Sentences with phrase «on as a physical object»

There's something extra special about seeing a game that you've worked on as a physical object, knowing that it will be in people's homes around the world.

Not exact matches

Where sensing differs from any purely physical process is that on the sentient, as such, the agent - object has a twofold effect: the sense organ is not merely physically altered, but is also mused to the psychic activity of sensing.

Take, bless, break, give — the bread was taken and offered to God; thanksgiving was said over it — and here we need to recall that for the Jew, all blessings have always been in the form of a thanksgiving to God for the objects which are to be blessed; the bread was broken, as Christ had done at the Last Supper and as His physical body was broken on the Cross; the bread was given — distributed, so that the believer might partake of it and thereby, as the Church believed, partake of Christ Himself and become one with Him.

But now we look on a physical object, not as a continuous corporeal reality only relatively at rest, but as a violent activity of infinitesimal organisms.

Surely God (on the more or less traditional conception Creel has) could produce physical triangles (or physical objects instantiating particular triangular shapes) as fast as he could think of the shapes.

I suggest that the note regarding physical and scientific objects in the second edition of the Enquiry be taken as a break on Whitehead's part with the position spelled out in the body of the book insofar as that position, because of its phenomenalistic orientation, rules out the possibility of the above - mentioned type of explanation.

Thus, Bergson's proto - mentalism is also interpretable as the positive face of the critique of simple location.4 The fallacy of simple location is the basis for the view, in both physical and logical atomism, that the «individuality of the atom [and of objects in general] is based precisely on its [or their] ontological separation from other simply located entities» (BMP 309).

As one can classify the shapes of objects based on the mathematical concept called topology, an exotic phase of quantum matter can be understood with underlying topology and symmetry in physical materials.

His course provided an introduction to stellar and galactic astronomy, with special emphasis on the multifrequency observations that have formed the foundation stone of the subject as well as the physical tools that have enabled astronomers to understand celestial objects.

Cosmologists typically focus on the large - scale properties of the universe as a whole, such as galaxies and intergalactic medium; while astrophysicists are more interested in testing physical theories of small - to medium - sized objects, such as stars, supernovae and interstellar medium.

Conduction and thermal radiation are two ways in which heat is transferred from one object to another: Conduction is the process by which heat flows between objects in physical contact, such as a pot of tea on a hot stove, while thermal radiation describes heat flow across large distances, such as heat emitted by the sun.

Stojkovic's new study, «Radiation from a Collapsing Object is Manifestly Unitary,» appeared on March 17th in Physical Review Letters, with UB PhD student Anshul Saini as co-author.

The writing was on the wall, and physical objects are increasingly seen as a bad investment.

Here, in South America we could enjoy the setting sun, with clouds, finally designed in Voxel that will make them appear as physical and real objects in 3D, abandoning those artwork spread on the sky.

Much like the camera based games on PS3, 3DS and iOS, Theater has you interacting with objects onscreen as if they were in the physical space you are occupying.

For example, technology and science lessons have benefitted from the ability to zoom in on physical objects, such as circuitry or practical demonstrations.

Water was «read» by their mind, heart, sensorial attitude, into a valuable process of transdisciplinary knowledge.3 The visit to The Water Tower4 of the town and its museum facilitated the real knowledge of the objects and instruments that were used during the centuries by the rural and urban civilization concerning the use of water; the creative workshops facilitated unexpected «meetings» between poetry, music and painting in the artistic imaginary frame of water; the presentations revealed the magic powers of the water as they are known in folklore, mythology and also the astonishing Bible significations of the water and its use in religious rituals; the scientific outlook on water brought forward for discussion its physical - chemical properties, its role in the human metabolism and in all living beings.

Objectives covered: Identify and name a variety of common wild and garden plants, including deciduous and evergreen trees Identify and describe the basic structure of a variety of common flowering plants, including trees Identify and name a variety of common animals including fish, amphibians, reptiles, birds and mammals Identify and name a variety of common animals that are carnivores, herbivores and omnivores Describe and compare the structure of a variety of common animals (fish, amphibians, reptiles, birds and mammals including pets) Identify, name, draw and label the basic parts of the human body and say which part of the body is associated with each sense Distinguish between an object and the material from which it is made Identify and name a variety of everyday materials, including wood, plastic, glass, metal, water, and rock Describe the simple physical properties of a variety of everyday materials Compare and group together a variety of everyday materials on the basis of their simple physical properties Observe changes across the 4 seasons Observe and describe weather associated with the seasons and how day length varies ALSO ADDED: Individual assessments for ALL science objectives for ALL year groups are available for purchase as are individual year group, KS1, KS2 or complete Primary packs.

These objects, referred to as virtual manipulatives, are essentially replicas of physical manipulatives placed on the World Wide Web in the form of computer applets with additional advantageous features.

Digital imagery directly augments and responds to the physical objects it is projected on, such as an animated character interacting with printed graphics in a storybook.»

If anything, many of the books previously sold in physical form and now sold in digital form had little or no value as objects — and probably little or no value after a year on the shelves.

If you are writing compare contrast essay about two objects, for example, you may focus on physical characteristics such as size and color or compare and contrast their usage.

For example, I'd happily pay a couple of quid above RRP for a print edition, if it included a voucher entitling me to the eBook as well — so when I'm travelling, I can take the books with me, but not be weighed down, or have them on my computer in searchable form, as well as the physical object.

The Rise of Vinyl: Just as vinyl is undergoing a renaissance among audiophiles, the move towards the highest quality printed texts in fine binding will gather pace, and just as new vinyl releases come with the digital files on a USB stick as part of the package, the forward - looking publishers will bundle e-delivery with the physical object and superserve their customers.

Most people — including me — think of credit card debt as «unsecured,» meaning no physical object is subject to forfeiture if the borrower defaults on the debt.

It's not just new physical objects for you to grab, either, there's some new Dragon Shouts to be discovered along way, such as Dragon Aspect which lets you take on the «Aspect» of a dragon once a day.

- customize the physical portal with Legos if you want - portal allows up to seven figures and objects at once - portal is divided into three sections - sections don't matter at first - when the Wicked Witch stuns characters with a spell, you have to physically move them on the portal to free them - characters placed on the right color on the portal can be transported to a corresponding colored wormhole in the game - portal will grow / fade green color as you're hunting down secret items - the stronger the green glow, the closer you are to the secret - portal allows use of characters and vehicles.

The first of the systems has a tangible effect on gameplay by reducing accuracy and vision every time Tokaj is frightened — with an inverse boost to physical damage — while the latter is basically a fancy way of describing how many of the objects you find in the environment are able to be used as melee weapons.

As ideas for physical objects on which to base new Robot Masters starts to run short, the developers have started turning to abstract concepts such as gravity, acceleration, and yamatAs ideas for physical objects on which to base new Robot Masters starts to run short, the developers have started turning to abstract concepts such as gravity, acceleration, and yamatas gravity, acceleration, and yamato.

As players clear lands of enemy control, they can discover new lands, or runes, by selecting a «wild rune» from the game's menu, or by scanning real world QR codes or bar codes on physical objects.

Phil looks at the landscape as an object rather than a place, emphasising the continuous physical processes that lead, on a geological timescale, to profound change.

Suzanne Friedli, co-founder and partner of Annex14 who represents the artist in Zurich comments: «When we saw the paintings of Otis Jones for the first time we were immediately impressed by the deepness and the density of this reduced language, the physical presence of the object - like works and the concentration on painting as a process.

Since 1975, you have taken existing materials and presented them on a different plane, encouraging viewers to look at the material or remnant not only as a poetic image, but as a doubling of reality in a physical and cultural sense, as Germano Celant described it in «Object and Display» (2015).

For centuries, Western art traditions have been centred on creating tangible and physical objects such as paintings, architecture and sculpture.

With Fersini's equal focus on the photographic image and its lustrous surface, the eye flits between recognizing the original photograph's perceptual depth — what it depicts — and the image as a physical / material object.

For the show, the gargantuan exhibition space on West 20th Street appears mostly devoid of physical objects, but so full of meaning that it feels as if the walls might burst.

The effect of the reflection is to both enhance the surface as a physical presence whilst at the same time complicating the reception of the image because of the way lighting and the presence of other objects are manifest on the surface.

Taking form as objects, images and installations, his current works examine our relationship with screen - based technologies, focusing on the convergence of digital experience and physical embodiment.

In this part of the exhibition space, the artists presented a six - channel video on projection screens situated in a way that mirrors the video's own 5.1 surround sound, engaging the visual, sonic, and physical fields as a combined object.

Both kinds of work highlight the presence of the photographic object and function as self - conscious meditations on photography's ongoing reorganization of our mental and physical landscape.

The six artists in Bibliothecaphilia, on view beginning January 24, 2015, explore the medium and ethos of libraries: institutions straddling the public and private spheres, the escapism that libraries offer, libraries» status as storehouses for physical books — and thus for experiences and knowledge — and the way that these objects circulate and are re-used.

In Sticky Pictures, Werner makes visible the source material of her paintings — not only the subject in the photograph, but also the photograph itself; the material quality of the printed image, its traces of weathering, handling and use, its physical presence as an object lying on the corner of a table or hanging loosely on a wall, in a space that might be a studio.

Using pictures shot on his iPhone during California excursions as a starting point, Schonziet acts on his interest «in being in a place, turning that place into a digital image, turning this previously small digital image into a machine made and very large physical object and then finally to manipulate the image or to dominate the image with a man - made gesture.»

The works are displayed mounted to materials such as aluminum or plexiglass, though rather than using these materials in their traditional mounting methods, the images are adhered to the surface and leaned on shelves or stood on the floor, with exposed sections of their mounting substrate and their freestanding nature highlighting the object qualities of the prints, along with their physical connection to the depicted subjects.

This figure, often fragmented, sometimes even completely abstracted, takes on various forms, from the human face, at once raw material and object of symbolic representation, as with Benglis's objectifying caresses, to the full body as place and tool of the trial and pleasure of repetition, as with Nauman's amateur choreography, bordering on the absurd, to the traces and physical prints left by the artist - creator (or the «art worker» in his service), as with the irregular random geometry of LeWitt, to the peers (Donald Judd) and tutelary figures in the history of art who inspire Flavin's evanescent structures... Now a disenchanted statement «Double Eye Poke» offers a challenge to the being of perception and thought.

As a direct result of the artist's desire to create objects that were standing on their own (and as part of the expanded field of image making, emphasizing nothing other than their physical presence), Judd's work is often called literalisAs a direct result of the artist's desire to create objects that were standing on their own (and as part of the expanded field of image making, emphasizing nothing other than their physical presence), Judd's work is often called literalisas part of the expanded field of image making, emphasizing nothing other than their physical presence), Judd's work is often called literalist.

Ironically, playing with the inversion of the original and the copy, Garaicoa fabricates the copy as a physical object by printing on ceramic tiles saturated with references to specific moments and incidents throughout Spanish political history, such as corruption, abortion law, sexual liberties and the legalisation of marijuana.

Whether introducing glass fragments on a print, thereby blurring the line between image and physical object, such as in Impossible Objects # 4, or casting a hybrid material she developed called puffy glass, Srinivasan's experimental contributions to the field are undeniable.

She conducted extensive research in archives, both online and physical, but instead of presenting a video or a gallery installation, as she had done with earlier pieces based on found objects, she created an Off Off Broadway solo show.

At L.A. Louver, a sharply focused show zeros in on LeWitt's capacity to transform abstract ideas into concrete objects that viewers experience as slippery interminglings of drawing, painting and sculpture — while comparing and contrasting such physical entities with idealized images of geometric perfection, which inhabit the mind's eye but never appear in the real world.