Not exact matches
Versatile playmaker, great numbers at the combine, big
on film study, yet due to
average coaching still has a ton of room for growth.
In fact, after the Sooners» coaches studied all their game
film of 1967, Fairbanks said that «our
average gain
on all plays going over Kalsu, including short yardage and goal line plays, is 6.2 net yards rushing... This is what we coaches grade as... near perfection.»
That journey — filled with personal milestones for Joe, and eye - opening experiences with
average Americans — was captured
on film, and has become the award - winning documentary Fat, Sick & Nearly Dead.
Unlike the first two
films in the series The Dark Knight Rises is
average, even bordering
on poor.
Below are the
films released by each individual distributor during 2015, ordered by
average Metascore (beginning with the major studios as a group and then moving
on to the smaller companies).
And the jokes, respectful of the culture the
film embraces, rely
on the
average viewer's familiarity with all - things - Mexican to come off.
Filmed in less than glorious two - strip Cinecolor, this
average Eddie Dean western benefited from Dean performing «Ride
on the Tide of a Song», «Journey's End «and «I Can Tell by the Stars».
* Grades are determined (
on a curve) almost entirely by
average Metascore, but with a small bonus awarded for each «great»
film (with Metascore of 81 or higher) released during the year.
Even including the studio's few misfires (The Fifth Estate, Delivery Man, The Lone Ranger), Disney grossed
on average more than $ 170 million per release in the U.S. alone; no other studio
averaged over $ 100 million per
film.
On the contrary, Disney's
average Metascore declined nearly 10 points last year compared to its 2012
film slate.
If the
film's best defense is that it's showing what the
average teen goes through, the making of mistakes and all, I'm glad I wasn't an
average teen because some of her actions border
on downright stupid.
As he has proven
on «Saturday Night Live» and multiple small
film roles, he excels at loosy - goosey, dignity - free merriment and can deliver even the most
average of punch lines with enough lunacy to merit a laugh.
And, given the relatively slim picking
on the modern
film landscape, even marginal success
on any one level is enough to keep the
average moviegoer sated.
But I digress, moving
on to this
film, which falls into the
average / below
average pile.
I've softened a bit
on the
film, but I can't call it anything more than
average.
Starring Tika Sumpter — also a producer of the
film — and Parker Sawyers, who portray the young Obamas
on their first date, the title grossed an estimated $ 3,060,065 through Sunday in 813 theaters,
averaging a decent $ 3,762.
Box Office: «G.I. Joe: Retaliation» may not have hit the first
film's $ 54.7 million mark, but $ 41.2 million
on a $ 11,078 per theater
average is still a very solid start.
Following CDC scientists, World Health Organisation officials, a conspiracy blogger and the
average man
on the street - the
film shows the spectrum of responses to the MEV - 1 virus.
However, I've yet to hear much personal discussion
on it from anyone other than the critics and it would seem that Farhadi has still some way to go before he gets the recognition he deserves among your
average film enthusiast.
All in all, Danny Collins leaves a
film critic feeling okay and perhaps an
average moviegoer better than that, as evidenced by the
film's formidable 7.2
average user rating
on IMDb, where the scribe's every
film is overrated.
AMC is currently airing season one of «The Son,» which is
averaging 2.3 million viewers each week, capping a day of classic Western
films and television shows
on Saturdays.
In sum, more men than women write
film reviews in the nation's top circulation newspapers, and men write more reviews than women
on average.
Not only are women outnumbered as
film critics, staff writers, other types of critics, and freelancers, women also review fewer
films on average than men.
There's is a lot of irony, juxtaposition and contrast going
on in this
film but that's what makes it so multi-layered and much more than your
average slice - of - life drama.
It isn't an amazing
film, but it has enough interesting ideas going
on with some pretty great practical effects that make it a slightly above
average film.
I agree this
film was very good and will contend
on the CGI and motion capture pieces alone, but I did find the human acting a little
on the
average side rather than the extraordinaire.
Male critics write slightly longer reviews,
on average, about
films directed by and / or with at least one woman writer (
average of 485 words) than about
films directed and / or written by males (
average of 473 words).
Dog lovers will probably eat it up, as evidenced by the most respectable 6.8
average user rating the
film currently holds
on IMDb.
Currently the
film has an
average rating of a 3.4
on our site.
Anderson and Day - Lewis who collaborated
on the story and character certainly created the
film they wanted to make, but will have to contend with the fact that the pacing and premise will turn off the
average moviegoer.
Even
on IMDb, a site which skews towards serious and discerning young male moviegoers, the
film carries a fairly
average 6.9 out of 10 user rating.
Now that the American government has become indistinguishable from your
average Veep episode, series creator Armando Iannucci has decided to take
on amore light - hearted topic for his next
film: Fearsome Soviet dictator Joseph Stalin.
So far, the
film has received a cozy reception from critics
on the Croisette with an
average of three outta five star ratings.
A stylish American thriller knee - deep in paranoia, Brian De Palma's Blow Out is a neatly packed, thrill - ridden
film executed
on a level far beyond
average filmmaking.
The
film centers
on sixteen - year - old Lloyd (Dave Franco), who's an
average high school kid outside of the fact that his father is an evil overlord bent
on destroying the city of Ninjago.
This
film is your
average documentary
on a bender of Red Bull.
The
film, based
on an ancient story, grossed $ 278,500 for a slim $ 928
average.
We reckon the
average movie - goer has seen about 28 of the
films on our 100 best action movies list.
The
film has garnered rave reviews since its opening weekend last weekend which saw it open
on teh second highest screen
average after Hollywood flick Gone Girl.
My next screening looms, so very quickly: Takashi Miike's For Love's Sake, playing here as a midnight movie, may or may not be his first musical since 2001's The Happiness of the Katakuris — I can't be sure because the dude makes three
films a year
on average and I can only keep up with about half of his output.
The
film failed to repeat the performance of its kinder, gentler (if equally tin - earned) faith - based counterpart I Can Only Imagine — which is still holding strong at No. 4, by the way — opening with a splat at No. 12 with $ 2.6 million
on 1,693 screens, a dismal $ 1,553 per - theater
average.
The
film has clearly been made
on a tighter budget than your
average Hollywood shoot -»em - up, but Travis makes the most of limited resources: the industrial backdrops are stunning, the action scenes sizzle and the eye - of - the - addict Slo - Mo sequences are sickeningly beautiful.
At a basic level, this implies two possible conclusions: either
films with outstanding female lead performances actually aren't as good (
on average) as
films with outstanding male lead performances, or there's an unfair perception among Academy voters that this is the case.
This is an
average commentary, as the group discusses the making of the
film, focusing
on the actors and the script.
The
film by Italian Luca Guadagnino from a script by James Ivory based
on the novel by Andrè Aciman came out with flying colors, surpassing Lady Bird with the year's best opening weekend per theater
average.
As such, the effects workload wouldn't have been any higher than the
average blockbuster — of course there would be heavy CGI elements, but probably far less than something like, say, Disney's other forthcoming tentpoles «John Carter» and «Oz: The Great and Powerful» — and the fantastical elements, at least in Elliot and Rossio's draft (Justin Haythe has since come
on board to rewrite) aren't massively prominent, the
film being more of a straight action Western.
On paper, this is your
average generic comedy sequel cash - in, but in execution it is something much more interesting and relevant; one of the better Seth Rogen
films out there while easily being the best thing Zac Efron has ever done (then again, realistically speaking here, all we really have to compare against is complete utter garbage like Dirty Grandpa).
After an expansion
on the first weekend of 2013 earned the
film a pitiful
average of $ 478 from 565 theaters, the barely operational Paramount Vantage quickly scaled back the release, which ended up earning just $ 611 thousand
on a $ 20 million budget.
The
film focuses
on Pratt's Emmet, an
average Lego who's mistakenly pegged as the guy who's destined to save the world and forced to join a special fellowship to help stop an evil tyrant.
Averaging a bitrate of 38 mbps, the crown jewel of this package is the 2.40:1, 1080p transfer of the
film itself, a thing of perfection whose magnificence quite honestly sneaks up
on you as you catch yourself peering deep into an image that starts to seem almost holographic in its three - dimensionality.