Sentences with phrase «on audience expectations»

Not exact matches

For a blog to be successful, you must stay on topic and cater to the wants, needs and expectations of your target audience.

In December 2013, the U.S. Army launched the «Defy Expectations» recruitment campaign, in which, according to the campaign's press release, «the U.S. Army takes the audience's expectations about what the Army experience is like and turns it on its head in a surprising but realisticExpectations» recruitment campaign, in which, according to the campaign's press release, «the U.S. Army takes the audience's expectations about what the Army experience is like and turns it on its head in a surprising but realisticexpectations about what the Army experience is like and turns it on its head in a surprising but realistic way.»

Based on our audience and revenue expectations for 2017, the average revenue per fan this year will amount to $ 3.64.

Peter Roybal, Head of Mobile, ABC News / Disney ABC Television will discuss how they adapt the formats of storytelling based on the story and their audience's expectations, to create varied audience segments of satisfied returning customers.

A ripple of expectation passes through the audience, eagerly anticipating a lecture entitled «Is the Great Barrier Reef on Death Row?»

Probably more than any other filmmaker, his name evokes instant expectations on the part of audiences: at least two or three great chills (and a few more good ones), some striking black comedy, and an eccentric characterization or two in every one of the director's movies.Originally trained at a technical school, Hitchcock gravitated to movies through art courses and advertising, and by the mid -»20s he was making his first films.

Psycho is pulpy and sordid and perverse, shot in black and white on a low budget to give it the tawdry feel of a B movie, and directed with the impeccable craft of a master who knew how to shock the sensibilities and shake up the expectations of an audience.

All the characters in his film are flawed creatures, and McDonagh twists the audience's expectation on their heads and plays with our distaste and sympathy simultaneously.

One of the joys of Asante's filmmaking is how she subverts audience expectations to make observations on politics, race and gender: As Sophie Mayer observes in her review for Sight & Sound, «in a clever twist on the Bechdel test, Asante shows that it is through talking about marriage and men that the female protagonists of costume drama are able to articulate a political philosophy.»

Not that it's a bad thing, of course, as audiences are likely experiencing blockbuster fatigue at this point in the year, but while there are some promising movies on the schedule, you probably shouldn't set your expectations too high.

«Hunt continues to resonate broadly and successfully across younger and older audiences alike and the film exceeded expectations in its second frame on its way to a third frame expansion into 60 screens in the Top 30 DMAs.»

The DVD's pitiful two bonus features will leave much to be desired for that format's audience, while the Blu - ray's picture - in - picture commentary, deleted scenes, and Easter egg go a ways to meet expectations on that format.

Perfectly marketed, playing on built - in audience expectations and with producer Christopher Nolan participating (he worked closely with writer David S. Goyer), anything less than this super-gross would have been a problem.

But today, we're looking on the positive side of the year's films in the form of six excellent movies that sort of caught audiences off guard by exceeding expectations in some form.

That could end up hurting the movie more than it helps it if expectations are set too high, but the script didn't earn a place on the Black List for nothing, and if it's anything like Kim's oddball Western «The Good, the Bad, the Weird,» then U.S. audiences could be in for a fun treat.

Paul addresses the camera on several occasions, making reference to the structure of the story and to the expectations of the audience.

Besson even manages to subvert audiences expectations at a few points by not delivering on big showdowns and staying true to his protagonists abilities and motives.

Taylor manages to bring out plenty of insinuating textures in the characters to keep the audience intrigued, but he never quite gets a grip on the Hitchcockian elements of this story about identity and life expectations.

Abandoned by its original director and with its release date pushed back several times before finally being unleashed on audiences, The Wolfman arrives with very low expectations that it meets with gusto.

Victoria breaks audience expectations early on, when the four strapping youths who accost the title character in the street at 4 am turn out to be friendly and non-threatening.

We could of made a decision just to make a film a year that go down in terms of quality because you're just pumping shit out because you need to feed an audience's expectations or you can sit on an idea for four years.

Both opened above expectations, capitalizing on East Coast audiences looking for distraction amid the recovery from the storm.

It was then, after the audience's expectations for visual effects was permanently altered, that Hollywood started to lose its grip on the relationship between narrative necessity and epic scope.»

The filmmaker understands how audiences respond to terror on screen, thwarting our pleasure by toying with and condescending to our expectations — like a Catholic school nun sticking a pin into a voodoo doll of Regina Hall's loud - mouthed character from the first Scary Movie.

Besson manages to subvert audiences expectations at a few points by not delivering on big showdowns and staying true to his protagonist's abilities and motives.

There's an element of «seeing it to believe it» built into the presentation: Expectations based on the history of a mostly direct - to - video franchise, an aging action - hero cast, and a patently absurd premise so conspicuously contradict the art - house sensibility of the film itself that you can hardly blame the first wave of audiences for feeling wowed by the shock.

No other film on the list inspired such low expectations from me before viewing it, but celebrated Irish playwright Martin McDonagh has kick - started the played - out Brit gangster genre with a dose of existential neurosis, refreshingly languid pacing and ream upon ream of rapid - fire, ferociously literary dialogue that credits its audience with as much intelligence as its audience.

Focus on the expected outcomes, based on the audience's prior skills, experience, expectations and needs, and design a course based on the available technology, budget and time.

I was a little embarrassed and almost wanted to dial back the audience's expectations on the night of the presentations!»

«Tropes are devices and conventions that a writer can reasonably rely on as being present in the audience members» minds and expectations,» according to TVTropes, a wiki that houses hundreds of these figurative concepts.

Whether facilitating a hands - on program for a small group in a classroom, or presenting an assembly performance to a large audience, teaching artists should proactively establish and enforce expectations for behavior.

This experience demonstrates several of the district's philosophical underpinnings: designing activities and assessments that require students to incorporate essential 21st century skills, allowing students to work on clearly defined tasks with clear expectations, conducting group work that requires true intellectual collaboration, and having an authentic audience for learners beyond the teacher or the proverbial refrigerator door.

Assistance with figuring out the best way to market yourself and your book, based on your target audience, budget, and expectations

The Type of Author Who Will Have the Most Successful Campaigns Is: • Willing to be involved and engaged • Active on social media • A team player • Realistic about their expectations • Friendly with fellow authors in the industry • Has an appreciation for booksellers • Willing to walk over hot coals to meet one fan, versus only doing something with an audience of 1,000 people • Patient, understanding that publicity is a marathon, not a sprint.

(There are almost a million apps in the iTunes app store, and, unlike at store's launch, it is much harder to discover new authors on there given the competition and audience expectations.»

My narrative on the hot seat doesn't meet workshop audience expectations.

In genres that have a fairly standard plot formula — romance (cute meet, conflict, HEA), mystery (crime, investigation, unmasking the criminal), etc. — that's... Continue reading Fulfilling audience expectations on every page →

«That makes it more challenging, as you keep on ramping up the audience's expectations of the kind of stories you're going to tell.

Largely playing to audience expectations once again, Microsoft's 2012 E3 Press Conference focused largely on the system's expanding media license support and Kinect integration.

When I first spotted the game in the Nintendo Press Conference, I was a little skeptical that Kirby's newest outing have the cahones to take on the expectations of the hardcore fans, as it looked to appeal to a younger audience with the new art direction.

Table Top Racing: World Tour marks the series debut on consoles, and while the formula of mini cars, power - ups and larger than life tracks hasn't been altered too much, the move to consoles means the audience has different expectations compared to the mobile market.

We're committed to seeing how we can address modern audiences» expectations, which run on a spectrum from a more individually contemplative experience to a more social and experiential one.

A (not so) white cube (2001) is a site - specific project for P.S. 1 which humorously plays on the expectations of the art audience.

At The End Before The Beginning is an experimental film on the topic of expectations — how we experience anticipation as social beings, individual person, and film audience.

Is it too much of a risk for the Tate, with its eye on attendance figures, to promote exhibitions of abstract painting to a mass audience whose attention span has been shortened by the expectation that contemporary art should be either shocking or fun?

This unconventional thinking might come from the fact that the owner was a collector before a gallerist, and seems to make decisions based on personal interests and impulses rather than an audience or client's expectations.

Zaatari's two - part contribution to dOCUMENTA (13) similarly challenges the expectations audiences may bring by casting his latest works on archives not in the context of politics, history and memory but rather as a love story for two men played by three actors, in the black and white, 16 mm silent film The End of Time (2012), and as a mentor — apprentice drama in Time Capsule (2012), an extended performance for which the artist buried a concrete - encased collection of small monochromatic paintings — a tribute to an unnamed photographer said to be losing his sight — in a hole in the ground that was dug next to the Fulda River in the Karlsaue Park, with four spokes of rebar marking the spot.

But in answer to your question that is a little different: I would probably continue to work on my research, trying not to deceive myself from the expectations of those around me, which the internet has always eased much, creating a bigger, wider and far audience.

His work, which is increasingly being presented in an art context, often takes the form of productive sabotage; he constructs and deconstructs musical situations that play on the expectations of audiences.

With an emphasis on championing the voices of emerging artists and bringing forward new concepts through curated exhibitions, CPW's year - round exhibition program brings forth work that challenges expectations, broadens our understanding of the world around us and connects audiences to the future of the photographic field.