Sentences with phrase «on autobiographical references»

The exhibition press release informs us of the artist's choice, based on autobiographical references, to entitle this series Untitled Anxious Men.

Not exact matches

This broadly phenomenological type of argumentation is necessary to the sort of «explicit» conviction that depends on direct and first - hand evidence, even while it properly recognizes that «our thought unavoidably moves within a hermeneutical circle which excludes any simple resolution of fundamental differences» (PP 87).11 Since it makes immediate reference to the evidence of one's own experience, a description of which is at issue, and only then is extended to all others one sympathetically imagines to be like oneself, it is essentially an autobiographical type of argumentation.

Whether it's a play on the meaning of image vs. object (á la Magritte), a call to «read» rather than simply look, or an autobiographical reference to his own isolation from the New York art world, the diversity of meanings and narratives derived from this «simple» juxtaposition have kept critics opining for years.

Great chronicler and one of the most incisive commentators of the contemporary society and culture, Grayson Perry combines his subversive art with autobiographical references from his childhood and family to transvestite alter ego Claire, making distorted commentary on class, taste, consumerism, and art versus craft.

Whether it's a play on the meaning of image vs. object (a la Magritte), a call to «read» rather than simply look, or an autobiographical reference to his own isolation from the New York art world, the diversity of meanings and narratives derived from this «simple» juxtaposition have kept critics opining for years.

These include overt or subtle autobiographical references, considerations of the meaning of home or homeland, and reflections on the passage of time.

The work on display by female artists indicates the extensive range of the exhibition: Hannah Wilke (who died that year), whose autobiographical works dealt directly with female iconography as well as the effect of cancer on her own body; the performative, body - based work of Cheryl Donegan, referencing both video and gestural painting; the more traditional yet highly stylised and idealised portraits of Elizabeth Peyton, and the critical performance and media work of Coco Fusco.

From this point on, Johns's work increasingly includes autobiographical references such as the artist's shadow, first seen in his Seasons series (Summer and Fall, 1987).

The innovativeness and inventiveness of her work, rich in autobiographical elements and subtle comments on society, serve as a reference point and source of inspiration for generations of artists and art lovers.