencies to stimulate the optical nerves while the viewer's eyes are closed.

Uptown, at Alexandre Gallery, «Lois Dodd: Selected Paintings,» organized in conjunction with the publication of a monograph on the artist by Faye Hirsch, could be read as both a context for Berlind's evolution and an affirmation of the continuing currency of paintings that examine perception.

Congratulations to our artist Samuel Jablon for being featured as an artist on artist in the current issue of BOMB Magazine.

Susan Inglett Gallery will present «Maren Hassinger: As One,» focusing on the artist's recent projects surrounding issues of equality.

Moore was both producer and cinematographer for «How to draw a bunny,» a documentary feature on the artist Ray Johnson.

In October, Art21 released a new film on artist Jamian Juliano - Villani and celebrated a decade of filming with Julie Mehretu.

Mark Mothersbaugh joins exhibition curator Adam Lerner, Director, Museum of Contemporary Art Denver, in this wide - ranging conversation focusing on the artist's career in both music and visual art, from his early, pre-DEVO decals to his recent music - making machines.

The exhibition focuses on the artist's public mural projects, and also includes several key later paintings.

Gaillard echoes this anachronism in the artwork's material itself Artefacts (2011) was shot on the artist's iPhone, and the resulting digital video was transferred to an older 35 mm format, in which the work is exhibited as a continuous loop.

Recognition of your contribution by name on the artist's booth sign, on Festival website with your exhibiting artist's profile image, and in the program.

Indeed, Bersani and Dutoit bring this non-engagement full round to re-focus it on the artist himself, whose «aggression toward the viewer -LSB-...] depend [s] on a prior self - aggression, a prior self - maiming» (4).

A documentary on the artist will debut Dec. 4.

The mural is based on the artist's project on view at the Smithsonian American Art Museum.

In addition to curating, she has written about a number of artists — five of her texts can be read in the Made in LA 201 catalog — and her essay on artist Valerie Piraino appears in the Studio Museum's Fore exhibition catalog.

A relatively recent Seattle transplant, keep an eye on this artist, as she blends her west coast sensibilities with her new Bushwick surroundings.

The message here is «Shame on you Mr Fink for capitalising on artist's hard sweat».