In doing so, we wanted to broaden this discussion beyond the region and engage in a debate about the pressures and demands placed
on artistic practices within the instrumentalizing logic that underwrites the reductive rhetoric of our revolutionary, neo-liberal, globalized, and late - capitalist milieu.
Not exact matches
The conversation will focus
on their individual
artistic practices, the personal and cultural context that led them to their art, how they each express themselves through paint, and how they identify their place
within the lineage of Latino painters.
The Breathe Artist in Residence programme offers artists of Chinese descent an ideal environment to reflect
on their
artistic practice, research and make new work
within an international setting.
Magdalen Chua (MC) had a conversation with Punton and Spark, as a second part of a feature
on exhibitions presented during the Glasgow International Festival of Visual Art that place emphasis
on the process of collaboration and the subjective experience
within artistic practice.
December 7, 2016 — The Bowdoin College Museum of Art (BCMA) will present the first - ever survey of the museum's extensive collection of drawings, the oldest public collection of works
on paper
on the continent, illuminating the evolving and foundational role of drawing
within artistic practice.
Focused specifically
on the processes of making art, and those ideas which feed into contemporary
artistic practice, the gallery seeks to take risks and push the boundaries of how work is traditionally represented
within formal institutions.
A-I-R Laboratory hosts up to 30 international artists a year and focuses
on production and research based
practices within the context of the residency treated as an
artistic medium.
Both artists are no stranger to iconoclasm and have a strong predilection for the application of scientific techniques
within their
artistic practice, be it the use of X-rays
on paintings or diamond turning
on an antique bronze mirror.
However, upon further investigation, each piece reveals itself to exist
within the historical rubric of Austrian
artistic practice, touching
on many of its universal themes, including an engagement with technology, politics, and spirituality.
Central Saint Martins student Eva Cookney
on Becoming The Other, an exhibition exploring ethnography / anthropology
within artistic practice that she participated in at Rivington Place this May.
His
artistic practice is heavily community - based, dealing with the deep and complex issues of the prison industrial complex, its role
within society, and its impact
on his hometown's community.
Massa Lemu is a Malawian visual artist and writer whose multi-disciplinary
artistic practice takes the form of drawing, performance, and multimedia installations that are concerned with the contradictions of migration
within globalization and the effects of an immaterial, flexible and mobile capitalism
on the post-colonial subject.
In the mid 1960's,
within a context of social and political change, a revolution in
artistic practice broke loose both
on form and content levels.
The exhibition spans three galleries
within the Zaha Hadid - designed museum, anchored by overarching themes
within each: «Shifting Identities» explores how a changing China alters constructions of identity; «Body as Site» focuses
on the physical body as a literal and figurative site of discussion and debate; and «Confronting Tradition» highlights the ways in which artists draw inspiration from classical texts, teachings, and
artistic practices to reinterpret and question evolving power structures and social norms.
Central Saint Martins student Eva Cookney
on Becoming The Other, an exhibition exploring ethnography / anthropology
within artistic practice that she participated...
The Works presents a variety of Chicagoan approaches to this discourse: Marissa Lee Benedict & David Rueter, Theaster Gates, and Dan Peterman contextualize their multidisciplinary
practices within a wider scope of research and activism, reflecting first and foremost
on artistic production as a vehicle for ecological and social reflection.
He has found sanctuary for his
artistic practice here at Wave Hill, where he has been working
on mapping flood zones
within the five boroughs of New York City.
This ambitious program will include presentations
on distinctive
artistic practices within Canada's extraordinary visual art communities and will explore diverse aspects of this country's cultural identity with a special focus
on the West Coast.
Keynote Talk + Discussion Dave Beech Thursday 12 December, 6.00 pm - 7.00 pm, Lecture Room, IMMA Beauty and the Revolutionary Subject In this talk Dave Beech (London - based artist, writer and Senior Lecturer, Chelsea College of Art,) discusses the emergence of the modern conception of beauty and the cultural politics of this recent phenomenon, as well as contextualizing contested debates
on beauty in
artistic practice within the broader history of aesthetics.
Brunswick, Maine, April 2017 — The Bowdoin College Museum of Art (BCMA) will present the first - ever survey of the Museum's extensive collection of drawings, widely considered the oldest public collection of works
on paper
on the continent, illuminating the foundational and evolving role of drawing
within Western
artistic practice.
Within his
artistic practice, Shahryar Nashat uses means and ways to steer or interrupt the contemplative gaze, thereby directing the focus
on the unheeded, the unsolicited.
Artists of the decade often addressed these events specifically in their work, but also situated them
within the context of changes particular to the art world, such as the «culture wars» surrounding
artistic freedom and censorship; the impact of new media (video, sound, and digital art)
on artistic practice; and the expansion of the global art market, with its explosion of art fairs and art markets.
He went
on to do his bachelor's degree at the Camberwell College of Arts, University of the Arts, London, which helped him expand his
artistic practice to construct layers
within his photographic narratives to allow for the viewer to question what they see by oscillating between reality and fiction.
Titles such as Circuit Landscape give hints to a geographical genesis of the work, taking into consideration Binion's roots in Mississippi where his family lived and worked
on a cotton farm to their migration to Detroit and his father's work
within the automotive industry, autobiography was and is clearly a conscious influence
on Binion's
artistic practice.
The show offers a view
on artistic practices focusing
on the one hand
on how those two notions come together, and
on the other hand
on the tension and opposition
within them.
The exhibition will shed light
on the breadth of Chu Teh - Chun's
practice and suggest that, rather than adopting the ideals of Western painting, Chu's move to Europe encouraged him to discover and embrace these resonating elements already
within the Chinese
artistic tradition.
As a Singaporean institution for tertiary arts education, positioned at the crossroads of diverse cultures
within a multi-ethnic society, LASALLE aims to add a distinctive Singaporean viewpoint to the ongoing debate
on repositioning
artistic practice in a post-industrialised society.
Finnemore locates his photographic and
artistic practice within and around visual explorations
on the themes of Welsh identity; it's history, culture, landscape and it's psychological and spiritual nuances.
Over four decades of cultural development, from the Gilded Age to the Jazz Age, the exhibition examines Stettheimer's unique
artistic style, her position as a link between groups
within the New York art world, and her continued influence
on artistic practice today.
Image: Cindy Sherman, Untitled, 2010Courtesy the Artist and Sprüth Magers Berlin London For this show Sherman has assembled a cast of uniquely individual characters
on large photographic murals, marking a departure
within Cindy Sherman's
artistic practice from the format of the framed photograph.