«Atmos is based
on audio objects - spears going overhead, a child crying, a car revving,» notes Jowitt.
Not exact matches
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Other home theater
audio technologies, even those that add height information, still rely
on channels and do not create
audio objects.
Dolby Atmos is based
on the concept of
audio objects.
Ghost sounds better
on BD than it has in years, too, the disc's 5.1 Dolby TrueHD
audio finally doing justice to the deep groan of the subway ghost's angry vibes as well as the static crackle that greets Sam's failed attempts to move
objects with his mind.
Lower frequencies sound louder when transmitted through solid
objects (like bones) than they do through the air, so the bones in your head act like the bass control
on your
audio system.
For example, early years assessments often now use tablet - based tasks in which children are given
audio instructions through headphones and manipulate
objects on screen.
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audio system with satellite radio and 13 speakers, steering wheel
audio controls, rear - view monitor, hard - drive navigation system, Infiniti Connection telematics system, around - view monitor with moving
object detection and front and rear sonar system Options Technology package ($ 3,500), includes backup collision intervention, intelligent brake assist with forward collision warning, blind spot warning and intervention, lane departure warning; Deluxe Touring package ($ 3,200), includes 20 - inch aluminum wheels, Bose surround - sound
audio system with 15 speakers, panoramic sunroof; Theatre package ($ 2,300), includes dual seven - inch colour monitors and two wireless headphones
Meanwhile
on the
audio side you're going to need a decent, Dolby - equipped soundbar or home cinema amplifier to get the benefits of vertical,
object - based
audio.
Current exhibition: «Jason Moran: STAGED» Through July 30 «STAGED,» the first solo exhibition by the musician - composer - artist Jason Moran, presents
objects and works
on paper, including two large - scale sculptures with
audio from Moran's «STAGED» series that were exhibited in the 56th Venice Biennale.
Building
on this process, how do you describe your current interactions with cinema / film / video, the stuff animals, and the
audio manipulations in relationship to your earlier exploitations of pristine (virgin)
objects and materials?
Texts appear
on walls and windows of galleries and public spaces, as spoken word in
audio recordings and video, printed books and posters, cast or carved
objects, tattoos, graffiti, lyrics, online, ad infinitum.
Antonia Hirsch
Object T, 2015 HD video, stereo
audio, headphones, granite, steel, heating hardware 12» 6» looped
on 92 cm x 54 cm flat screen / 92 cm x 54 cm x 35 cm granite monolith Courtesy the artist and Repubic Gallery, Vancouver
However, an
audio recording describes how otherworldly
objects can refer back to our own world, reminding us that even
on Earth, there are still many geological
objects and sites to be discovered.
Instead of the conventional display of information, Deball has created a newspaper about the
objects on show, and recorded a poetic
audio guide that blurs fact and fiction.
Pipilotti Rist, [Installation View] Himalaya's Sister's Living Room, 2000, seven projections surrounded by furniture and
objects, wallpaper mounted
on wood, seven players, one
audio system with four speakers (sound with Anders Guggisberg).
Multimedia installation composed of structured stage,
objects, furniture, video,
audio and works
on paper..
Now, over 40 years later, Yoko Ono: One Woman Show, 1960 — 1971 surveys the decisive decade that led up to Ono's unauthorized exhibition at MoMA, bringing together approximately 125 of her early
objects, works
on paper, installations, performances,
audio recordings, and films, alongside rarely seen archival materials.
She juxtaposes references from the past and present (or future), weaving visual and
audio material (including video clips found
on the internet), digital rendering techniques and
objects, alongside so - called primitive and high tech elements, creating distinct and evocative installations.
The title of the program, Grand Openings Return of the Blogs, refers to an additional documentary element of the work — a daily account of the actions in the form of handwritten texts, fabricated
objects, and
audio podcasts — which will be presented in the gallery space and
on MoMA.org.
Maya Chami (b. 1981, Beirut) will present
on loop three
audio - visual works, Of Men, Champagne and Victory Aside (2012) and Transitional digital
objects (2011) as well as a new work titled Jasmine - Tree: Copy Cat, inspired by The Watermill Center cat.
Creating works in a diverse array of mediums, employing fabric,
audio, video, film, installation, cultural events, and artistic happenings, Riedel often copies or recycles his own past work or art - related
objects to comment
on, expand, or even invert the meaning and intention of the original
object or event.
The
audio component, created by the group Organ Octet and edited by Dale Berning, is presented
on custom - built speakers that spin intermittently, sending the clatter and rolling sounds of spinning
objects and the airy tones of miniature organs around the space.
On the third floor, Songlines presents an interactive, location - based
audio experience through Björk's albums, with a biographical narrative that is both personal and poetic, written by the acclaimed Icelandic writer Sjón, along with many visuals,
objects, and costumes, including the robots designed by Chris Cunningham for the «All Is Full of Love» music video, Marjan Pejoski's Swan Dress (2001), and Iris van Herpen's Biophilia tour dress (2013), among many others.
EXHIBITION Jan. 24, 2014 «Carrie Mae Weems: Three Decades of Photography and Video» Opens at Guggenheim A survey of her work over the past 30 years, the exhibition was organized by the Frist Center for Visual Art in Nashville to include more than 200
objects (photographs, video,
audio, text and fabric banners) and an accompanying 280 - page catalog The exhibition opened at the Frist Center
on Sept. 21, 2012, and was
on view through Jan. 13, 2013, before traveling to the Portland Art Museum, Cleveland Museum of Art, Cantor Center for Visual Arts and finally the Guggenheim in New York (Jan. 24 to May 14, 2014).
On the
audio side, the Nvidia Shield TV supports 5.1 and 7.1 surround sound, as well as Dolby Atmos
object - based surround sound.
Because the
object - based
audio mix is delivered to home theaters, Dolby Atmos has the ability to adapt to extremely diverse speaker setups, from sound bars to systems with five speakers
on the floor and two speakers producing overhead sound to Dolby Atmos supersystems with 24 speakers
on the floor and 10 overhead speakers.
When the user locks in
on an
object by clicking
on the touchpad, they'll receive
audio cues as they draw closer and closer to the
object in question, as well as repetitions of the
object's name to help them ensure that they stay
on track.
Our WebRTC 1.0 API implementation provides support for peer - to - peer
audio and video based
on a subset of the W3C WebRTC - PC API circa 2015, prior to the addition of the WebRTC
object model.
On the user end, that's further supported by a dedicated rendering engine which pushes standard
audio and spatializes ambisonic or
object - based
audio through output devices, whether that's headphones or speakers.
Object - based
audio soundtracks promise improved surround imaging compared with current Dolby Digital, DTS, Dolby TrueHD and DTS - HD Master
Audio formats found
on many TV shows and movies today.
Now the company that brought us surround sound is bringing its
object - based
audio experience into the home and
on mobile devices.
Its take
on channel encoding doesn't pre-mix
audio for a specific setup, instead it takes an
object - based approach to saving
audio data which is mixed together right before the sound comes out of your speakers.
Unlike traditional
audio mixing, which associates a sound with a particular speaker
on a 2D plane,
object - oriented
audio technology treats each sound (the roar of an airplane, bullets flying through the air, raindrops hitting leaves, birds chirping, and so
on) as an individual
object.
If this generation has been visually defined by the emergence of 4K, then the
audio equivalent has to be
object - based
audio, most predominantly with Dolby's own Atmos technology, and the Plantronics RIG 400 is billed as the easiest way of getting in
on this sound revolution.