The Film & Video program of the Guggenheim Museum Bilbao lays a special focus
on artistic practices related to the moving image, experimental film, and video installation.
Not exact matches
Qiu Xiaofei's
artistic practice focuses
on painting, as well as sculpture and installation
related to painting.
You're invited to a public conversation between Nato Thompson, one of the foremost thought leaders
on socially engaged art, and photographer Zoe Strauss, addressing the cultural processes
related to community - based
artistic practice.
We will consider how older media have been adapted to incorporate new media technologies and strategies, how video games and the Internet have changed our expectations of media experiences, the impact of new media
on artistic practice, the important of new media in contemporary cultural economy, and
related topics.
The lectures were subsequently collected into a
related series of publications, providing a valuable record and extending the debate
on contemporary
artistic practice and theory.
Her
artistic practice is based
on conceptual ideas and
relates in its critical analyses of media and society to her distinctly European perspective.
Condorelli has long engaged with the architecture and context of the exhibition space, building modular furniture and reflecting
on the history of the institutions where she is showing, a fitting choice for this exhibition, then, which celebrates curatorial and
artistic work as always
related in ways that go beyond any traditional sense of curating as a
practice of caring and selecting.
Through a wide - ranging annual program of exhibitions supported by the production of original publications, editions, and
related events, TYPOLOGY is an open platform for diverse curatorial and
artistic practices and perspectives, and a forum for the exchange of ideas
on exhibition - making as a way to engage and inform audiences from all walks of life.
The exhibition addresses topics
related to class, family, friendship, affection, social mobility, bionomies, management of power, administration of life, definition of the private and the public, distribution of the sensitive, dualisms and separatism, among others; from an autobiographical point of view that from the personal speaks
on the conditions of the contemporary
artistic practices and ways of life today.
And as for
relating to institutional art world structures, she sees the work of public folklorists concentrating in the arts as having anticipated «relational aesthetics» and «social
practice,» but «done so
on its own terms and by privileging the voice of the
artistic tradition - bearer rather than the curator or artist / interpreter.»
Projects supported by The Kindling Fund may include (but are not limited to): public art projects, intervention or site specific installations, one time events or performances, the publication of writing directly
related to the visual arts including printed matter and online publications, online projects, artist residencies, series of screenings, curatorial projects that focus
on unconventional
artistic practice, lecture or workshop series, multimedia, video and photo projects, or unconventional exhibitions.
Projects supported by The Kindling Fund have included: curatorial projects that focus
on unconventional
artistic practice; public art projects, intervention or site specific installations; the publication of writing directly
related to the visual arts; and the creation of artist residencies and unconventional exhibitions.
The Library's Special Collections consist of artists» books, editions, rare artist's publications and periodicals, posters, and unique ephemera that
relate to and expand
on the Museum's permanent collection through illustrating the trajectory of the contemporary artist's book and editions and their continued relevance to contemporary
artistic practice.
As a palpable result of his displacement, subjects
relating to American history, democracy, politics, and great philosophers, Ralph Waldo Emerson in particular, became deep - seated influences
on his early
artistic practice, often manifesting in marked utopian themes.
Offering fresh insights
on dynamic models of
artistic practice, this panel brings together artists whose work is
related to current developments in technology and the realm of the digital.
Upcoming event Book launch, Making Art Global (Part I): The Havana Biennial, with Gerardo Mosquera, Rachel Weiss and others — January 19, 2012 Stedelijk @ If I Can't Dance I Don't Want To Be Part Of Your Revolution: performances A series of performances and events that further reflect
on the medium of performance and the diversity of
related artistic practices.
The exhibition introduces performance art with a focus
on the influence that carnival and
related masquerading traditions in and of the Caribbean and its diasporas have had
on contemporary performance discourse and
practice, in both the
artistic and curatorial realms.